The Buddies’ Unreleased Audio Commentary: Harold and Kumar Go To White Castle, 20th Anniversary Blu-Ray

The Buddies attempt to record audio commentary, but Little Buddy the Cat is mesmerized by White Castle’s sliders.

Big Buddy: Hello and thank you for joining us as we watch one of our favorite movies, Harold and Kumar Go To White Castle. I’m Big Buddy.

Little Buddy: And I’m the more handsome Buddy.

BB: This one’s a classic stoner comedy, a Cheech and Chong for the 2000s about roommates who get really high one night, venture out in search of White Castle burgers and end up on an adventure. It’s really that simple.

LB: And delicious.

BB: Yes. Now Harold is the straight-laced one and already his co-workers are dumping their unfinished tasks on him as they head out of the office on Friday.

LB: Seriously uncool.

A concerned young man in a light blue dress shirt with a tie sits at a desk with a computer, looking at a colleague who is speaking to him.
Harold’s work colleagues dump their unfinished reports on Harold.

BB: Indeed. I love this scene where Harold calls Kumar, his roommate, to tell Kumar he will not be home until late and won’t be able to partake in their Friday night ritual. Kumar’s in a job interview for a resident’s position at a hospital and he stops the interview to take the call.

LB: The guy interviewing him can’t believe it. Is this within bounds of human etiquette during job interviews, servant?

BB: It is not. Neither is mentioning getting high later or grabbing a photo of the interviewer’s daughter off his desk and lusting after her, as Kumar is doing right now.

A man in a suit and a woman in a pink dress stand side by side in an elevator, both appearing pensive.
Harold is tongue-tied while in the elevator with the beautiful Maria.

LB: Well it didn’t take much to convince Harold to ditch the work and come home. Now he’s in an elevator with a human female, riding it up to his floor. Why doesn’t he talk to the human female?

BB: He’s scared.

LB: Preposterous! I would be like “Hi, I’m Buddy, I’m a very handsome and meowscular cat.” But only if she was also a cat.

BB: Sure, sure. Okay, so Harold’s home and Kumar is getting out the…

LB: Catnip! Wow! That’s a lot of catnip!

BB: Uh…

LB: That looks like really good catnip, dude!

BB: Sure, yeah. Catnip.

Two young men sitting on a couch, laughing and enjoying a casual moment together. One is holding a bong, while the other holds a remote control.
Kumar and Harold enjoy premium catnip.

LB: But why are they putting it in that contraption and…smoking it?

BB: That’s the way humans, uh, enjoy catnip.

LB: I swear, you are the weirdest species. Why can’t you just roll around in it and eat it like I do, like a civilized creature?

BB: Because we are uncivilized, obviously.

LB: You said it. They both look like they’re zombies. Zombies who laugh a lot.

Two men sitting on a couch, laughing and enjoying a moment together while watching television.
The catnip has taken effect.

BB: That is essentially what they are thanks to the catnip. It has that effect on humans. And look! A White Castle commercial!

LB: Oh my God! Those juicy burgers!

[Harold and Kumar have a similar reaction on screen, mesmerized by the delicious White Castle burgers in the commercial.]

LB: Look at them! They’re perfect. They’re small, juicy, delicious burgers. Perfect for a cat!

[Little Buddy flings himself at the TV and tries to lick the screen.]

BB: Calm down, dude.

LB: I can’t. I need those burgers! Where are they, servant? Where is the nearest White Castle?

BB: In Yonkers.

LB: Let’s go! Get your keys! But first, the catnip.

A clear jar labeled 'Meowijuana' filled with hand-trimmed catnip buds, featuring a cartoon cat wearing sunglasses on the label.

BB: I’m not going to Yonkers now.

LB: Yes you are. We are. Retrieve the catnip for me, get your keys and put your shoes on.

BB: No.

LB: That is an order, servant!

BB: You’re missing the movie, little dude. See? Harold and Kumar are leaving their apartment to embark upon their adventure.

LB: As are we. Don’t make me make you cooperate.

[20 minutes later after incessant, brutal, maximally annoying screeching.]

BB: Fine! Okay? You win, just stop! Stop, please! Man, I have a headache now. What are you staring at me like that for?

LB: Hoist me up. I’m going to ride on your shoulder.

BB: I can carry you to the car.

LB: That would be undignified, whereas if I ride on your shoulder, there will be little doubt as to who’s in charge.

BB: Ugh. Fine, let’s get this over with.

LB: I can almost taste the burgers already! I want cheese on mine. And bacon. Hold the onions. Oh, and servant? Instead of fries, just get me more burgers. Do you think 17 is enough or should I get 23 just to be safe? Does the website say if they still have those little chicken patty burgers? We have to talk about the sauce, a sauce strategy so to speak, before we get there. That’s important. We really must hurry, my stomach is rumbling. What’d you do with the catnip? Gimme gimme…

RIP Tim Curry: Our Favorite Performances From The Longtime Character Actor

Curry had enormous range, appeared in blockbusters and indies, and was familiar to audiences from at least three generations.

With all the media attention on the death of country singer Dolly Parton, the shocking floods in Nepal and President Trump’s ongoing spat with Canada, you might have missed another sad bit of news, the death of longtime character actor Tim Curry.

Curry was a presence in every movie he appeared in and was instantly recognizable by his cartoonish, made-for-Hollywood smile.

Here I’ve written about some of his roles. They may not be his subjective best work or even his most memorable, but they were my personal favorites:

Herkermer Homolka, Congo (1995): Curry, in a role that almost seems like a proto-Borat, is first introduced as a benefactor who wants to help fund Dr. Peter Elliot’s effort to bring his study subject, a gorilla named Amy, to the place where she was born in war-torn Congo. It isn’t long before Curry’s Homolka encounters liquidity problems and he’s exposed by Ernie Hudson’s Captain Monroe Kelly as a man obsessed with legends of the Lost City of Zinj. The jungle-swallowed city is said to contain vast riches in the form of diamonds and a mine unlike any other in the world, Curry’s Homolka reminds the other characters loudly and often. He believes it’s close to where Elliot is taking Amy.

Curry gets one of the funniest scenes in the movie when Delroy Lindo’s Congolese warlord, amid a tense negotiation over bribe money, gets angry, turns to Curry and shouts “Stop eating my sesame cake!” An animated GIF is worth a thousand words:

Curry’s character is bumbling, single-minded, oblivious to danger, and an absolute pleasure to watch in a film that was a major spectacle even if the script didn’t quite hold up its end against a great cast and outstanding special effects.

Darkness, Legend (1985): It’s surprising how few people seem to have heard of or seen Legend considering it stars Tom Cruise and Mia Sara, with Curry as the villain and Ridley Scott – still basking in the triumphs of Alien and Bladerunner – in the director’s chair.

Legend was an oddball by the standards of the time, with dream-like, almost hallucinogenic cinematography and an ambient score by German electronic music pioneers Tangerine Dream. There were very few stabs at live-action fantasy epics at the time because of the cost, difficulty and questions over whether audiences would respond, which wouldn’t be definitively answered until 2001 with Peter Jackson’s Lord of the Rings.

Here we get classic Curry as the villain, albeit in heavy makeup with prosthetic horns, fangs and head ridges worthy of a Klingon:

It’s still an epic if limited performance, and if you’ve never seen this one, you owe it to yourself to check out one of the weirdest films of the 80s.

Mr. Hector, Home Alone 2 (1992): For the sequel to the beloved McCaulay Culkin movie about a kid accidentally left at home during a family vacation, Curry’s character took on the duties of Joe Pesci and Daniel Stern, the adults who were repeatedly foiled and humiliated by Culkin’s character, Kevin, the first time around.

In the sequel, which also features a certain future president in a cameo, Curry plays the suspicious concierge at The Plaza Hotel in New York City, where Kevin is once again alone after being forgotten for a second time by his family. I don’t recall exactly how the script writers engineered a second bout of parental amnesia, but kids didn’t mind. I know because I was one of them, and I ate this crap up.

Here we have Curry at his most Curry-ness. I mean, just look at that smile:

Curry’s performance turned a rote repeat plot into a genuine adventure as he grows increasingly suspicious of Kevin. As the movie progresses he takes desperate measures to catch the slippery kid and prove he’s been living it up in the hotel by forging his father’s signature and using his credit cards. This was, after all, the early 90s when identity theft wasn’t even on most people’s radar. Credit card companies definitely wouldn’t call you to confirm if you just ordered a dozen pizzas to a hotel room in a city you don’t live in.

Curry did an impressive volume of voice work over the years, much more than most people realize, and while he provided voices to some of my favorite after-school cartoons as a kid, the most memorable was in Gargoyles, the ahead-of-its time Disney animated series about gargoyles turned into stone statues during the dark ages, then reanimated in modern-day New York City where they’re forced to learn quickly and adapt to new dangers.

He appeared as IT in the 1990 TV adaptation of Stephen King’s novel, a one-off character in the pilot to the cult science fiction series Lexx, had a role in the abominable Charlie’s Angels reboot of 2000, and is perhaps best known for The Rocky Horror Picture Show, which I confess I have not seen. He also had memorable roles in The Hunt for Red October, Clue and Scary Movie 2.

Curry seemed to have no ego about his work, taking on embarrassing roles with relish and lending his voice to innumerable children’s TV classics. He was one of the last of the old breed of character actors, an inimitable talent, and he’ll be sorely missed.

‘Project Hail Mary’ Is A Surprisingly Poignant Take On What Could Be Out There — And A Buddy Comedy Too!

Venture out into the cosmos and we might find an existential threat — or we may find friends who welcome us into a joyous fraternity among the stars.

ET. The Last Starfighter. Explorers. Enemy Mine. Arrival.

While Alien is nightmare fuel combining dread in its purest form and the hallucinogenic visuals of one of modern history’s most disturbed artists -creating a vision of extraterrestrial life so horrific that many audiences couldn’t deal with what they were seeing when it hit theaters in 1979 – science fiction also has a strong tradition of imagining friendship in the stars.

Audiences love it when their spacefaring hero finds a buddy.

Project Hail Mary is that kind of movie, but it doesn’t look that way at first. Dr. Ryland Grace (Ryan Gosling) is a biologist who was laughed out of higher education when he published papers arguing that our ideas about what’s necessary for life to spark were all wrong.

Grace is an enthusiastic middle school science teacher when we meet him through the eyes of a UN official who recruits him for what will be known as Project Hail Mary.

The movie uses classroom scenes for exposition, as the young students beg Goslin’s Dr. Grace to tell them why the astrophage endangers Earth. Credit: MGM

The sun is dying. No one’s sure why until an amateur astronomer named Irina Petrova discovers a wispy line of infrared radiation bridging Venus to our home star. The newly-Christened Petrova Line is made of astrophage, a virus-like organism that feeds on stellar energy, robbing the star of its power.

What begins as a gradual, almost imperceptible drop in the sun’s energy quickly accelerates and the Earth’s temperature begins to plummet.

The same papers that got Grace exiled from academia land him a spot on the worldwide project to study and destroy the astrophage. The usual assumptions about how life operates are not cutting it, and the project needs all the independent thinkers it can find to look for a solution.

If they can’t find one, the dying sun will leave the Earth in a deep freeze. In turn it will bring on a new ice age, the destruction of most of Earth’s arable farmland, mass extinction of plants and animals, then famine and all the horror that comes with it.


The narrative cuts between past (Grace’s introduction to the project and its early days) and present, when Grace is one of three crew members headed to the star system Tau Ceti to find out why it’s the only star in our cluster that hasn’t been infected with astrophage. In our entire galactic neighborhood, only Tau Ceti — a G-type star similar to our sun about 12 light years out — continues to burn bright.

The movie offers some spectacular, sometimes even trippy space vistas, such as this one of the planet Tau Ceti E. Credit: MGM

It turns out humans are not the only ones desperate to know why Tau Ceti is not dying, and that’s where the movie goes from interesting to emotionally resonant, poignant and a heck of a lot of fun.

There’s plenty of mystery, tension, and awe at the beauty of creation, all against the backdrop of Grace’s evolving relationship with his unexpected buddy.

This is a movie that would have been a major challenge for any lead actor, and Gosling not only imbues Grace with with a self-conscious, cautious bearing, he also does a great job of carrying long scenes without the benefit of another expressive human face to help him sell the action and drama.

What could have been convoluted science is explained to the audience in simple and effective terms. The problem is outlined elegantly, and the stakes are made very clear. If no one can figure out how to stop the astrophage, humanity will likely survive in the near term, but only in miserable, resource-depleted, technologically retrograde pockets of people who regard others as a threat. Eventually even those holdouts will succumb to cold and starvation.

The same image of Tau Ceti E from above, but this time viewed in a different wavelength of light that reveals the astrophage traveling along Tau Ceti’s own Petrova Line.

The film doesn’t trivialize space either. An interstellar journey is the kind of thing we might be able to accomplish with the pooled resources of humanity, the brightest engineers, designers and scientists of our species, but it’s also a long, extremely dangerous and difficult undertaking.

Thus the name Project Hail Mary. It’s a long shot, audacious and unlikely to succeed, but as Sandra Hüller’s UN project leader explains to Goslin’s Grace, the only alternative is to do nothing and wait to die.

Perhaps most importantly from a science perspective, the film offers a clever way for the project to generate the energy needed to send a ship to Tau Ceti at near-light speed. Currently we might be able to build a viable vessel, which would be a monumental design and engineering challenge, but it would take more than 150,000 years to travel that far with our best current propulsion systems. More energy — and speed — is a must, especially when the mission is a race against time, with only a few decades before our planet freezes over.

The movie’s solution won’t help us in real life, but within the context of the narrative it’s a clever way of traversing enormous distances in a short time instead of the thousands of years it would normally take.

Every star within dozens of light years of Earth is infected with astrophage and dimming except for Tau Ceti. Why?

Plausible science provides the framework for the story, but its payoff is emotional, and Dr. Grace’s experiences with his strange new friends will remain with you after the credits roll.

If you’re like me and didn’t rush to see this in the theaters because you found The Martian — based on a book by the same author — overhyped, do yourself a favor and spend an evening in Project Hail Mary‘s world. It’s a journey well worth taking, and the rare movie that leaves you with a glow by the time the credits roll.

Project Hail Mary is currently streaming on Amazon Prime video.

Even a SF-horror fan like me would love to see more lighthearted science fiction in the mold of Project Hail Mary and classic 1980s science fiction adventures like The Last Starfighter and Explorers.

Watch Mafia Cats Throw Their Weight Around In Pixar’s ‘Gatto’ Trailer

The animation studio’s forthcoming movie is about crime cats who rule Venice with an iron paw.

Cats are cute and furry but they’re also tyrants who are ruthless when it comes to getting what they want.

Maybe that’s why they’re perfect as mobsters, something the creative minds at Pixar realized when they decided their next animated feature would involve feline mafiosos.

Titled Gatto, the movie is slated to hit theaters in 2027, but you can see a preview below. In the film’s first trailer, Mark Ruffalo’s Nero, a skinny black cat, assists the local mafia boss cat, voiced by Laurence Fishburne, in interrogating a ginger tabby about a missing can of tuna.

They’re quite serious about the missing tuna until they get distracted in a most feline way:

Which reminds me: it’s been ages since we checked in on Buddy’s sworn enemies, Los Gatos cartel, and the Machiavellian maneuvers of the catnip wars… The cartels vs the meowfia promises to be a catnip clash for the ages!

Buddy cuts a dashing figure in his slick Italian suit.

The Big Cats Of ‘Exodus’ Are Badass

The new science fiction franchise consists of novels, a short film, a game due out next year, and an encyclopedic art book. It’s got a compelling narrative, deep lore and all the trappings of great SF, and best of all it has awesome big cats.

Exodus is a hugely anticipated upcoming game from the team behind the beloved Mass Effect series, but it’s so much more than that.

It’s also a 900-plus page science fiction novel, Exodus: The Archimedes Engine by the outstanding novelist Peter F. Hamilton. A second book, Exodus: The Helium Sea, also authored by Hamilton, is due for release on June 16. A short film in the Amazon Prime Video series Secret Level, titled Exodus: Odyssey, further expands the fictional universe and its lore, as does an “encyclopedia” hardcover about the Exodus universe, its major factions, planets and technology.

Matthew McConaughy is enthusiastically involved, as an actor and producer. (Allright, allright, allright!)

Oh, and it has big cats!

The screenshots in this post are from Exodus: Odyssey, and depict an Awakened Jaguar.

In Exodus, certain animals are “Awakened,” meaning they’ve been genetically modified to give them cognitive and physical gifts.

In the case of big cats, it means they’re smart enough to understand human language, follow complex instructions, interact with technology, and make decisions. Big cats are companions, guards and serve as intimidating special units in the military.

The Awakened Jaguar in this scene is the companion and guardian of a planetary governor. He’s very protective of his human and immediately leaps up to growl in warning when a visitor takes an aggressive step forward.

The Awakened Jaguar leaps up as a conversation becomes intense.
Awakened animals can wear tech peripherals, weapons, armor and tools. Big cats are mostly muscle, guards, soldiers and are used to intimidate enemies, while planetary police forces use Awakened dogs and one prominent character is an Awakened octopus who occupies a tank in his own personal mech, allowing him freedom of movement outside of water.

In Exodus: The Archimedes Engine, there’s a scene depicting Awakened Lions deployed with the military. They’re considerably larger than terrestrial elephants, weighing several tons, standing three times the height of adult men. They’re terrifying to behold, which is precisely why the Celestial military has them accompany their generals as honor guards.

There are also Awakened Tigers who are bigger and much more intelligent than their Earthly counterparts, with fur that can function as active camouflage. The Awakened Tigers are described and illustrated in a companion book, which notes that while the genetically modified big cats are powerful, intimidating and extremely effective, they also have voracious appetites, scarfing down more than a hundred pounds of meat per day.

The Exodus encyclopedia shows an Awakened Tiger standing protectively over a recon soldier:

A two-page illustration of an Awakened Tiger from the Exodus Encyclopedia.

As for the story behind Exodus, I cannot say enough good things about Exodus: The Archimedes Engine.

Hamilton is known for sprawling far-future narratives that combine memorable characters with fabulous technology, vividly imagined societies and awe-inspiring discoveries in the cosmos.

Many of his novels deal with humanity’s encounters with alien civilizations, which range from the serenely benevolent (the Raiel) to the terrifyingly genocidal (MorningLightMountain) and everything in between.

Exodus departs from that template to tell a story about a conflict between regular humans and the Celestials, post-humans who have spent tens of thousands of years on a self-guided evolutionary path that has transformed them into creatures that no longer bear any resemblance to the rest of humanity.

A Celestial queen from the Crown Dominion. The Crown Dominion’s Celestials appear bizarre to us but are actually among the more “normal” looking of the Celestial factions. The most inhuman are said to be the dread Mara Yama and the Talloch-Te.

To say the Celestials consider themselves better than “baseline” humanity is a drastic understatement — Celestial societies have no qualms about breeding humans for specialized labor and roles, emphasizing traits like subservience and loyalty.

In other words, regular humans are treated the same way many in our current society treat animals, as commodities and resources to exploit.

Naturally that does not sit well with people, and the central narrative follows a rebellious group who seek to free every faction from Celestial shackles.

I’m looking forward eagerly to Exodus: The Helium Sea, the second epic novel set for release in six short weeks. I was a bit anxious that a series of novels as a tie-in to a game would be somehow not as great as Hamilton’s usual books, but I should have known the author doesn’t do anything half-assed. The first book introduced compelling mysteries and answered a lot of burning questions, but left plenty to look forward to and resolve.

And as much as I’m hyped for the story, I’m also crossing my fingers for more big cats. Maybe I can convince the creative team that their universe needs an Awakened Buddy…

“No, dude, I get the captain’s quarters! I will generously allow you to use my bed and you will continue to have the honor of being my pillow and stuff.”