Tag: film

‘Project Hail Mary’ Is A Surprisingly Poignant Take On What Could Be Out There — And A Buddy Comedy Too!

Venture out into the cosmos and we might find an existential threat — or we may find friends who welcome us into a joyous fraternity among the stars.

ET. The Last Starfighter. Explorers. Enemy Mine. Arrival.

While Alien is nightmare fuel combining dread in its purest form and the hallucinogenic visuals of one of modern history’s most disturbed artists -creating a vision of extraterrestrial life so horrific that many audiences couldn’t deal with what they were seeing when it hit theaters in 1979 – science fiction also has a strong tradition of imagining friendship in the stars.

Audiences love it when their spacefaring hero finds a buddy.

Project Hail Mary is that kind of movie, but it doesn’t look that way at first. Dr. Ryland Grace (Ryan Gosling) is a biologist who was laughed out of higher education when he published papers arguing that our ideas about what’s necessary for life to spark were all wrong.

Grace is an enthusiastic middle school science teacher when we meet him through the eyes of a UN official who recruits him for what will be known as Project Hail Mary.

The movie uses classroom scenes for exposition, as the young students beg Goslin’s Dr. Grace to tell them why the astrophage endangers Earth. Credit: MGM

The sun is dying. No one’s sure why until an amateur astronomer named Irina Petrova discovers a wispy line of infrared radiation bridging Venus to our home star. The newly-Christened Petrova Line is made of astrophage, a virus-like organism that feeds on stellar energy, robbing the star of its power.

What begins as a gradual, almost imperceptible drop in the sun’s energy quickly accelerates and the Earth’s temperature begins to plummet.

The same papers that got Grace exiled from academia land him a spot on the worldwide project to study and destroy the astrophage. The usual assumptions about how life operates are not cutting it, and the project needs all the independent thinkers it can find to look for a solution.

If they can’t find one, the dying sun will leave the Earth in a deep freeze. In turn it will bring on a new ice age, the destruction of most of Earth’s arable farmland, mass extinction of plants and animals, then famine and all the horror that comes with it.

The narrative cuts between past (Grace’s introduction to the project and its early days) and present, when Grace is one of three crew members headed to the star system Tau Ceti to find out why it’s the only star in our cluster that hasn’t been infected with astrophage. In our entire galactic neighborhood, only Tau Ceti — a G-type star similar to our sun about 12 light years out — continues to burn bright.

The movie offers some spectacular, sometimes even trippy space vistas, such as this one of the planet Tau Ceti E. Credit: MGM

It turns out humans are not the only ones desperate to know why Tau Ceti is not dying, and that’s where the movie goes from interesting to emotionally resonant, poignant and a heck of a lot of fun.

There’s plenty of mystery, tension, and awe at the beauty of creation, all against the backdrop of Grace’s evolving relationship with his unexpected buddy.

This is a movie that would have been a major challenge for any lead actor, and Gosling not only imbues Grace with with a self-conscious, cautious bearing, he also does a great job of carrying long scenes without the benefit of another expressive human face to help him sell the action and drama.

What could have been convoluted science is explained to the audience in simple and effective terms. The problem is outlined elegantly, and the stakes are made very clear. If no one can figure out how to stop the astrophage, humanity will likely survive in the near term, but only in miserable, resource-depleted, technologically retrograde pockets of people who regard others as a threat. Eventually even those holdouts will succumb to cold and starvation.

The same image of Tau Ceti E from above, but this time viewed in a different wavelength of light that reveals the astrophage traveling along Tau Ceti’s own Petrova Line.

The film doesn’t trivialize space either. An interstellar journey is the kind of thing we might be able to accomplish with the pooled resources of humanity, the brightest engineers, designers and scientists of our species, but it’s also a long, extremely dangerous and difficult undertaking.

Thus the name Project Hail Mary. It’s a long shot, audacious and unlikely to succeed, but as Sandra Hüller’s UN project leader explains to Goslin’s Grace, the only alternative is to do nothing and wait to die.

Perhaps most importantly from a science perspective, the film offers a clever way for the project to generate the energy needed to send a ship to Tau Ceti at near-light speed. Currently we might be able to build a viable vessel, which would be a monumental design and engineering challenge, but it would take more than 150,000 years to travel that far with our best current propulsion systems. More energy — and speed — is a must, especially when the mission is a race against time, with only a few decades before our planet freezes over.

The movie’s solution won’t help us in real life, but within the context of the narrative it’s a clever way of traversing enormous distances in a short time instead of the thousands of years it would normally take.

Every star within dozens of light years of Earth is infected with astrophage and dimming except for Tau Ceti. Why?

Plausible science provides the framework for the story, but its payoff is emotional, and Dr. Grace’s experiences with his strange new friends will remain with you after the credits roll.

If you’re like me and didn’t rush to see this in the theaters because you found The Martian — based on a book by the same author — overhyped, do yourself a favor and spend an evening in Project Hail Mary‘s world. It’s a journey well worth taking, and the rare movie that leaves you with a glow by the time the credits roll.

Project Hail Mary is currently streaming on Amazon Prime video.

Even a SF-horror fan like me would love to see more lighthearted science fiction in the mold of Project Hail Mary and classic 1980s science fiction adventures like The Last Starfighter and Explorers.

The Story Of Orangey, Audrey Hepburn’s Cat In Breakfast At Tiffany’s, Plus: Why Do People Steal Cats?

Orangey the Cat enjoyed a suspiciously prolific career as Hollywood’s top feline actor for almost two decades. What’s the story behind the iconic moggie?

Orangey, the cat who famously belonged to Audrey Hepburn’s character in Breakfast at Tiffany’s, had an impressive and improbable film career beginning with 1951’s Rhubarb and ending with roles in TV series like Green Acres and The Flying Nun almost two decades later.

A new story in The Guardian charts Orangey’s film career and attempts to reconcile conflicting information about the famed feline. At least two cats played Orangey in Breakfast at Tiffany’s, while potentially dozens were used for Rhubarb, a comedy about a cat who inherits his wealthy late owner’s fortune and assets, including a baseball team.

“Watching the cat performances both within the movies and across the different titles certainly lends credence to the idea that Orangey was more a cat type, provided by trainer Frank Inn, than a specific animal,” The Guardian’s Jesse Hassenger writes.

Orangey had a prolific career in film and TV, one that would have been very difficult for a single cat to manage due to the number of appearances and the unlikely length of his tenure as Hollywood’s top cat.

In fact, color mattered less than resemblance because most of Orangey’s appearances were in black and white, so it’s possible Orangey wasn’t always Orange. (Later performances were filmed in color and some films were subsequently colorized.)

Using more than one cat for a role is pretty standard in Hollywood films that feature felines. Keanu, the 2016 Key and Peele comedy about an eponymous kitten who is stolen by drug dealers, cycled through several kittens as the pace of production was simply too slow compared to the rapid growth of real life kittens. In 2024’s A Quiet Place: Day One, two very similar-looking cats, Nico and Schnitzel, shared the role of Frodo, the cancer-stricken protagonist’s emotional support animal.

Why do people steal cats?

In early 2023, more than 50 cats in and around Kent, England, were abducted and returned with patches of fur shaved off.

At first people suspected the perpetrators were engaged in some bizarre form of animal cruelty — and some later copycats, for lack of a better word, across the UK may have been motivated to cause distress — but authorities later said they believe the catnappers were checking to see if the felines were spayed or neutered.

If they weren’t, those cats were kept for breeding, while the others were dropped off where they were found.

A cat shaved during spay/neuter surgery. Credit: jp_the_man/reddit

That rash of disappearances and other cases of car abductions factored into a staggering report from the Royal Kennel Club’s lost pets database: of the 25,000 pets reported missing in the UK between January 2023 and June 2024, more than 20,000 were cats.

Those cases and others are highlighted in a report from The Telegraph published on Thursday detailing the increase in reports of stolen felines. While the actual number of police reports are unknown due to discrepancies in the way such cases are classified by police, data from the Kennel Club and microchip companies, as well as anecdotes, indicate a concerning spike in cat theft even as the UK has mandated microchips for every pet cat.

Some, like the recent case involving an Amazon delivery driver, are crimes of opportunity. They’re spur-of-the-moment decisions by people who encounter cats they might want for themselves or people close to them.

Others, like the mass pet thefts in Kent, could have ties to larger organized crime operations.

And some are attempts to make a quick quid by petty thieves who count on the emotional bond between plpeople and their animals to demand ransom for the four legged family members, like one couple who abducted a woman’s cat and ransomed her for the equivalent of a few hundred dollars.

That woman, who was identified only by the pseudonym Helen in the story, said she was torn between getting her cat back and encouraging the people who took him.

“I was worried the same thing would just keep happening,” she told the newspaper. “It’s not something you want to encourage – paying to get your cat back – in case they do it again.”

Critics Rave About ‘Alien’ Reboot Starring Buddy The Cat!

A reboot of the iconic scifi-horror film upends the balance of power, placing the feline at the very top where he should be.

The long-anticipated Alien reboot starring Buddy the Cat hit theaters this weekend with audiences flocking to see the modernized classic after effusive praise from critics.

Featuring the new tag line “In space no one can hear you scream — unless you’ve got Buddy on your side,” the reboot reimagines the science fiction-horror classic as a cautionary tale about messing with cats.

“While the original built tension over almost two hours and inspired an overwhelming feeling of dread in viewers, the new Alien clocks in at just 28 minutes and ends right after the iconic chestburster scene,” critic Ferdinand Lyle wrote. “Instead of screeching into the shadows of the ship to commence its turbocharged metabolic processes, only to emerge later as a fully formed creature who terrorizes the crew, this alien is immediately caught by Buddy, who delivers a swift kill bite and deposits it in front of the humans. They reward him with a chorus of ‘Good boy!’ and rub his head while plying him with snacks, and the credits roll. Now that’s efficient storytelling!”

The Alien 👽 was no match for Buddy, who woke from a nap to dispatch the creature with brutal efficiency.

The new version is “the ultimate FAFO flick,” raved the AP’s Misty Lemire.

“The central message here is ‘Don’t tangle with Buddy.’ The apex predator of the cosmos is no match for the apex predator of Earth.”

Other critics were enamored with a post-credits dance scene featuring Buddy, the crew of the Nostromo and dozens of face-huggers who fly through the air, forcing the cast to bust impressive dance moves to avoid the dangerous creatures. At one point Buddy launches into a breakdance routine. The actress who plays Ripley wags a finger at a xenomorph and declares “You just got served!”

“It’s clever, light and wildly entertaining,” one critic wrote. “Buddy’s got some magnificent dance moves!”

Others praised Buddy for his impressive physique. In an interview with Entertainment Weekly, Buddy said he’d been training non-stop for eight months for the role, eating a high-protein diet and spending five hours a day napping in the gym to accentuate his meowsculature.

“The effort paid off big time,” a review from Calico Critics noted. “Buddy looks more ripped and impressive than he ever has, and he was already competing against a high bar he set during his previous films.”

In the post-credits dance scene, Buddy and the Nostromo crew perform a synchronized routine while dodging facehuggers.

However, not everyone was impressed. Reached this weekend at his New Zealand bunker, where he’s fled “until America isn’t annoying anymore,” director James Cameron called the Alien reboot “derivative, low-calorie cinema junk.”

“Remember when I had characters saying ‘Hasta la vista’ and ‘Adios, muchachos’? That was really cool. I was one bad hombre,” Cameron said. “Audiences might think this is a good film, but that’s because they haven’t seen the wonders of Avatar XVII yet. Just wait, it’s gonna be awesome. And there are no cats.”

Predator: Badlands Is An Epic, Surprisingly Funny Adventure, And Even Has A Breakout Character Named Bud

Badlands is a romp through a vividly realized alien world filled with danger. It’s also a film with heart.

Hollywood pumps out so much disappointing content, especially in the age of streaming, that it’s easy to become disillusioned with movies altogether.

But every once in a while there’s a film that reminds you how much fun movies can be, hitting all the right emotional notes while taking you completely out of this world for two blissful hours.

Predator: Badlands is that kind of movie. Unexpectedly funny and poignant, it also delivers the kind of action audiences have come to expect from the Predator franchise — and then some.

The biggest change here is that, for the first time, a Yautja (the alien species we call the Predators) is the protagonist.

Njohrr is a Yautja clan leader who believes Dek is not strong enough to earn his place in the clan.

Dek isn’t just any Yautja. He’s a youngster who is horribly wronged in the opening minutes of the film and sent to Genna, a place his species calls the “death planet” because virtually every form of life there is monstrous and spectacularly lethal.

His own death is a foregone conclusion on the brutal world until he meets two unlikely allies: Thia, a damaged synthetic (android) built by the notorious Weyland-Yutani corporation, and Bud.

Bud steals the show, but I wouldn’t dream of robbing anyone of the pleasure of experiencing Bud the way writer/director Dan Trachtenberg intended, so I will say no more.

Elle Fanning and Dimitrius Schuster-Koloamatangi play Thia and Dek, respectively. Fanning adds a human element as she and Dek team up initially for survival, then out of loyalty to each other.

Badlands has a lot of heart and a script that knows just when to slice the tension. In one quiet scene after surviving an encounter with a particularly nasty creature, Thia (an energetic Elle Fanning) raves about the experience and the excitement of accompanying Dek and Bud on a hunt.

“The Dynamic Trio! Remember when we went down the tree? That monster’s mouth? I mean… Uggh. Didn’t smell great, didn’t smell great, but we got him. We got him! Thank you, seriously, for that experience. Truly amazing. Thrilling! Truly thrilling.

“What was your favorite part?” she asks the young Yautja.

“When my sword pierced the creature’s skull and its blood ran down my face,” Dek deadpans.

Dek is not invincible, and he’s without the vast majority of his arsenal, with only his trusty heat sword to defend against the hyper-aggressive fauna of Genna.

This is Trachtenberg’s second Predator film, and Badlands exists because he proved there was life still left in the franchise with 2022’s Prey.

That movie was unfortunately streamed direct to Hulu without a theatrical release, as were several big time films that year, because of a resurgent COVID wave. (Remember the Delta variant?)

But critics and audiences, including your humble Buddesian correspondents, found a lot to like in the story of Naru (Amber Midthunder), a young Comanche woman living on the Great Plains in 1719. After encountering a Yautja, Naru warns her tribe that a mysterious and dangerous creature is stalking their lands, but they laugh at her and accuse her of telling tall tales — until they see the Yautja for themselves, at which point they don’t find it amusing anymore.

Midthunder was fantastic, and Prey balanced its historical setting with stunning action sequences and quiet character moments.

Amber Midthunder as Naru in 2022’s Prey.

In earlier installments, including Prey, the Yautja were always the antagonists. We knew they were a warrior culture, that they followed an honor code and possessed fantastically advanced technology, but for the most part the Yautja remained a blank slate aside from some non-canonical media (mostly novelizations, comics and games) that attempted to expand the universe.

Badlands demystifies the Yautja somewhat out of necessity, which is always a dangerous gamble (just ask the xenomorph of Alien fame, which lost its mystique half a dozen sequels ago), but significantly raises the emotional stakes.

Dek isn’t invincible. Circumstances have robbed him of most of his arsenal, he’s thrown into a perilous and unfamiliar world, and he’s haunted by the fresh memories of the tragedy that sets off the events of the film.

That makes it easy for the audience to identify with and root for Dek, despite the difficulty of conveying emotions with alien facial features. Dimitrius Schuster-Koloamatangi deserves credit not only for imbuing Dek with physicality, but also for getting the most he can out of the Yautja youngster’s brooding body language, howls of frustration and slowly dawning realization that he can choose his own path in life.

It may take a planet teeming with horrors to make an underdog of a Yautja, but Badlands succeeds on that count.

Predator: Badlands set a record for the franchise with a $40 million opening weekend, and pulled in $184 million total at the box office. It was made available for streaming this week. With the financial success, and the positive reviews from critics and fans alike, it’s possible we’ll see Dek, Thia and Bud continue their adventures in a sequel.

New Crime-Comedy ‘Caught Stealing’ Stars A NY Cat Named Bud

A bartender gets more than he bargained for when he agrees to watch his neighbor’s cat in the new comedic crime flick Caught Stealing.

In Caught Stealing, the newest film from director Darren Aronofsky, a seedy guy named Russ (Matt Smith) asks his neighbor Hank (Austin Butler) to watch his cat for a few days while he’s out of town.

The cat is not only a handsome little fellow, he’s got a spiffy name: Bud.

The problem? Russ has seriously pissed off New York’s criminal element, and Hank is unaware a category five shitstorm is about to make landfall. No matter how many beatings he takes from gangsters who mistake him for his neighbor, the Lower East Side bartender takes his cat-sitting duties seriously.

“Bud remains central to the action,” the New York Times notes. “His skeptical gazes punctuate scenes and his presence endears the audience to Hank, who goes out of his way to protect the somewhat ornery creature when the going gets rough.”

Tonic and his co-star, Austin Butler. Credit: Melissa Millett

Alas, Caught Stealing‘s Bud is not our Bud, although that’s probably for the better. Our Bud would drive the on-set catering crew mad with his turkey-related demands, and he’d run off camera to hide behind my legs during fight scenes.

Instead, Bud is played by a pro, a cat named Tonic who has appeared in the remake of Stephen King’s Pet Sematary and the horror flick Thanksgiving.

Aronofsky tells the Times about the on-set cat wrangling, noting felines are usually “not very notorious for their collaboration skills.”

Still, Charlie Huston, who wrote the book the movie’s based on as well as the screenplay, said the team didn’t take any shortcuts with Bud.

“I don’t feel like we made it as easy for ourselves as some people would have wanted,” Huston told the Times. “I remember a lot of conversations about, ‘Do we have to have the [expletive] cat in this scene?’”

The fact that they did keep him squarely in the action is testament to Tonic. Before the little guy got the role, the team had it narrowed down to him and one other cat. Tonic made the decision easy for them.

“It was just such a no-brainer because the other cat was fine, but Tonic was such a rock star on Day 1 and that was without prep,” Huston said.

Tonic with trainer Melissa Millett. Credit: Melissa Millett

Tonic is so accustomed to performing in live events and movie appearances, he was ready to show off his skills — and to get his paws on his rewards.

“The second he came out of his crate,” trainer Melissa Millett said, “he looked like he thought he was the king of the world and he was ready for all the chicken.”