Detective Buddy And The Case Of The Vanishing Yums

In the seedy underbelly of Paw City, where niplords run kitty crack empires and feral gangs fight eternal turf wars, one unshakable detective brings the bad cats to justice.

The call came in after midnight.

Shots fired near Burmese Boulevard, with witnesses reporting one party fleeing the scene in a car while another took off on foot.

Normally I’d tend to other biz and let one of the kids in the detective bureau have their shot, but the commissioner’s on my ass and the mayor is worried about what the headlines will do to the tourism economy.

Leave it to the leaders of a dump like Paw City to care more about the scratch in their pockets than the felines they’re supposed to protect.

But I’m a grizzled detective. I know where the real power naps, and it ain’t city hall.

It’s Scratcher Tower, home of the international consortium that runs Big Yums, controlling the flow of every last morsel of kibble into this forsaken city. The Fat Cats on the top floor, they call the shots, control the mayor and have their paws in every pie. If it’s biz, the Fat Cats get their cut.

The feds? They talked a big game last year when they popped Angelo Felinzino and nailed him on a racketeering charge that earned him 15 to 20 in the slammer. But the Fat Cats are a hydra, and even though Felinzino was rumored to be the consortium’s top earner, the fellas in Scratcher Tower’s penthouse didn’t miss a beat.

It was pouring by the time I pulled up near the corner of Tortoiseshell Street and Burmese Boulevard. I padded out of the warm comfort of my ride, the Budmobile, and told it to watch my back. The Budmobile’s AI chimed in acknowledgement and miniature silos opened on each rear quarter panel, ejecting a pair of drones. One drone circled above me in a defensive posture while the other zoomed ahead, scouting my path.

I tasted wet rain and something else. My nose wrinkled, pulling me toward a funky scent. I crouched, sniffing the sidewalk, and that’s when I saw them: crumbs made soggy by the downpour, their addictive chemicals turning a shade of toxic lime as they interacted with the acid rain.

A Temphead had been here not long ago.

Tempheads are dangerous. They’ll do anything to get their fix, even if it means stealing from littermates or breaking into homes to raid the treat cupboards.

No Temphead was going to catch me off guard, I thought as I placed a paw on my holster and felt the reassuring grip of Thunderclaw. The old revolver was reliable and had legitimate stopping power. The sight of it alone was often enough to get bad guys to back down.

Lightning cracked the sky as I followed the crumbs down Burmese Boulevard, under the old wrought iron bridge and into a back alley.

I paused and sniffed. The Temphead had lingered here at the door to a shady-looking ripperdoc clinic, probably trying to get them to buzz him in. The ripperdoc was smart, didn’t want anyone bringing heat down on his clinic, so he turned the Temphead away.

My keen sense of smell and my detective’s intuition told me the Temphead quickly moved on, and sure enough, there were more crumbs ahead, where the alley made a sharp right turn toward a cross street.

I padded ahead, nose leading the way, and looked up.

The Bradbury Building.

Once a symbol of commerce in the city’s gilded age, now a dilapidated microcosm of Paw City, its former glory obscured beneath decades of grime and decay.

Patting Thunderclaw again for reassurance, I pushed against the heavy bronze doors and into the gloom inside.

My ears prickled in the funereal silence, and my whiskers felt movement in the air currents. There!

A shadowy figure was heading for one of the exits.

Justice is my job, and what kind of cat would I be if I didn’t have the swiftness of a cheetah and the bravery of a tiger?

I leaped the railing, landing gracefully on my feet as I always do, and followed the shadow through the door. The rain was coming down hard, battering my trenchcoat and cap.

Where’d that cat go?

He was clever, I’ll give him that. Lightning lit the alley, and he used the crackle of thunder to mask the sound of his feet splashing through the puddles before he leaped.

I never even saw it coming. It’s been a long time since anyone’s gotten the jump on me. Maybe I was too confident. The attacker barreled into me, knocking me off my feet, and was already propelling himself up a nearby fire escape as I landed in a puddle of rain water.

Thunderclaw was torn from my grip with the impact and went skidding across the concrete.

The Budmobile’s follow drone chose that moment to reappear, making a lazy loop around the alley before stopping to hover in front of me, its ventral nozzles firing whispers of propellant to keep it stabilized.

“Oh dear,” the drone said, “you seem to have fallen, sir. Shall I bring the car around?”

“This,” I told myself, “is undignified.”

The drone chimed.

“Is that a yes, sir?”

I resisted the urge to paw smack the useless machine.

“Yes! Call the Budmobile to the end of the alley.”

I might have been Paw City’s greatest detective, but I wasn’t going to catch criminals with my clothes and fur all wet, smelling like a dirty mutt.

I retrieved Thunderclaw from the ground, slipping the trusty revolver back into its holster.

That’s when I saw it — a scrap of torn clothing on the end of the fire escape, black as night. Black like the absence of light.

I ran a paw pad over the material, feeling its familiar weave and texture. There was only one shop in this section of Paw City that sold zero albedo clothing. Could the Shadow Void be back to stalk the seedy underbelly of Paw City once again? I put him in the slammer once. Now I may have to do it again.

I climbed back into the Budmobile, grateful for the blast of heat from its dash. It was time to pay Tommy the Tailor a visit…

Check back for the next episode of Detective Buddy: Feline Noir!

We’re Snowed In, And Buddy Doesn’t Like It!

“Turn the snow off, human! What do you mean you don’t control the weather? I want the warm!”

It’s a frigid nine degrees out right now — down to one degree with wind chill — the storm arrived earlier than expected, and we’re already getting buried.

The exact numbers change depending on the forecaster, but the National Weather Service predicts eight to 14 inches for the New York City area.

That’s actually not bad compared to some places that will be in the heart of the storm when it passes, and it’s actually warmer than yesterday, if you can believe it.

Buddy, however, is having none of it.

He’s alternating between sitting on the radiator to soak up heat and staring at the accumulating snow through the sliding glass doors, occasionally turning to meow at me in protest as if I control the weather.

“I don’t like this, human!” he seems to be telling me. “Fix it! I want lots of warm, sunshine, leaves on the trees, and crickets!”

Meanwhile, my brother and his cat, Twix, are kickin’ it in 80 degree weather in Italy.

We hope our fellow ‘Mericans are safe at home with plenty of supplies for the next two days, that your feline masters are inside and warm, and that you avoid power outages. This storm is supposed to touch 40 states, which is remarkable, and it’s expected to dump snow on places that rarely see it.

If you’re looking for something to read, here’s a story about the recent string of movies that have featured cats as protagonists or significant characters. It notes that while CGI makes it easier to digitally include felines — and the surprise hit Flow famously featured a digitally animated cat — directors like Michael Sarnoski (A Quiet Place: Day One) have opted for real kitties, favoring their expressiveness and cuteness.

It mentions Bring Her Back, which was an exceptional and disturbing horror film in its own right. It’s also the only one on the list in which the cat doesn’t survive, so heads up on that. (Horror fans will note Bring Her Back was made by the same writer/director team that debuted with the exceptional Talk To Me. Those guys know horror.)

If you ever wondered what happened to Ser Pounce from Game of Thrones, the story also details how the showrunners cut the kitty’s role for being a “diva” on set. Poor King Tommen.

While you’re snowed in and bored, check out this short video of a “red Burmese,” which is a ginger cat without stripes except for faint lines on the back of his front legs. Maybe cats like this aren’t as rare as they seem, but I can’t recall seeing an orange cat who wasn’t a tabby:

@chestertthecat

Replying to @flavor I love his colouring but I never knew it was rare! #catsoftiktok #fyp #crosseyedcat #catmom #cute

♬ Little Sparrow – Paul Alan Morris

And finally, Ursula K. Le Guin is best known as a prolific science fiction writer who published for more than half a century, winning Hugos, Nebulas and every other award in the genre, but you don’t need to be a science fiction fan to appreciate Ursula K. Le Guin’s Book of Cats.

The posthumous collection includes Le Guin’s observations about our feline friends, meditations on what human society can learn from them, and lots of stories about the cats in her life.

You can check out a review here if you’d like to know more, and read community reviews on Goodreads here.

That’s all for now. I may blog intermittently throughout the storm if we really get buried here. We’re prepared to hunker down, with a full cupboard of yums for Bud and the excellent Clair Obscur: Expedition 33 beckoning me with its strange adventures. Bud is also more attached to me than usual as he tries to soak up as much heat as he can.

In the meantime, stay safe and stay warm!

‘I Tread Where I Please’ Said Cat Who Left Paw Prints On Manuscript 500 Years Ago

It turns out cats have been adding their special sauce to our communications for as long as written language has been a thing.

Illuminated manuscripts date back long before the printing press, and their manufacture was arduous.

Literacy itself was rare in the Dark Ages and usually only the province of educated nobility and the professionally religious. Most people had no hope of learning to read, so the monks charged with copying religious texts were already practitioners of a rare skill for their time.

They weren’t just writing either. They carefully illustrated each page with drawings, cartouches and other decorative touches, and the text itself was a form of art in its calligraphic symmetry, designed to be beautiful as well as legible.

It took thousands of hours to complete a manuscript. There was no whiteout and no do-overs: a mistake meant the page had to be scrapped even if it represented a week’s worth of work.

So when a Flemish scribe finished a page of his manuscript and set it aside, he thought he was in the clear — until a cat came along and left its own signature in the form of paw prints.

Three of them, in fact, representing one and a half kitty strides. Two of the feline’s little feet found white space, but another landed right on top of the meticulously rendered text.

The feline-marked parchment in all its glory.

It kind of puts keyboard cats in context, doesn’t it? Our four legged friends may occasionally ruin our drafts or emails — or in my case wreck a music recording session with a discordant keyboard solo by walking across a synthesizer at an inopportune time — but at least they don’t cost us dozens of hours of work.

The 500-year-old, kitty-marked manuscript is now the centerpiece of “Paws On Parchment,” a new exhibit at Baltimore’s Walters Art Museum.

Click here for more details from the museum, which is open Tuesday through Saturday, with late hours on Thursday evenings. Admission is free.

And if you ever take up calligraphy as a hobby, keep your work hidden from your feline overlords!

Wordless Wednesday: Buddy Reveals Patriotic New Budsden Flag

The Budsden Flag asserts Buddy’s right to tread wherever he wants.

Buddy the Cat revealed the new Budsden Flag on Wednesday, his version of the famous Gadsden Flag.

The message is simple and applies to all felines:

Here’s an alternate version for occasions when the treading is already in progress:

Next up: Buddy educates Americans on the proper use of the phrase “Molon lave.” Stay tuned!

Predator: Badlands Is An Epic, Surprisingly Funny Adventure, And Even Has A Breakout Character Named Bud

Badlands is a romp through a vividly realized alien world filled with danger. It’s also a film with heart.

Hollywood pumps out so much disappointing content, especially in the age of streaming, that it’s easy to become disillusioned with movies altogether.

But every once in a while there’s a film that reminds you how much fun movies can be, hitting all the right emotional notes while taking you completely out of this world for two blissful hours.

Predator: Badlands is that kind of movie. Unexpectedly funny and poignant, it also delivers the kind of action audiences have come to expect from the Predator franchise — and then some.

The biggest change here is that, for the first time, a Yautja (the alien species we call the Predators) is the protagonist.

Njohrr is a Yautja clan leader who believes Dek is not strong enough to earn his place in the clan.

Dek isn’t just any Yautja. He’s a youngster who is horribly wronged in the opening minutes of the film and sent to Genna, a place his species calls the “death planet” because virtually every form of life there is monstrous and spectacularly lethal.

His own death is a foregone conclusion on the brutal world until he meets two unlikely allies: Thia, a damaged synthetic (android) built by the notorious Weyland-Yutani corporation, and Bud.

Bud steals the show, but I wouldn’t dream of robbing anyone of the pleasure of experiencing Bud the way writer/director Dan Trachtenberg intended, so I will say no more.

Elle Fanning and Dimitrius Schuster-Koloamatangi play Thia and Dek, respectively. Fanning adds a human element as she and Dek team up initially for survival, then out of loyalty to each other.

Badlands has a lot of heart and a script that knows just when to slice the tension. In one quiet scene after surviving an encounter with a particularly nasty creature, Thia (an energetic Elle Fanning) raves about the experience and the excitement of accompanying Dek and Bud on a hunt.

“The Dynamic Trio! Remember when we went down the tree? That monster’s mouth? I mean… Uggh. Didn’t smell great, didn’t smell great, but we got him. We got him! Thank you, seriously, for that experience. Truly amazing. Thrilling! Truly thrilling.

“What was your favorite part?” she asks the young Yautja.

“When my sword pierced the creature’s skull and its blood ran down my face,” Dek deadpans.

Dek is not invincible, and he’s without the vast majority of his arsenal, with only his trusty heat sword to defend against the hyper-aggressive fauna of Genna.

This is Trachtenberg’s second Predator film, and Badlands exists because he proved there was life still left in the franchise with 2022’s Prey.

That movie was unfortunately streamed direct to Hulu without a theatrical release, as were several big time films that year, because of a resurgent COVID wave. (Remember the Delta variant?)

But critics and audiences, including your humble Buddesian correspondents, found a lot to like in the story of Naru (Amber Midthunder), a young Comanche woman living on the Great Plains in 1719. After encountering a Yautja, Naru warns her tribe that a mysterious and dangerous creature is stalking their lands, but they laugh at her and accuse her of telling tall tales — until they see the Yautja for themselves, at which point they don’t find it amusing anymore.

Midthunder was fantastic, and Prey balanced its historical setting with stunning action sequences and quiet character moments.

Amber Midthunder as Naru in 2022’s Prey.

In earlier installments, including Prey, the Yautja were always the antagonists. We knew they were a warrior culture, that they followed an honor code and possessed fantastically advanced technology, but for the most part the Yautja remained a blank slate aside from some non-canonical media (mostly novelizations, comics and games) that attempted to expand the universe.

Badlands demystifies the Yautja somewhat out of necessity, which is always a dangerous gamble (just ask the xenomorph of Alien fame, which lost its mystique half a dozen sequels ago), but significantly raises the emotional stakes.

Dek isn’t invincible. Circumstances have robbed him of most of his arsenal, he’s thrown into a perilous and unfamiliar world, and he’s haunted by the fresh memories of the tragedy that sets off the events of the film.

That makes it easy for the audience to identify with and root for Dek, despite the difficulty of conveying emotions with alien facial features. Dimitrius Schuster-Koloamatangi deserves credit not only for imbuing Dek with physicality, but also for getting the most he can out of the Yautja youngster’s brooding body language, howls of frustration and slowly dawning realization that he can choose his own path in life.

It may take a planet teeming with horrors to make an underdog of a Yautja, but Badlands succeeds on that count.

Predator: Badlands set a record for the franchise with a $40 million opening weekend, and pulled in $184 million total at the box office. It was made available for streaming this week. With the financial success, and the positive reviews from critics and fans alike, it’s possible we’ll see Dek, Thia and Bud continue their adventures in a sequel.