documentary – Pain In The Bud

The Elephant Queen Is A Love Letter To Some Of The Most Extraordinary Creatures On Earth

The filmmakers spent four years with matriarch Athena and her herd.

Athena learned the seasonal migratory path from sanctuary to sanctuary from her mother, who in turn learned from her mother, in an unbroken chain that goes back as long as elephants have walked the savanna we call the Maasai Mara.

Every bend, every life-sustaining water hole, every spot where the most nutritious plants grow — and especially the final resting places of her relatives, those who didn’t survive the long journeys to water and shade during drought seasons.

The 50-year-old matriarch, one of the Earth’s last “super tuskers,” has seen her family through so many difficult times that the members of the herd don’t question her even when her decisions could mean life and death for them.

She is their matriarch, and their trust in her is absolute.

During times of drought, all animals converge on the same watering holes. Credit: Apple TV

Athena is also the herd’s protector, which means being wary of humans is her default. It has to be, since humans have poached her kind to the brink of extinction to feed the insatiable Chinese ivory trade.

Filmmakers Victoria Stone and Mark Deeble spent four years with Athena and her herd while filming The Elephant Queen, and earning Athena’s trust was a laborious process.

At first, the wise matriarch wouldn’t let the documentary team anywhere near her family. That slowly began to change as they showed her they meant her no harm.

“But we could see that with her herd, with her family, she was a really calm, beautiful, temperate matriarch,” Deeble explained after a film festival screening of the documentary “And we would just spend time with her.”

Still, the filmmakers had to pass a test before Athena extended her trust:

‘Over the course of several weeks, Athena had allowed the small crew closer and closer, until they were about 40 meters from her. One day, Athena walked away to let her calf stand between her and the crew. That’s a rare occurrence for a mother.

“At that stage two things can happen,” Deeble said. “Either she can realize that it was a mistake, and if we’re in the middle of them we’re going to get trampled, or, and what I like to think happened, she was just testing us. Because after a while, she made a very low rumble and the calf looked up, and she wandered very calmly around the front of the calf. And from that day on, she allowed us amazing access.”’

The Elephant Queen first finds Athena’s herd during a time of plenty, when water and food are abundant, and the herd’s babies — curious Wewe, a boy, and little Mimi, a female and the youngest member of the herd — get to splash around and explore their new world.

Satao, a male “super-tusker,” arrives at the watering hole for hydration and to find a mate. Credit: Apple TV

But every year there comes a time when the water hole starts to dry out and the herd must begin a long march spanning more than 100 miles to reach a more reliable source of water.

The year Stone and Deeble began following the herd, the drought was so severe that Athena made the difficult decision to march for a far-off sanctuary, the closest known permanent water hole fed by an underground spring.

It’s a long, exhausting journey, and newborns can’t make it, so Athena is forced to delay their departure for as long as she can to give Mimi and Wewe enough time to feed and grow stronger.

Elephant calves are dependant on their mothers’ milk for two years. Credit: Wikimedia Commons

The gestation period for African elephants is about two years, and the entire herd is protective of the babies. The adults cooperate to shield them from predators and the sun, using their bodies to do both. They’re also extremely cautious around hazards like rapidly drying mud holes, which can trap young elephants.

The Elephant Queen’s stars are its titular species, but the documentary does an outstanding job not only showing us the other animals who inhabit the elephant kingdom, but also making clear the many ways those animals depend on elephants for their survival.

From geese, frogs and terrapins who rely on elephants to dig water holes, to dung beetles for whom elephant waste is a bounty, to kilifish whose eggs hitch a ride on the massive animals toward the next water source, the entire ecosystem is balanced on the broad backs of the gentle giants.

As narrator Chiwetel Ejiofor (Doctor Strange, The Martian, 12 Years A Slave) notes, elephants are tactile creatures, and when they nudge a terrapin or knock a frog off a tree branch, it’s curiosity, not malice, that motivates them. They’re herbivores, despite their enormous size, and gain nothing from harming other creatures.

It’s impossible to watch a documentary like this without looking into the eyes of elephants like Athena and wondering about the intellect behind them, the thoughts and emotions that motivate their actions.

In one scene, as Athena leads her herd through a parched landscape with nothing but dust and dead trees in every direction, she stops. There’s no water or food. There’s only an elephant skull, the remains of a family member who died on one of the treacherous journeys toward refuge during drought season.

The elephants crowd around the skull, gently running their trunks along its tusks the way they do every day to greet one another. Even with the body long since decomposed, with nothing but a skull remaining, they recognize one of their own.

Some will dismiss the idea that the elephants are mourning, claiming that ascribing emotions to animals is anthropomorphizing them. But if they’re not mourning, what are they doing? If they’re not remembering an individual they loved, why would they stop when it’s crucial to find water and food?

Indeed, the only other time Athena calls a halt is when one of her pregnant sisters goes into labor.

Documentaries like The Elephant Queen don’t exist solely for entertainment value. Despite intense efforts to protect elephants, poachers still kill an estimated 20,000 each year.

Just 100 years ago, 10 million elephants inhabited almost every corner of Africa. A 2016 study put their number at 415,000, and while there have been successes in conservation efforts, it’s difficult to ascertain whether they balance out the relentless poaching and habitat loss.

The Elephant Queen acknowledges threats to the continued existence of elephants, but doesn’t dwell on them. There’s good and bad to that: in some ways it’s a missed opportunity to galvanize viewers, but it also ensures the film is family friendly, without gore or violence. The film doesn’t sugar coat the fact that nature is unforgiving, but you’re not going to see a poacher raid on a herd.

The Elephant Queen is an Apple TV documentary and premiered on the streaming service after a limited theatrical run. I stumbled upon it as a subscriber after it appeared prominently in the app.

And while it was released in 2019, its message is still as relevant today. Whether you’re fascinated by elephants or appreciate wildlife in general, The Elephant Queen is a great example of how powerful documentaries can be, especially in transporting us to real places that exist in our world, but remain out of reach for the majority of us.

WATCH: New Buddy Wildlife Documentary Premieres On PITB!

Watch the premiere of Buddy: Perfect Predator exclusively streaming NOW on PITB!

It’s here!

The long-awaited documentary feature: “Buddy: Perfect Predator” has arrived on PITB.

Join Sir David Cattenborough and his intrepid crew of wildlife videographers as they follow the elusive Buddinese tiger through the dense undergrowth and dangerous terrain of its natural habitat in suburban New York.

Watch never-before-seen footage of the silver-furred Buddy stalking his prey, lounging, sleeping and eating, and follow a tense encounter between the Buddy and a red laser dot.

“I’m extremely proud of the work we’ve done here, and I believe our audience will be thrilled to learn more about this little-known creature, who shares so many qualities with tigers, lions, jaguars and leopards,” Cattenborough said.

“We fell in love with the silver-furred Buddy as we kept our cameras trained on him, and we think our audiences will find him just as charming as we did,” the British naturalist said. “He’s such a good boy!”

(Please ensure your sound is enabled or wear headphones to hear the narration and the atmospheric sounds.)

About this video:

This story was made possible with the use of artificial intelligence tools. To create the images of Sir David Attenborough with Buddy, we used a natural language processing AI trained to output realistic-looking images and Pixlr to refine the images in post. To create the narration, we assembled samples of Attenborough speaking and trained a vocal synthesis AI, based on brand new technology, to mimic Attenborough’s unique pronunciation, cadence and rhythm, then layered the audio with a background of various nature sounds and incidental sounds, such as a tiger roaring.

Just a year ago it would not have been possible to generate images like this or faithfully recreate Attenborough’s famous narrative style, proving AI not only allows users to achieve things that were previously impossible, but has been making major leaps forward in short periods of time.

We believe AI, when properly used, can be a great instrument in the creative toolbox.

Finally, a thank you to Buddy for being a good sport about having cameras in his face. Great job, Bud!

Cattenborough and Buddy — Sir David Cattenborough with Buddy the Cat.

Uvalde And Buffalo Mass Shooters Both Had History Of Killing Cats

The revelations about the shooters underscore the link between animal abuse and violence toward people.

One of the takeaways from the 2019 documentary Don’t F*** With Cats: Hunting An Internet Killer is the connection between violence toward animals and violence toward humans.

The 30-year-old who killed college student Jun Lin previously announced himself to the world with a series of videos in which he killed cats and kittens, then led online groupies on a years-long goose chase, parceling out crumbs of information to keep them interested until he finally “graduated” to humans and murdered Lin.

If police had taken the cat-killing videos more seriously, some of the documentary’s subjects believed, detectives could have caught the killer before he set his sights on a person. Of course, this blog’s position is that animal life has intrinsic value and animal abuse should be investigated for its own sake, but if police are more motivated out of fear that animal abusers could commit violent crimes against people, that helps cats and other animals too.

Now we’ve learned that the 18-year-old gunman responsible for the Texas school shooting and the 18-year-old who gunned down 10 people in a Buffalo, NY, supermarket were both cat killers before they were murderers of human beings. The former murdered 21 people, including 19 children and two teachers at a school in Uvalde, Texas, on May 24 while the latter took the lives of 10 people, all black, in a hate-motivated massacre on May 14.

The Texas shooter filmed himself grinning while holding “a bag of blood-soaked dead cats,” the New York Post reported on Sunday. David Trevino Jr., who knew the shooter, said he was “known for hurting cats.”

“He liked hurting animals,” Trevino told the Post. “I’m told he killed the cats and carried around the bag of bodies for s–ts and giggles The video shows he was not right in the head. He’s not all there. The video raises all sorts of red flags.”

The Buffalo murderer told online acquaintances he’d beheaded a cat, and wrote about it in a journal as well. Like the Texas shooter, his animal abuse wasn’t a secret. His mother knew, and gave him a box to bury the dead animal.

brown tabby cat lying down on gray bed sheet — Credit: Mark Burnett/Pexels

The shooters both fit the profile of animal abusers who move on to hurting people: Most animal abusers are men younger than 30, according to the Humane Society, and studies have found men who abuse cats often target them as an emotional proxy for women. More than 70 percent of women who have companion animals and were in an abusive relationship reported their significant others harming their pets.

Classmates of the Texas shooter described him as “eerie,” “scary” and quick to lose his temper. He was known for physically threatening girls and women, and for harassing them online. One classmate, 17-year-old Keanna Baxter, said he got “super violent” when he dated her friend.

“He was overall just aggressive, like violent,” Baxter said. “He would try and fight women. He would try and fight anyone who told him no — if he didn’t get his way, he’d go crazy. He was especially violent towards women.”

The Texas shooter spent a lot of time creeping on women on social media and in group chat services, which brings us full circle back to Don’t F*** With Cats. In a conversation with a teenage girl on group video chat app Yubo, he told her he “wanted his name out there” like the deranged killer at the center of that documentary.

The shooter, who lurked in group chats uninvited, also showed off the guns he bought after he turned 18 on May 16.

“He would be active every day and join our lives, repeating girls’ names until they paid attention to him,” the girl said.

Rolling Stone was widely condemned for putting one of the Boston marathon bombers on its cover as if he were a rock star, but the issue was its best selling of the year.

Although the blame game begins while the bodies of the victims are still warm, as shrieking heads speculate on cable news, no one ever talks about the obvious and uncomfortable truth, which is that these disaffected young loners desperately want to show people they’re important, that they matter.

If they can’t find fame, infamy is a second prize they’re happy to embrace, and they’re motivated in part by the notoriety that previous members of their grim brotherhood “achieved” by massacring fellow human beings.

Major media figures aren’t merely willing to grant that wish. They’re wholeheartedly, enthusiastically in on it, filling hours of airtime looping the same short bits of footage, breathlessly reporting every nugget of information, and holding court over panels of “experts” who are happy to speculate on motivations regardless of how little they know. They blame video games, society, the lack of nuclear families, the lack of male role models, white supremacy, bullying, guns — everything but their own role in turning the killers into household names.

After all, almost everyone who was alive in 1999 can name the two trenchcoated murderers who perpetrated the Columbine massacre, back when things like that still shocked the country. But how many of us can name a single one of the 13 victims?

That’s why I won’t name the killers on this blog. It’s just one blog, in one small corner of the internet, and it won’t make a difference. But if everyone stopped naming them, stopped making them household names and the stars of obsessive crime porn, stopped turning them into objects of fascination whose faces are plastered on magazine covers like rock stars, maybe it would change things.

If would-be killers knew infamy was off the table, that if they survive they’ll remain anonymous nobodies without prison groupies begging for face time, journalists begging for interviews, and grief vampires discussing them for years in “true crime” books and on podcasts, would they go through with it?

Sunday Cats: ‘Cat Daddies’ Documentary, Misconceptions About Cloning

A screening of ‘Cat Daddies’ will benefit the Little Lion Foundation, which specializes in caring for neonatal and abandoned kittens.

A trailer for ‘Cat Daddies‘ comes right out with it: Men who love cats are often stereotyped as oddballs.

“People see a cat dad and they think ‘Oh he must be weird and creepy,” says one guy, who is shown hilariously working out his biceps by lifting his cats in place of weights. “I feel like we’re getting to a point where it’s okay [to say] ‘Yeah, I have cats.'”

Another man recalled a conversation with his college buddies in which one of them floated the idea of adopting a few cats.

“The reaction was ‘No man, you can’t do that,'” he says with an amused look on his face.

Of course, PITB readers know it’s perfectly natural for men to love cats, especially cats as muscular, intimidating and tiger-like as Buddy.

But if you’ve ever wondered what the experience is like for guys who want to adopt kitties, ‘Cat Daddies’ takes a look at several men from different backgrounds and their beloved felines, from a homeless man in New York who won’t part with his tabby even it means he won’t get housing, to an Instagram star whose rise to fame has been propelled by his feline masters.

Californians can catch the documentary in person, and help fund a good cause, at an April 16 screening in Long Beach, CA, on behalf of the Little Lion Foundation. The California-based nonprofit specializes in caring for neonatal and young, abandoned kittens, as most shelters aren’t equipped to care for them and such kittens are often euthanized if they land in an animal control or kill shelter.

For the rest of us, check out the Cat Daddies site for a list of virtual screenings and festival events.

Man with kitten — Credit: Tim Douglas/Pexels

A grieving woman explains why she’s cloning her late cat

Kris Stewart adopted Bear, a five-year-old ragdoll “with a big, bold, sassy look,” in March of 2021.

Stewart, the CEO of a senior care company in Canada, described Bear as “the smartest animal I’ve ever owned,” and said the resourceful cat could work out how to open locked doors and windows.

“What I didn’t realize was his need for adventure and exploring,” she wrote in a column for Newsweek.

After “cat-proofing” her backyard and taking Bear on walks via a harness, Stewart decided the ragdoll needed to be outside to be happy. Bear “was off-leash by May 2021,” she wrote.

“Then, one day in January 2022, I let him out about 4.30pm and within about 20 minutes I heard something, saw cars backing up down the street and ran outside. Bear had been hit. Obviously it was my fault. I’m his guardian and I made the wrong decision, and I have to live with that.”

Stewart acknowledges that cloning is a process that involves mistakes, although it’s not clear if she’s aware just how gruesome the process can be. Likening it to “human parents who want to go through IVF rather than adopt,” she said she’s hoping the clone will have the same temperament as her beloved Bear.

“I would much rather replicate Bear’s genetic material into another cat than adopt again because I would love to see the personality of Bear live on,” she wrote. “He was the most brilliant animal I’ve ever owned. Research tells us that a significant portion of personality is carried in genes so I’m willing to take the chance. I’ve said before that Mother Earth is not finished with Bear and Bear is not finished with Mother Earth. So, if I can bring back his genetic material in the form of another cat, I would like to do that. If their personalities are a little different, that’s OK, I’ll be happy regardless.”

It’s clear Stewart is devastated by losing Bear, and we don’t want to sound callous by criticizing her decision. Grief leads people to do all sorts of things, and there’s no “correct” way to cope. We all handle it differently.

At the same time, it’s wishful thinking to believe a clone is somehow a continuation of the original, or that cloning can bridge the considerable gap between nature and nurture. That’s just not how it works. Sadly, Mother Earth is done with Bear — there’s no continuity of consciousness.

Even in science fiction stories where cloning technology is flawless and human cloning somehow exists despite considerable moral and religious objections, it’s clear that cloning is, well, cloning: Even if the clone is perfect in every way, even if the process manages to faithfully reproduce personality and memories can somehow be transferred, there is no “bridge” between the original and the copy. For the person who is cloned, life ends when their consciousness blinks out, and nothing can resurrect it.

We hope Stewart finds peace and loves her new cat, but we don’t believe cloning is right answer when grieving the loss of a pet.

A Cat Really Did Bring Her Kitten To An ER In Instanbul

It happened in Istanbul, a city ruled by cats.

Buddy and I were a bit skeptical when we first heard the story of a cat who padded into the emergency room of a hospital, carrying her kitten by the scruff of the neck, to plead for help for the little one.

The story first appeared on Reddit without any details, but we were able to track down some of the people involved to fill out the narrative and answer some questions.

A woman was waiting in the emergency room of Kucukcekmece Hospital in Istanbul at about 5 p.m. on April 27 when the cat dragged her baby through the open doors.

istanbul_hospital34jpg — A mom cat brings her sick baby into an ER in Istanbul. Credit: Merve Özcan

The witness, Merve Özcan, described the kitten as “a little bit mischievous” in Twitter posts about the incident.

An article in Sözcü, a daily newspaper whose name translates to “spokesperson,” said the mother cat brought her kitten right up to the blue-gowned hospital staff, meowing for attention.

Hospital staff immediately helped — more about that below — and the cat mom followed them, keeping her eyes on her baby as they brought the kitten into a room for treatment.

“While the kitten was being cared for, the mother cat was given milk and food,” the newspaper reported. “Hospital staff ensured full treatment by passing them onto a veterinarian after their intervention.”

istanbul_hospital5 — Staff take the kitten as the mother watches. Credit: Merve Özcan

The story doesn’t say exactly what was wrong with the kitten, and Özcan did not know either.

While this story would seem insane to most of us, it starts to make a lot more sense when you consider where it happened: Istanbul, a city famous for its massive cat population, and the humans who revere those felines.

From the Legal Nomads travel blog:

Cats are the most beloved animal in Istanbul and the living attraction of this huge city. They are extremely friendly, come in all sorts of cuddly colors and sizes, and always respond with a greedy “meow.” Stray cats usually take the best seats at cafes and restaurants in Istanbul without anyone even bothering moving them. They maneuver around tables and customers, inside and out of the buildings in search of the most comfortable spot.

Caring for the city’s hundreds of thousands of cats is a community effort: People feed them, pet them, bring them to veterinarians when they’re injured, and even build little dwellings for them.

With that in mind, it makes sense that a cat in Istanbul would know to approach humans for help, and to go to a hospital. If the mom cat lives in the area, undoubtedly she’s seen the sick and injured walk through those doors many times.

“Money is not an issue to some people when it comes to cats,” Ozan, a pet shop employee, told Reuters. “They take in cats with broken legs, blind ones or ones with stomach problems and bring them to the clinic. When they see that they are healed, they let them live on the street again.”

In an article titled “Istanbul: The City of Cats,” Goran Tomasevic of Reuters describes the relationship between the city’s inhabitants and their feline friends:

They are so ubiquitous that no one bats an eye at a cat padding across the lobby of a high-rise office building, or when one curls up to sleep on a nearby barstool. Shop owners and locals often know their neighbourhood cats by name and will tell tales about them, as if chatting about a friend.

instanbulcats — A cat house next to water and food bowls on an Istanbul street. Credit: Reuters

A 2017 documentary, Kedi (Turkish for cat), explores the world of Istanbul’s street cats and the people who love them. Pictured at the top of this post is Kedi director Ceyda Torun, posing with cats in Istanbul.

You can watch a trailer for the documentary here: