Tag: pop culture

An Actress Might Lose Out On An Oscar Because She Says She Hates Cats

The reaction says volumes about our society’s sense of proportionality, our collective understanding of animals, and our ability to politely disagree on topics we feel strongly about.

This hasn’t been a great week for feline PR.

Not only did two celebrities come out with bizarrely forceful anti-cat sentiments, but from their statements, they both “hate” cats because they’ve misinterpreted feline behavior.

The fallout hasn’t been good either, for the actress and rapper involved, or for the more extreme animal lovers who have responded with disproportionate rage.

The first comes from rapper Docheii, who insists cats “genuinely aren’t friendly animals.”

“yall be scratched and beat tf up by your own animals I can’t lmaoooo,” the towering intellect from Florida wrote on social media.

Cats, she asserted, “don’t wanna be domesticated.”

Presumably she got that information from the Pew Center for Feline Public Opinion, and the rest of us simply aren’t privy to the latest opinion polls among cats. And here I thought our furry friends were mostly ambivalent about anything that doesn’t involve napping, playing and eating. (I took an informal poll of Bud. He responded with a simple “Fetch me a snack, will you, human?”)

A promo shot of Doechii, real name Jaylah Ji’mya Hickmon

Regardless, even if there was some way to ascertain how cats feel about a process their ancestors initiated — one that takes thousands of years to result in speciation — it’s irrelevant. The decision was made 10,000 years ago when The First Kitteh was drawn to a human settlement by the promise of rodential prey in abundance.

Modern cats have no more say in the matter than we have in our ancestors slaughtering dodos. It happened. We can’t change the past.

The actress vs the ‘pedigree bitch’

The second bit of anti-feline sentiment comes from Jessie Buckley, an Irish actress who is weirdly proud of forcing her husband to ditch his two pet cats when they began dating. She talks as if she’s been waging a personal war against the species, and her reason for disliking felines also indicates a fundamental misunderstanding of their behavior.

Buckley’s comments were made on a podcast late in 2025, but resurfaced this week and went viral as her Oscar buzz reached its peak. On the podcast, Buckley said one of her husband’s cats was a “pedigree model bitch” who was orchestrating a “coup” against her.

She thinks the cat had it out for her: “I’d come home and there’d just be, like, poo on my pillow.”

This is actually sad, because people who really know cats, who understand why they behave certain ways, will immediately understand that they don’t have accidents out of spite. If the cat was eliminating outside her litter box, there was a legitimate underlying problem causing her a great deal of stress.

She could have been injured, she could have been sick, or she could have been plagued by the cumulative stress brought on by the presence of a hostile woman who ludicrously saw her as competition. Our furry friends are much more perceptive than generally realized, especially when it comes to our emotional states, and Buckley’s hostility would have been immediately apparent.

Buckley with co-star Paul Mezcal, who was equally enthusiastic in his intense dislike of felines, telling an interviewer: “Yeah, f— cats!”

Alas, Buckley didn’t reluctantly ask her then-boyfriend to give up his cats. She demanded it, then did a victory lap when he complied, which makes me suspect she was merely taking the whip out for a test drive before further commitment. If he’s willing to abandon two pets, he’s almost certainly going to be a pushover when she begins to prune his friends from his life, starts dressing him the way she likes, maybe even monitors his phone. *shudder*

“It’s me or the cats,” Buckley said she told her husband. “But I won!”

Congratulations, I guess?

The rage of cat lovers

As ludicrous as it seems, the backlash may cost Buckley an Oscar. Personally I don’t keep up with the approximately 200 awards ceremonies actors hold to fete themselves annually, but apparently Buckley turned in a solid performance in a movie called Hamnet.

She was considered the front-runner for an Academy Award. Now critics are openly wondering about her chances.

As always, these sorts of statements reveal a lot more about the people involved than they do about cats. I just wish people understood the species a little better, so maybe attitudes won’t default to anger or hostility if, say, a scared cat scratches a person who corners her, or a kitty with a stomach bug pukes on the carpet.

When a toddler gets sick, we don’t respond by yelling at the kid, blaming him and chasing him off. We make sure he’s okay, give him some medicine or take him to the doctor, and clean up the mess. Cats are essentially furry little toddlers, with the same innocence as children. When we adopt them, we agree to care for them.

Both Buckley and Docheii have been hammered on social media since their comments went viral, and it’s important to address that too. They expressed opinions. That doesn’t make them “pieces of s—,” “worthless human beings,” “scum” or any of the other nasty things some people have been saying.

We can disagree with them without overreacting, even in the age of dehumanizing online conversation.

Maintain yourselves!

And honestly, it makes all of us look bad. The day Walter Palmer returned to work is forever seared into my mind. Palmer was the American dentist who infamously and illegally lured Cecil the lion out of a protected area and killed him to take his head as a trophy in 2015.

Worse, Palmer — who had a history of getting in trouble for breaking the law while hunting — killed Cecil with a bow and arrow in order to claim some meaningless hunting record for himself and bungled the point-blank kill shot his guides had lined up for him. Cecil, who was an iconic lion with a distinct mane, suffered for hours before he died.

People were understandably angry, and protesters showed up outside Palmer’s office the day he returned to work. Most of them behaved themselves. But as Palmer made his way toward the front door of his dental practice, one of the protesters let loose a blood-curdling scream and shouted “WAAAAALTER PAAAAALMER!“, vowing vengeance for Cecil.

Palmer returning to work while media and protesters crowd him.

That moment of unhinged, unregulated rage overshadowed the good intentions of every person who registered their displeasure calmly and politely — and provided ample ammunition to those who enjoy painting all animal lovers as lunatics.

Buckley and Doechii expressed opinions we don’t like, and that’s their right. The best thing we can do is explain why they’ve misinterpreted feline behavior, and show them that cats really are loving, friendly animals — it just takes a little patience and trust. I say that as the faithful servant of a cat who can be particularly prickly and a complete lovebug, depending on the circumstance.

In the meantime, celebrities who hate cats should probably take a pass on broadcasting their intense dislike and save themselves the resulting headache. Sadly, we no longer have any sense of proportionality when it comes to disagreements, and no one gets a fair shake when things are litigated via social media.

The Story Of Orangey, Audrey Hepburn’s Cat In Breakfast At Tiffany’s, Plus: Why Do People Steal Cats?

Orangey the Cat enjoyed a suspiciously prolific career as Hollywood’s top feline actor for almost two decades. What’s the story behind the iconic moggie?

Orangey, the cat who famously belonged to Audrey Hepburn’s character in Breakfast at Tiffany’s, had an impressive and improbable film career beginning with 1951’s Rhubarb and ending with roles in TV series like Green Acres and The Flying Nun almost two decades later.

A new story in The Guardian charts Orangey’s film career and attempts to reconcile conflicting information about the famed feline. At least two cats played Orangey in Breakfast at Tiffany’s, while potentially dozens were used for Rhubarb, a comedy about a cat who inherits his wealthy late owner’s fortune and assets, including a baseball team.

“Watching the cat performances both within the movies and across the different titles certainly lends credence to the idea that Orangey was more a cat type, provided by trainer Frank Inn, than a specific animal,” The Guardian’s Jesse Hassenger writes.

Orangey had a prolific career in film and TV, one that would have been very difficult for a single cat to manage due to the number of appearances and the unlikely length of his tenure as Hollywood’s top cat.

In fact, color mattered less than resemblance because most of Orangey’s appearances were in black and white, so it’s possible Orangey wasn’t always Orange. (Later performances were filmed in color and some films were subsequently colorized.)

Using more than one cat for a role is pretty standard in Hollywood films that feature felines. Keanu, the 2016 Key and Peele comedy about an eponymous kitten who is stolen by drug dealers, cycled through several kittens as the pace of production was simply too slow compared to the rapid growth of real life kittens. In 2024’s A Quiet Place: Day One, two very similar-looking cats, Nico and Schnitzel, shared the role of Frodo, the cancer-stricken protagonist’s emotional support animal.

Why do people steal cats?

In early 2023, more than 50 cats in and around Kent, England, were abducted and returned with patches of fur shaved off.

At first people suspected the perpetrators were engaged in some bizarre form of animal cruelty — and some later copycats, for lack of a better word, across the UK may have been motivated to cause distress — but authorities later said they believe the catnappers were checking to see if the felines were spayed or neutered.

If they weren’t, those cats were kept for breeding, while the others were dropped off where they were found.

A cat shaved during spay/neuter surgery. Credit: jp_the_man/reddit

That rash of disappearances and other cases of car abductions factored into a staggering report from the Royal Kennel Club’s lost pets database: of the 25,000 pets reported missing in the UK between January 2023 and June 2024, more than 20,000 were cats.

Those cases and others are highlighted in a report from The Telegraph published on Thursday detailing the increase in reports of stolen felines. While the actual number of police reports are unknown due to discrepancies in the way such cases are classified by police, data from the Kennel Club and microchip companies, as well as anecdotes, indicate a concerning spike in cat theft even as the UK has mandated microchips for every pet cat.

Some, like the recent case involving an Amazon delivery driver, are crimes of opportunity. They’re spur-of-the-moment decisions by people who encounter cats they might want for themselves or people close to them.

Others, like the mass pet thefts in Kent, could have ties to larger organized crime operations.

And some are attempts to make a quick quid by petty thieves who count on the emotional bond between plpeople and their animals to demand ransom for the four legged family members, like one couple who abducted a woman’s cat and ransomed her for the equivalent of a few hundred dollars.

That woman, who was identified only by the pseudonym Helen in the story, said she was torn between getting her cat back and encouraging the people who took him.

“I was worried the same thing would just keep happening,” she told the newspaper. “It’s not something you want to encourage – paying to get your cat back – in case they do it again.”

Critics Rave About ‘Alien’ Reboot Starring Buddy The Cat!

A reboot of the iconic scifi-horror film upends the balance of power, placing the feline at the very top where he should be.

The long-anticipated Alien reboot starring Buddy the Cat hit theaters this weekend with audiences flocking to see the modernized classic after effusive praise from critics.

Featuring the new tag line “In space no one can hear you scream — unless you’ve got Buddy on your side,” the reboot reimagines the science fiction-horror classic as a cautionary tale about messing with cats.

“While the original built tension over almost two hours and inspired an overwhelming feeling of dread in viewers, the new Alien clocks in at just 28 minutes and ends right after the iconic chestburster scene,” critic Ferdinand Lyle wrote. “Instead of screeching into the shadows of the ship to commence its turbocharged metabolic processes, only to emerge later as a fully formed creature who terrorizes the crew, this alien is immediately caught by Buddy, who delivers a swift kill bite and deposits it in front of the humans. They reward him with a chorus of ‘Good boy!’ and rub his head while plying him with snacks, and the credits roll. Now that’s efficient storytelling!”

The Alien 👽 was no match for Buddy, who woke from a nap to dispatch the creature with brutal efficiency.

The new version is “the ultimate FAFO flick,” raved the AP’s Misty Lemire.

“The central message here is ‘Don’t tangle with Buddy.’ The apex predator of the cosmos is no match for the apex predator of Earth.”

Other critics were enamored with a post-credits dance scene featuring Buddy, the crew of the Nostromo and dozens of face-huggers who fly through the air, forcing the cast to bust impressive dance moves to avoid the dangerous creatures. At one point Buddy launches into a breakdance routine. The actress who plays Ripley wags a finger at a xenomorph and declares “You just got served!”

“It’s clever, light and wildly entertaining,” one critic wrote. “Buddy’s got some magnificent dance moves!”

Others praised Buddy for his impressive physique. In an interview with Entertainment Weekly, Buddy said he’d been training non-stop for eight months for the role, eating a high-protein diet and spending five hours a day napping in the gym to accentuate his meowsculature.

“The effort paid off big time,” a review from Calico Critics noted. “Buddy looks more ripped and impressive than he ever has, and he was already competing against a high bar he set during his previous films.”

In the post-credits dance scene, Buddy and the Nostromo crew perform a synchronized routine while dodging facehuggers.

However, not everyone was impressed. Reached this weekend at his New Zealand bunker, where he’s fled “until America isn’t annoying anymore,” director James Cameron called the Alien reboot “derivative, low-calorie cinema junk.”

“Remember when I had characters saying ‘Hasta la vista’ and ‘Adios, muchachos’? That was really cool. I was one bad hombre,” Cameron said. “Audiences might think this is a good film, but that’s because they haven’t seen the wonders of Avatar XVII yet. Just wait, it’s gonna be awesome. And there are no cats.”

Wordless Wednesday: Buddy Reveals Patriotic New Budsden Flag

The Budsden Flag asserts Buddy’s right to tread wherever he wants.

Buddy the Cat revealed the new Budsden Flag on Wednesday, his version of the famous Gadsden Flag.

The message is simple and applies to all felines:

Here’s an alternate version for occasions when the treading is already in progress:

Next up: Buddy educates Americans on the proper use of the phrase “Molon lave.” Stay tuned!

Predator: Badlands Is An Epic, Surprisingly Funny Adventure, And Even Has A Breakout Character Named Bud

Badlands is a romp through a vividly realized alien world filled with danger. It’s also a film with heart.

Hollywood pumps out so much disappointing content, especially in the age of streaming, that it’s easy to become disillusioned with movies altogether.

But every once in a while there’s a film that reminds you how much fun movies can be, hitting all the right emotional notes while taking you completely out of this world for two blissful hours.

Predator: Badlands is that kind of movie. Unexpectedly funny and poignant, it also delivers the kind of action audiences have come to expect from the Predator franchise — and then some.

The biggest change here is that, for the first time, a Yautja (the alien species we call the Predators) is the protagonist.

Njohrr is a Yautja clan leader who believes Dek is not strong enough to earn his place in the clan.

Dek isn’t just any Yautja. He’s a youngster who is horribly wronged in the opening minutes of the film and sent to Genna, a place his species calls the “death planet” because virtually every form of life there is monstrous and spectacularly lethal.

His own death is a foregone conclusion on the brutal world until he meets two unlikely allies: Thia, a damaged synthetic (android) built by the notorious Weyland-Yutani corporation, and Bud.

Bud steals the show, but I wouldn’t dream of robbing anyone of the pleasure of experiencing Bud the way writer/director Dan Trachtenberg intended, so I will say no more.

Elle Fanning and Dimitrius Schuster-Koloamatangi play Thia and Dek, respectively. Fanning adds a human element as she and Dek team up initially for survival, then out of loyalty to each other.

Badlands has a lot of heart and a script that knows just when to slice the tension. In one quiet scene after surviving an encounter with a particularly nasty creature, Thia (an energetic Elle Fanning) raves about the experience and the excitement of accompanying Dek and Bud on a hunt.

“The Dynamic Trio! Remember when we went down the tree? That monster’s mouth? I mean… Uggh. Didn’t smell great, didn’t smell great, but we got him. We got him! Thank you, seriously, for that experience. Truly amazing. Thrilling! Truly thrilling.

“What was your favorite part?” she asks the young Yautja.

“When my sword pierced the creature’s skull and its blood ran down my face,” Dek deadpans.

Dek is not invincible, and he’s without the vast majority of his arsenal, with only his trusty heat sword to defend against the hyper-aggressive fauna of Genna.

This is Trachtenberg’s second Predator film, and Badlands exists because he proved there was life still left in the franchise with 2022’s Prey.

That movie was unfortunately streamed direct to Hulu without a theatrical release, as were several big time films that year, because of a resurgent COVID wave. (Remember the Delta variant?)

But critics and audiences, including your humble Buddesian correspondents, found a lot to like in the story of Naru (Amber Midthunder), a young Comanche woman living on the Great Plains in 1719. After encountering a Yautja, Naru warns her tribe that a mysterious and dangerous creature is stalking their lands, but they laugh at her and accuse her of telling tall tales — until they see the Yautja for themselves, at which point they don’t find it amusing anymore.

Midthunder was fantastic, and Prey balanced its historical setting with stunning action sequences and quiet character moments.

Amber Midthunder as Naru in 2022’s Prey.

In earlier installments, including Prey, the Yautja were always the antagonists. We knew they were a warrior culture, that they followed an honor code and possessed fantastically advanced technology, but for the most part the Yautja remained a blank slate aside from some non-canonical media (mostly novelizations, comics and games) that attempted to expand the universe.

Badlands demystifies the Yautja somewhat out of necessity, which is always a dangerous gamble (just ask the xenomorph of Alien fame, which lost its mystique half a dozen sequels ago), but significantly raises the emotional stakes.

Dek isn’t invincible. Circumstances have robbed him of most of his arsenal, he’s thrown into a perilous and unfamiliar world, and he’s haunted by the fresh memories of the tragedy that sets off the events of the film.

That makes it easy for the audience to identify with and root for Dek, despite the difficulty of conveying emotions with alien facial features. Dimitrius Schuster-Koloamatangi deserves credit not only for imbuing Dek with physicality, but also for getting the most he can out of the Yautja youngster’s brooding body language, howls of frustration and slowly dawning realization that he can choose his own path in life.

It may take a planet teeming with horrors to make an underdog of a Yautja, but Badlands succeeds on that count.

Predator: Badlands set a record for the franchise with a $40 million opening weekend, and pulled in $184 million total at the box office. It was made available for streaming this week. With the financial success, and the positive reviews from critics and fans alike, it’s possible we’ll see Dek, Thia and Bud continue their adventures in a sequel.