“Hold my beer,” Buddy said after watching a video of another feline sending a pair of bears running with an awesome display of fiery intimidation.
NEW YORK — The bear picked the wrong home and the wrong cat to mess with.
Buddy the Cat was taking his traditional 3 pm nap after third lunch when he was rudely disturbed by a ruckus outside.
“Stay here, I will check it out,” he told his human, then hopped down from the couch as his powerful stride took him toward the sliding glass doors leading out to the balcony.
A huge form was huddled just outside the glass, and when the lumbering beast turned, Buddy took a sharp breath. It was a bear, a particularly impressive specimen.
Lesser felines would have been terrified, but Buddy stood calmly before the bear and addressed it.
“Inferior animal,” the fearless feline announced. “Yes, you! You are trespassing on Buddesian territory. I order you to cease any and all ursine activity and return forthwith to your place of origin or the nearest convenient parallel dimension!”
“What are you doing?!” a terrified Big Buddy whispered.
Buddy turned toward his human. “It’s from Ghostbusters. Calm down, I know what I’m doing.”
The bear yawned and let out a deep, rumbling moan.
The bear flinches as Buddy unleashes a terrifying roar!
“I can see I’m not dealing with the sharpest claw on the paw,” Buddy said. “Okay, bear, do you understand this?”
Buddy eased back on his haunches and raised two powerful forelimbs, his considerable meowscles rippling meowscularly beneath the luxurious sheen of his silver fur.
The bear watched warily, then flinched instinctively as the intimidating feline launched a sequence of aggressive and powerful paw strikes. The ursine beast recoiled from the thunderous impacts of paws against glass, reconsidering its position in the face of such a formidable display of force.
The massive creature turned in retreat, casting one last fearful glance at the Herculean felid before beating a hasty retreat.
Once he was satisfied the bear was gone, Buddy turned and sauntered back toward the couch, lifting himself onto it in a single graceful leap.
“And that,” the handsome silver feline said, “is how you deal with a bear.”
Cats spend most of their time sleeping, which leaves them in a vulnerable position.
Aubrey Plaza is delightfully weird.
Anyone who’s seen her on a late night talk show or in an impromptu interview knows what I’m talking about. Instead of the practiced, carefully crafted anecdotes celebrities tell to make themselves seem more interesting, or the hard focus on promoting a particular project, Plaza seems to revel in awkward pauses, bizarre responses and stories that most people would never tell about themselves.
She does it all with a deadpan expression so you can never quite tell if she’s joking. That’s part of the fun.
I hadn’t seen her in much until Emily the Criminal, about a woman whose frustration at trying to make ends meet with dead-end jobs leads her down a highly illegal path, revealing a talent for deception she never knew she had.
Plaza in Emily the Criminal.
Now she’s starring in Kevin, an animated show about an eponymous tuxedo cat who decides that when his humans break up, he’s going to break up with them too. Instead of going with one of them, Kevin decides to move “into a local pet rescue in Astoria, Queens, where a band of misfit animals helps him discover what he truly wants out of life,” according to the series’ logline.
Plaza co-created the series with Joe Wengert, and Jason Schwartzmann, who we loved in Bored To Death, will voice Kevin. The show will premiere on April 20 on Prime Video.
A still from Kevin.
Cats prefer sleeping on their left side, but why?
Two out of three cats prefer sleeping on their left side, which immediately raises two questions: why do they prefer sleeping that way, and how do we know such a seemingly obscure piece of information?
In 2025, a team of scientists from Italy and Germany analyzed more than 400 random online videos of our furry overlords in their rest state, and the numbers were consistent. Cats definitely have a preferred side to sleep on, and it’s the left.
As for why, in a research paper published in Current Biology last summer, the scientists say there are several reasons, but the primary one is that the right side of the brain processes shapes and visual sensory input.
Since the right hemisphere of the brain controls the left side of the body in mammals, due to the way nerve fibers cross at the base of the brain, a cat opening its eyes and seeing the world from the left side is able to more quickly assess information and react.
Credit: Min An/Pexels
That’s a pretty big deal for cats, as a story in Science Focus notes. As both predator and prey, felines have to respond quickly not only to potential threats, but also potential lunch.
That is especially true for a species that spends the majority of its time sleeping deeply or napping, meaning they’re physically vulnerable to attack most of the time. That explains why our cats are able to spring to alertness immediately from a nap, and why their most restful sleep comes when they’re absolutely sure they’re safe.
Anecdotally, that makes sense. Bud clearly feels safest when he sleeps on me or burrows between my knees, and it’s subsequently harder to rouse him from slumber compared to, say, when he catches some Zs on the couch by himself or retreats to another favorite napping spot.
Perhaps unsurprisingly, he also bucks the trend and likes to sleep on his right side. We are, after all, talking about a cat who still hasn’t figured out that wand toy games simulate hunting, and that they should end with a “kill bite” rather than Bud’s favored method, which is bouncing happily on his back paws while bobbling the toy in his front paws.
He may have the instincts of his wild ancestors, but all he knows is the comfort and warmth of human homes.
A reboot of the iconic scifi-horror film upends the balance of power, placing the feline at the very top where he should be.
The long-anticipated Alien reboot starring Buddy the Cat hit theaters this weekend with audiences flocking to see the modernized classic after effusive praise from critics.
Featuring the new tag line “In space no one can hear you scream — unless you’ve got Buddy on your side,” the reboot reimagines the science fiction-horror classic as a cautionary tale about messing with cats.
“While the original built tension over almost two hours and inspired an overwhelming feeling of dread in viewers, the new Alien clocks in at just 28 minutes and ends right after the iconic chestburster scene,” critic Ferdinand Lyle wrote. “Instead of screeching into the shadows of the ship to commence its turbocharged metabolic processes, only to emerge later as a fully formed creature who terrorizes the crew, this alien is immediately caught by Buddy, who delivers a swift kill bite and deposits it in front of the humans. They reward him with a chorus of ‘Good boy!’ and rub his head while plying him with snacks, and the credits roll. Now that’s efficient storytelling!”
The Alien 👽 was no match for Buddy, who woke from a nap to dispatch the creature with brutal efficiency.
The new version is “the ultimate FAFO flick,” raved the AP’s Misty Lemire.
“The central message here is ‘Don’t tangle with Buddy.’ The apex predator of the cosmos is no match for the apex predator of Earth.”
Other critics were enamored with a post-credits dance scene featuring Buddy, the crew of the Nostromo and dozens of face-huggers who fly through the air, forcing the cast to bust impressive dance moves to avoid the dangerous creatures. At one point Buddy launches into a breakdance routine. The actress who plays Ripley wags a finger at a xenomorph and declares “You just got served!”
“It’s clever, light and wildly entertaining,” one critic wrote. “Buddy’s got some magnificent dance moves!”
Others praised Buddy for his impressive physique. In an interview with Entertainment Weekly, Buddy said he’d been training non-stop for eight months for the role, eating a high-protein diet and spending five hours a day napping in the gym to accentuate his meowsculature.
“The effort paid off big time,” a review from Calico Critics noted. “Buddy looks more ripped and impressive than he ever has, and he was already competing against a high bar he set during his previous films.”
In the post-credits dance scene, Buddy and the Nostromo crew perform a synchronized routine while dodging facehuggers.
However, not everyone was impressed. Reached this weekend at his New Zealand bunker, where he’s fled “until America isn’t annoying anymore,” director James Cameron called the Alien reboot “derivative, low-calorie cinema junk.”
“Remember when I had characters saying ‘Hasta la vista’ and ‘Adios, muchachos’? That was really cool. I was one bad hombre,” Cameron said. “Audiences might think this is a good film, but that’s because they haven’t seen the wonders of Avatar XVII yet. Just wait, it’s gonna be awesome. And there are no cats.”
In the seedy underbelly of Paw City, where niplords run kitty crack empires and feral gangs fight eternal turf wars, one unshakable detective brings the bad cats to justice.
The call came in after midnight.
Shots fired near Burmese Boulevard, with witnesses reporting one party fleeing the scene in a car while another took off on foot.
Normally I’d tend to other biz and let one of the kids in the detective bureau have their shot, but the commissioner’s on my ass and the mayor is worried about what the headlines will do to the tourism economy.
Leave it to the leaders of a dump like Paw City to care more about the scratch in their pockets than the felines they’re supposed to protect.
But I’m a grizzled detective. I know where the real power naps, and it ain’t city hall.
It’s Scratcher Tower, home of the international consortium that runs Big Yums, controlling the flow of every last morsel of kibble into this forsaken city. The Fat Cats on the top floor, they call the shots, control the mayor and have their paws in every pie. If it’s biz, the Fat Cats get their cut.
The feds? They talked a big game last year when they popped Angelo Felinzino and nailed him on a racketeering charge that earned him 15 to 20 in the slammer. But the Fat Cats are a hydra, and even though Felinzino was rumored to be the consortium’s top earner, the fellas in Scratcher Tower’s penthouse didn’t miss a beat.
It was pouring by the time I pulled up near the corner of Tortoiseshell Street and Burmese Boulevard. I padded out of the warm comfort of my ride, the Budmobile, and told it to watch my back. The Budmobile’s AI chimed in acknowledgement and miniature silos opened on each rear quarter panel, ejecting a pair of drones. One drone circled above me in a defensive posture while the other zoomed ahead, scouting my path.
I tasted wet rain and something else. My nose wrinkled, pulling me toward a funky scent. I crouched, sniffing the sidewalk, and that’s when I saw them: crumbs made soggy by the downpour, their addictive chemicals turning a shade of toxic lime as they interacted with the acid rain.
Tempheads are dangerous. They’ll do anything to get their fix, even if it means stealing from littermates or breaking into homes to raid the treat cupboards.
No Temphead was going to catch me off guard, I thought as I placed a paw on my holster and felt the reassuring grip of Thunderclaw. The old revolver was reliable and had legitimate stopping power. The sight of it alone was often enough to get bad guys to back down.
Lightning cracked the sky as I followed the crumbs down Burmese Boulevard, under the old wrought iron bridge and into a back alley.
I paused and sniffed. The Temphead had lingered here at the door to a shady-looking ripperdoc clinic, probably trying to get them to buzz him in. The ripperdoc was smart, didn’t want anyone bringing heat down on his clinic, so he turned the Temphead away.
My keen sense of smell and my detective’s intuition told me the Temphead quickly moved on, and sure enough, there were more crumbs ahead, where the alley made a sharp right turn toward a cross street.
I padded ahead, nose leading the way, and looked up.
The Bradbury Building.
Once a symbol of commerce in the city’s gilded age, now a dilapidated microcosm of Paw City, its former glory obscured beneath decades of grime and decay.
Patting Thunderclaw again for reassurance, I pushed against the heavy bronze doors and into the gloom inside.
My ears prickled in the funereal silence, and my whiskers felt movement in the air currents. There!
A shadowy figure was heading for one of the exits.
Justice is my job, and what kind of cat would I be if I didn’t have the swiftness of a cheetah and the bravery of a tiger?
I leaped the railing, landing gracefully on my feet as I always do, and followed the shadow through the door. The rain was coming down hard, battering my trenchcoat and cap.
Where’d that cat go?
He was clever, I’ll give him that. Lightning lit the alley, and he used the crackle of thunder to mask the sound of his feet splashing through the puddles before he leaped.
I never even saw it coming. It’s been a long time since anyone’s gotten the jump on me. Maybe I was too confident. The attacker barreled into me, knocking me off my feet, and was already propelling himself up a nearby fire escape as I landed in a puddle of rain water.
Thunderclaw was torn from my grip with the impact and went skidding across the concrete.
The Budmobile’s follow drone chose that moment to reappear, making a lazy loop around the alley before stopping to hover in front of me, its ventral nozzles firing whispers of propellant to keep it stabilized.
“Oh dear,” the drone said, “you seem to have fallen, sir. Shall I bring the car around?”
“This,” I told myself, “is undignified.”
The drone chimed.
“Is that a yes, sir?”
I resisted the urge to paw smack the useless machine.
“Yes! Call the Budmobile to the end of the alley.”
I might have been Paw City’s greatest detective, but I wasn’t going to catch criminals with my clothes and fur all wet, smelling like a dirty mutt.
I retrieved Thunderclaw from the ground, slipping the trusty revolver back into its holster.
That’s when I saw it — a scrap of torn clothing on the end of the fire escape, black as night. Black like the absence of light.
I ran a paw pad over the material, feeling its familiar weave and texture. There was only one shop in this section of Paw City that sold zero albedo clothing. Could the Shadow Void be back to stalk the seedy underbelly of Paw City once again? I put him in the slammer once. Now I may have to do it again.
I climbed back into the Budmobile, grateful for the blast of heat from its dash. It was time to pay Tommy the Tailor a visit…
Check back for the next episode of Detective Buddy: Feline Noir!
Buddy the Cat’s talents are innumerable! In this rousing number he slips into the style of Gilbert and Sullivan and uses verse to tell us what a feline should be.
“I am the very model of a feline so crepuscular My visage is so handsome and my meowscles are so muscular! I am a little tiger though the fact may seem improbable My knowledge is near boundless in all matters gastronomical I eat six meals a day in circumstances nominal For serving snacks when I demand, my human is responsible No challenge is impossible, no problem yet insoluble I am the very model of a feline so phenomenal!
I’m schooled in all biology from macro to subcellular A meowster of olfactory for every object smellular My hearing’s extrasensitive in low and higher frequencies I hear the mice a-chatter but the elephants don’t speak to me My style is more Big Punisher than Doctor Dre or Easy E Cuz when it comes to hip hop my tastes all face to easterly I like to shake my booty, I’m funky when I need to be I am the very model of a cat who does it easily!
I rule with iron paws be it jungle or the living room And when I’m finished dining, I am content to sit and groom When it comes to games I am the ultimate competitor Obligatory carnivore, I am a model predator Yet somehow cute and fluffy when I feel the need to be Mostly when I tell my buddy “Wake up, human, and feed me!
I am well-versed in big cats whether tiger or jaguarian And qualities of catnip like a feline rastafarian Intimidating surely, in my home I am the guardian Look dashing in a tux or the kit of a safarian! When it comes to ladies all the gents seek my analysis I designed the Taj Mahal and Cleopatra’s palaces I drink champagne from bottles and sip water from my chalices Then ignite sky with a range of borealises! A champion of Opens like the French, Aussie and Wimbledon My game is too complex for the tastes of canine simpletons
A predator so optimal, impeded by no obstacle When I’m roused to anger you will find me quite unstoppable Stylish with a monacle, calm and rarely volatile I am the very model of a feline so phenomenal!
I am the very model of a feline so phenomenal!
[Chorus of girls]
He is the very model of a feline so phenomenal! Find a better cat? Well that is just impossible! He is the very model of a feline so phenomenal!”
Pain In The Bud 