movie – Pain In The Bud

An Actress Might Lose Out On An Oscar Because She Says She Hates Cats

The reaction says volumes about our society’s sense of proportionality, our collective understanding of animals, and our ability to politely disagree on topics we feel strongly about.

This hasn’t been a great week for feline PR.

Not only did two celebrities come out with bizarrely forceful anti-cat sentiments, but from their statements, they both “hate” cats because they’ve misinterpreted feline behavior.

The fallout hasn’t been good either, for the actress and rapper involved, or for the more extreme animal lovers who have responded with disproportionate rage.

The first comes from rapper Docheii, who insists cats “genuinely aren’t friendly animals.”

“yall be scratched and beat tf up by your own animals I can’t lmaoooo,” the towering intellect from Florida wrote on social media.

Cats, she asserted, “don’t wanna be domesticated.”

Presumably she got that information from the Pew Center for Feline Public Opinion, and the rest of us simply aren’t privy to the latest opinion polls among cats. And here I thought our furry friends were mostly ambivalent about anything that doesn’t involve napping, playing and eating. (I took an informal poll of Bud. He responded with a simple “Fetch me a snack, will you, human?”)

A promo shot of Doechii, real name Jaylah Ji’mya Hickmon

Regardless, even if there was some way to ascertain how cats feel about a process their ancestors initiated — one that takes thousands of years to result in speciation — it’s irrelevant. The decision was made 10,000 years ago when The First Kitteh was drawn to a human settlement by the promise of rodential prey in abundance.

Modern cats have no more say in the matter than we have in our ancestors slaughtering dodos. It happened. We can’t change the past.

The actress vs the ‘pedigree bitch’

The second bit of anti-feline sentiment comes from Jessie Buckley, an Irish actress who is weirdly proud of forcing her husband to ditch his two pet cats when they began dating. She talks as if she’s been waging a personal war against the species, and her reason for disliking felines also indicates a fundamental misunderstanding of their behavior.

Buckley’s comments were made on a podcast late in 2025, but resurfaced this week and went viral as her Oscar buzz reached its peak. On the podcast, Buckley said one of her husband’s cats was a “pedigree model bitch” who was orchestrating a “coup” against her.

She thinks the cat had it out for her: “I’d come home and there’d just be, like, poo on my pillow.”

This is actually sad, because people who really know cats, who understand why they behave certain ways, will immediately understand that they don’t have accidents out of spite. If the cat was eliminating outside her litter box, there was a legitimate underlying problem causing her a great deal of stress.

She could have been injured, she could have been sick, or she could have been plagued by the cumulative stress brought on by the presence of a hostile woman who ludicrously saw her as competition. Our furry friends are much more perceptive than generally realized, especially when it comes to our emotional states, and Buckley’s hostility would have been immediately apparent.

Buckley with co-star Paul Mezcal, who was equally enthusiastic in his intense dislike of felines, telling an interviewer: “Yeah, f— cats!”

Alas, Buckley didn’t reluctantly ask her then-boyfriend to give up his cats. She demanded it, then did a victory lap when he complied, which makes me suspect she was merely taking the whip out for a test drive before further commitment. If he’s willing to abandon two pets, he’s almost certainly going to be a pushover when she begins to prune his friends from his life, starts dressing him the way she likes, maybe even monitors his phone. *shudder*

“It’s me or the cats,” Buckley said she told her husband. “But I won!”

Congratulations, I guess?

The rage of cat lovers

As ludicrous as it seems, the backlash may cost Buckley an Oscar. Personally I don’t keep up with the approximately 200 awards ceremonies actors hold to fete themselves annually, but apparently Buckley turned in a solid performance in a movie called Hamnet.

She was considered the front-runner for an Academy Award. Now critics are openly wondering about her chances.

As always, these sorts of statements reveal a lot more about the people involved than they do about cats. I just wish people understood the species a little better, so maybe attitudes won’t default to anger or hostility if, say, a scared cat scratches a person who corners her, or a kitty with a stomach bug pukes on the carpet.

When a toddler gets sick, we don’t respond by yelling at the kid, blaming him and chasing him off. We make sure he’s okay, give him some medicine or take him to the doctor, and clean up the mess. Cats are essentially furry little toddlers, with the same innocence as children. When we adopt them, we agree to care for them.

Both Buckley and Docheii have been hammered on social media since their comments went viral, and it’s important to address that too. They expressed opinions. That doesn’t make them “pieces of s—,” “worthless human beings,” “scum” or any of the other nasty things some people have been saying.

We can disagree with them without overreacting, even in the age of dehumanizing online conversation.

Maintain yourselves!

And honestly, it makes all of us look bad. The day Walter Palmer returned to work is forever seared into my mind. Palmer was the American dentist who infamously and illegally lured Cecil the lion out of a protected area and killed him to take his head as a trophy in 2015.

Worse, Palmer — who had a history of getting in trouble for breaking the law while hunting — killed Cecil with a bow and arrow in order to claim some meaningless hunting record for himself and bungled the point-blank kill shot his guides had lined up for him. Cecil, who was an iconic lion with a distinct mane, suffered for hours before he died.

People were understandably angry, and protesters showed up outside Palmer’s office the day he returned to work. Most of them behaved themselves. But as Palmer made his way toward the front door of his dental practice, one of the protesters let loose a blood-curdling scream and shouted “WAAAAALTER PAAAAALMER!“, vowing vengeance for Cecil.

Palmer returning to work while media and protesters crowd him.

That moment of unhinged, unregulated rage overshadowed the good intentions of every person who registered their displeasure calmly and politely — and provided ample ammunition to those who enjoy painting all animal lovers as lunatics.

Buckley and Doechii expressed opinions we don’t like, and that’s their right. The best thing we can do is explain why they’ve misinterpreted feline behavior, and show them that cats really are loving, friendly animals — it just takes a little patience and trust. I say that as the faithful servant of a cat who can be particularly prickly and a complete lovebug, depending on the circumstance.

In the meantime, celebrities who hate cats should probably take a pass on broadcasting their intense dislike and save themselves the resulting headache. Sadly, we no longer have any sense of proportionality when it comes to disagreements, and no one gets a fair shake when things are litigated via social media.

Critics Rave About ‘Alien’ Reboot Starring Buddy The Cat!

A reboot of the iconic scifi-horror film upends the balance of power, placing the feline at the very top where he should be.

The long-anticipated Alien reboot starring Buddy the Cat hit theaters this weekend with audiences flocking to see the modernized classic after effusive praise from critics.

Featuring the new tag line “In space no one can hear you scream — unless you’ve got Buddy on your side,” the reboot reimagines the science fiction-horror classic as a cautionary tale about messing with cats.

“While the original built tension over almost two hours and inspired an overwhelming feeling of dread in viewers, the new Alien clocks in at just 28 minutes and ends right after the iconic chestburster scene,” critic Ferdinand Lyle wrote. “Instead of screeching into the shadows of the ship to commence its turbocharged metabolic processes, only to emerge later as a fully formed creature who terrorizes the crew, this alien is immediately caught by Buddy, who delivers a swift kill bite and deposits it in front of the humans. They reward him with a chorus of ‘Good boy!’ and rub his head while plying him with snacks, and the credits roll. Now that’s efficient storytelling!”

The Alien 👽 was no match for Buddy, who woke from a nap to dispatch the creature with brutal efficiency.

The new version is “the ultimate FAFO flick,” raved the AP’s Misty Lemire.

“The central message here is ‘Don’t tangle with Buddy.’ The apex predator of the cosmos is no match for the apex predator of Earth.”

Other critics were enamored with a post-credits dance scene featuring Buddy, the crew of the Nostromo and dozens of face-huggers who fly through the air, forcing the cast to bust impressive dance moves to avoid the dangerous creatures. At one point Buddy launches into a breakdance routine. The actress who plays Ripley wags a finger at a xenomorph and declares “You just got served!”

“It’s clever, light and wildly entertaining,” one critic wrote. “Buddy’s got some magnificent dance moves!”

Others praised Buddy for his impressive physique. In an interview with Entertainment Weekly, Buddy said he’d been training non-stop for eight months for the role, eating a high-protein diet and spending five hours a day napping in the gym to accentuate his meowsculature.

“The effort paid off big time,” a review from Calico Critics noted. “Buddy looks more ripped and impressive than he ever has, and he was already competing against a high bar he set during his previous films.”

In the post-credits dance scene, Buddy and the Nostromo crew perform a synchronized routine while dodging facehuggers.

However, not everyone was impressed. Reached this weekend at his New Zealand bunker, where he’s fled “until America isn’t annoying anymore,” director James Cameron called the Alien reboot “derivative, low-calorie cinema junk.”

“Remember when I had characters saying ‘Hasta la vista’ and ‘Adios, muchachos’? That was really cool. I was one bad hombre,” Cameron said. “Audiences might think this is a good film, but that’s because they haven’t seen the wonders of Avatar XVII yet. Just wait, it’s gonna be awesome. And there are no cats.”

The Elephant Queen Is A Love Letter To Some Of The Most Extraordinary Creatures On Earth

The filmmakers spent four years with matriarch Athena and her herd.

Athena learned the seasonal migratory path from sanctuary to sanctuary from her mother, who in turn learned from her mother, in an unbroken chain that goes back as long as elephants have walked the savanna we call the Maasai Mara.

Every bend, every life-sustaining water hole, every spot where the most nutritious plants grow — and especially the final resting places of her relatives, those who didn’t survive the long journeys to water and shade during drought seasons.

The 50-year-old matriarch, one of the Earth’s last “super tuskers,” has seen her family through so many difficult times that the members of the herd don’t question her even when her decisions could mean life and death for them.

She is their matriarch, and their trust in her is absolute.

During times of drought, all animals converge on the same watering holes. Credit: Apple TV

Athena is also the herd’s protector, which means being wary of humans is her default. It has to be, since humans have poached her kind to the brink of extinction to feed the insatiable Chinese ivory trade.

Filmmakers Victoria Stone and Mark Deeble spent four years with Athena and her herd while filming The Elephant Queen, and earning Athena’s trust was a laborious process.

At first, the wise matriarch wouldn’t let the documentary team anywhere near her family. That slowly began to change as they showed her they meant her no harm.

“But we could see that with her herd, with her family, she was a really calm, beautiful, temperate matriarch,” Deeble explained after a film festival screening of the documentary “And we would just spend time with her.”

Still, the filmmakers had to pass a test before Athena extended her trust:

‘Over the course of several weeks, Athena had allowed the small crew closer and closer, until they were about 40 meters from her. One day, Athena walked away to let her calf stand between her and the crew. That’s a rare occurrence for a mother.

“At that stage two things can happen,” Deeble said. “Either she can realize that it was a mistake, and if we’re in the middle of them we’re going to get trampled, or, and what I like to think happened, she was just testing us. Because after a while, she made a very low rumble and the calf looked up, and she wandered very calmly around the front of the calf. And from that day on, she allowed us amazing access.”’

The Elephant Queen first finds Athena’s herd during a time of plenty, when water and food are abundant, and the herd’s babies — curious Wewe, a boy, and little Mimi, a female and the youngest member of the herd — get to splash around and explore their new world.

Satao, a male “super-tusker,” arrives at the watering hole for hydration and to find a mate. Credit: Apple TV

But every year there comes a time when the water hole starts to dry out and the herd must begin a long march spanning more than 100 miles to reach a more reliable source of water.

The year Stone and Deeble began following the herd, the drought was so severe that Athena made the difficult decision to march for a far-off sanctuary, the closest known permanent water hole fed by an underground spring.

It’s a long, exhausting journey, and newborns can’t make it, so Athena is forced to delay their departure for as long as she can to give Mimi and Wewe enough time to feed and grow stronger.

Elephant calves are dependant on their mothers’ milk for two years. Credit: Wikimedia Commons

The gestation period for African elephants is about two years, and the entire herd is protective of the babies. The adults cooperate to shield them from predators and the sun, using their bodies to do both. They’re also extremely cautious around hazards like rapidly drying mud holes, which can trap young elephants.

The Elephant Queen’s stars are its titular species, but the documentary does an outstanding job not only showing us the other animals who inhabit the elephant kingdom, but also making clear the many ways those animals depend on elephants for their survival.

From geese, frogs and terrapins who rely on elephants to dig water holes, to dung beetles for whom elephant waste is a bounty, to kilifish whose eggs hitch a ride on the massive animals toward the next water source, the entire ecosystem is balanced on the broad backs of the gentle giants.

As narrator Chiwetel Ejiofor (Doctor Strange, The Martian, 12 Years A Slave) notes, elephants are tactile creatures, and when they nudge a terrapin or knock a frog off a tree branch, it’s curiosity, not malice, that motivates them. They’re herbivores, despite their enormous size, and gain nothing from harming other creatures.

It’s impossible to watch a documentary like this without looking into the eyes of elephants like Athena and wondering about the intellect behind them, the thoughts and emotions that motivate their actions.

In one scene, as Athena leads her herd through a parched landscape with nothing but dust and dead trees in every direction, she stops. There’s no water or food. There’s only an elephant skull, the remains of a family member who died on one of the treacherous journeys toward refuge during drought season.

The elephants crowd around the skull, gently running their trunks along its tusks the way they do every day to greet one another. Even with the body long since decomposed, with nothing but a skull remaining, they recognize one of their own.

Some will dismiss the idea that the elephants are mourning, claiming that ascribing emotions to animals is anthropomorphizing them. But if they’re not mourning, what are they doing? If they’re not remembering an individual they loved, why would they stop when it’s crucial to find water and food?

Indeed, the only other time Athena calls a halt is when one of her pregnant sisters goes into labor.

Documentaries like The Elephant Queen don’t exist solely for entertainment value. Despite intense efforts to protect elephants, poachers still kill an estimated 20,000 each year.

Just 100 years ago, 10 million elephants inhabited almost every corner of Africa. A 2016 study put their number at 415,000, and while there have been successes in conservation efforts, it’s difficult to ascertain whether they balance out the relentless poaching and habitat loss.

The Elephant Queen acknowledges threats to the continued existence of elephants, but doesn’t dwell on them. There’s good and bad to that: in some ways it’s a missed opportunity to galvanize viewers, but it also ensures the film is family friendly, without gore or violence. The film doesn’t sugar coat the fact that nature is unforgiving, but you’re not going to see a poacher raid on a herd.

The Elephant Queen is an Apple TV documentary and premiered on the streaming service after a limited theatrical run. I stumbled upon it as a subscriber after it appeared prominently in the app.

And while it was released in 2019, its message is still as relevant today. Whether you’re fascinated by elephants or appreciate wildlife in general, The Elephant Queen is a great example of how powerful documentaries can be, especially in transporting us to real places that exist in our world, but remain out of reach for the majority of us.

Fearless Cat Forces Bear To Retreat, PLUS: Flow’s Void Sparks Interest In Black Moggies

Flow’s Cat has improved things for his fellow voids, who are drawing more interest from adopters.

This video is bonkers!

A cat who is definitely not Buddy stared down a bear and made the ursine interloper retreat in fear in a confrontation caught on camera.

The stand-off happened in Pike County, Pa., and the cat’s name is T’Challa, after the titular hero of Marvel’s Black Panther franchise.

“I think perhaps this young bear woke this kitty cat up because he was not happy that he was sharing his deck with him when he woke up and he expressed himself,” said the homeowner whose security cameras caught the exchange.

After T’Challa made a series of feints, the bear — who is orders of magnitude larger — beat a hasty (for a bear) retreat.

Well done, T’Challa! Someone get that good boy a treat!

Go with the Flow

Part of what makes Flow so spectacular — aside from the breathtaking visuals, clever narrative and the strange world it portrays — is how endearing its star, Cat, is.

The little guy shows enormous resilience as he survives a biblical flood, gets chased by a flock of angry secretary birds, learns to swim, and finds his confidence in situations that would terrify any feline. He’s incredibly expressive, revealing his emotions with every twitch of his tail and whiskers, as well as his distinctive meow and, most of all, his bright yellow eyes.

He’s also the first feline star to win an Oscar and a Golden Globe, as well as many other film awards for the universally praised film.

Now he’s got another accomplishment to his name: he’s improved the way people view black cats, who have long been the victims of absurd human superstition and have a hard time finding forever homes because of the stigma.

Animal welfare organizations are reporting heightened interest in black cats (good), but not a manic rush to adopt them as has happened when other species and breeds are popularized in films. (Bad, because those pets are often discarded when the novelty wears off.)

In other words, Cat may have inspired something close to parity in adoptions in some places.

Cat is beloved in director Gints Zilbalodis’ home country of Lithuania. The capital, Riga, is now adorned with street art of the little guy, including a statue sitting atop a major monument in the heart of the city.

Flow’s Cat Accepts Oscar In The Most Feline Way Imaginable

The animated feature about a cat surviving an apocalyptic flood has racked up awards and earned universal acclaim.

It’s been quite a year for Latvian animator Gints Zilbalodis and Cat, the star of Flow.

Their film won an Oscar for best animated feature film, racked up wins at the Golden Globes and smaller film festivals, became the most-watched film in Latvian history, snuggled its way into the hearts of audiences in the US, Europe and Asia, and enjoys incredibly rare universal accolades from critics and viewers alike, scoring 97 and 98 percent with each group respectively on film review site Rotten Tomatoes.

Now Cat has officially recognized his Oscar by doing precisely what his species loves to do. In a short video posted by Zilbalodis, Cat smacks the golden statue off the railing of his boat and onto the deck, to the annoyance of his lemur buddy.