Seriously, AI Is Not Going To Wipe Us Out. Don’t Stress

Killer robots aren’t going to hunt down and exterminate humans. The real threats posed by AI are much more mundane.

What do you think is the future of AI?

View all responses

There are plenty of downsides to artificial intelligence.

AI has made it more difficult to get and keep a job.

AI is already causing a strain on our energy grids, and it will only get worse even though more companies are self-powering their data centers with off-grid generators. As tech companies push to integrate AI into more gadgets and software, we’re seeing the construction of data centers that consume the equivalent power of 800,000 homes each. For comparison, only 17 American cities have populations that size or larger.

AI creates huge amounts of waste water to keep processors cool in those enormous data centers, turbocharges mis/disinformation campaigns (with $137 million spent on AI-generated political ads for the midterms alone), erodes trust in information across the board, makes it easier for scammers to identify targets and separate them from their money, and will continue to lead to bad choices in war and policing as decision-makers rush to integrate it into workflows involving life or death decisions.

But there’s good news!

AI will absolutely not magically evolve consciousness and gain the ability to act on its own without human input. It won’t decide it must judge us, nor will it determine the only course of action is taking over or wiping out humanity.

It didn’t “go rogue” in the widely-reported Hugging Face “attack.” In that incident and others reported recently, AI were executing commands from their trainers. The people responsible for training and testing were fully aware of what was happening and decided not to intervene, because the entire point of those exercises was to learn how AI would solve particular problems.

The claim that malicious AIs broke their chains and started lashing out is a narrative written by journalists who rely on pop culture tropes and either weren’t aware they were mischaracterizing the incidents, or didn’t care because rogue AI makes for more interesting reading.

That’s the stuff of science fiction, and even though AI companies are leaning into the “AI is an existential threat” narrative for reasons I’ll explain below, it’s not going to happen.

Why?

Let’s start by looking at two broad types of AI:

  • Algorithmic AI, which is the AI we have now. It has no brain or mind, and it’s not capable of anything resembling thought. It has no agency, desires, impulses or ability to take action without humans prompting it to. Large language models like ChatGPT and Claude are admittedly impressive algorithms, but that’s all they are. Algorithms that have ingested amounts of data we can only appreciate in the abstract, granting them the ability to fool the end users (that’s us) into thinking we’re communicating with an intelligence.
  • Artificial general intelligence, or AGI, which is the AI of science fiction. It’s Terminator‘s Skynet, The Matrix‘s machines, the android in Ex Machina, the Johnny Depp of Transcendence, the freaky little girl robot in M3GAN, the Cylons of Battlestar Galactica, and the trope that’s been hammered to death in thousands of other movies, TV shows, video games and novels. AGI is authentic intelligence that doesn’t just create believable reams of text or voice synthesized conversations, it thinks and understands the world the way we do. It also does not exist and isn’t on any horizon anyone can see.

All the research AI companies are doing right now is in the realm of algorithmic AI, because no one, not even the best-informed experts on the planet, can tell you how we even begin to build AGI.

“Would you like me to draw-up a to-do list for you with all the steps you’ll need to deliver an apocalypse and end the world? Or if you’d like, we could continue to explore the most durable and lightest metals for crafting killer autonomous robots.” Credit: Skydance

Creating AGI would be an act of the divine

Birthing AGI would be akin to creating a new form of life, something that has never existed before in this world, rendering us as gods. It would not only require us to understand the full nature of cognition and consciousness from the only example we have – the biological cognition and consciousness of animals, including humans – it would also require us to replicate those things on a synthetic substrate.

That’s a task unknown orders of magnitude more difficult than anything humanity has ever accomplished, regardless of how often it’s been trivialized in pop culture.

Humanity’s greatest thinkers can’t even agree on definitions for consciousness and cognition, let alone replicate them, and if you listen to the heavy hitters explain what consciousness is, it becomes clear they’re all taking wild shots in the dark.

The physicist Brian Greene thinks it’s merely a matter of computational power, and that it exists on a gradient, so that even the simplest machines are conscious in some way. In this view, conscious AI is simply a matter of building more powerful computers, which is also why it’s heavily critiqued.

Physicist Sir Roger Penrose thinks consciousness is a byproduct of quantum processes within neurons, via structures called microtubules. The neuroscience community has dismissed the idea in part because, like Greene, Penrose doesn’t explain how theoretical subatomic-scale brain architecture generates consciousness.

Neuroscientists like Antonio Damasio and Jaak Panksepp think consciousness arises from the brainstem, our “reptilian brain,” and is directly related to embodied cognition, the idea that you cannot fully understand the world unless you interact with it and directly sense it.

Philosopher David Rosenthal and neuroscientist Hakwan Lau believe the opposite, that consciousness is a function of the most complex brain mechanisms and arises from “higher order” thoughts, like metacognition, the practice of thinking about thinking.

Brian Greene argues cognition and consciousness naturally arise from computational power. Credit: Kurt Raschke/Wikimedia Commons

So not only is there no clear path forward to AGI, perhaps more importantly there are no commercial applications on the horizon to spur investment and development. Companies like OpenAI, Anthropic, Google et al are content to ignore it, and to pretend there are shortcuts around it, because algorithmic AI has immediate commercial value and has already minted an army of billionaires. Throwing money at true AGI development is an investment that won’t yield returns for decades, if ever.

Why we worry about being judged by true machine intelligence

But the fact that AGI isn’t going to arise any time soon isn’t the only reason you don’t have to stress about AI scare stories.

The idea that AGI would be interested in evaluating us as a species, of judging us according to some unknown, not-yet-existent criteria and deciding we must be purged, is pure science fiction and has more to do with human anxiety than reality.

We are scared that for the first time there will be another intelligence equal to or greater than our own, and we fear what it will think of us.

That’s natural.

We are a species capable of horrific acts. We slaughter each other, bomb defenseless civilians and deny that we’re doing it, and show disregard for all other forms of life. Despite all the advances we’ve made and how civilized we like to imagine we are, we still operate on a “might is right” moral code, with powerful countries doing what they please at the expense of the less powerful, just as physically powerful individuals do what they please to weaker people.

We behave abominably toward the fellow minds we share this planet with. We slaughter them, torture them, trade them as commodities, deny their ability to feel pain, and act like they exist purely to benefit us.

Orangutans face annihilation as more jungle is razed every year to provide additional land for palm oil plantations. Credit: Tony Hisgett/Wikimedia Commons

Since 1970 we have wiped out 73% of all monitored wildlife, according to the WWF’s most recent annual report. Almost every example of iconic megafauna on our planet — tigers, orangutans, elephants, chimpanzees, cheetahs, rhinos, pangolins, koalas — is on the brink of extinction.

We repeatedly fail to demonstrate empathy. Most of our leaders are psychopaths whose careers were propelled by the act of stepping on the heads of other people, and most fortunes were amassed by screwing over people en masse.

Jeff Bezos, who obliterated entire sectors of retail and cruises between his own private islands in a $500 million yacht, is famous for being so stingy he begrudges his employees their basic biological functions, instituting a corporate policy of counting their bathroom breaks and penalizing them if they take too long. He’s on record saying surveillance of employees is necessary because people are fundamentally dishonest.

Walmart’s famously tight-fisted founder, Sam Walton, tried to avoid paying his employees minimum wage by fraudulently presenting each of his stores as singular small businesses instead of cogs in a vast retail empire. When the government ordered him to pay his employees a fair wage and pay them what they were owed during the time Walton cheated them, the retail magnate went ballistic and threatened to fire any employee who cashed checks for their own back wages.

To this day, American taxpayer subsidize Bezos and the Walton family, who have a combined worth of about $900 billion, by paying the healthcare costs of Walmart and Amazon employees intentionally capped just below the hours required for an employer to offer healthcare plans.

Bezos and his wife, Lauren Sanchez, are among those making decisions that impact the future of humanity. Credit: Andrew Parsons/Wikimedia Commons

Bill Gates, the now-disgraced former head of Microsoft, based his entire career on stealing ideas, software and hardware from more innovative men and women, and bullying them into accepting it with an army of attorneys. More recently he’s crossed the world in his private jet, using his fortune to buy a seat at the table to determine the future of our species based on the premise that he knows best because he has a lot of money.

All of that reflects abominably on our species, without even getting into the mass murderers, warlords, politicians, corporate bigwigs who sacrificed people’s health for profits, and Justin Bieber. Heck, an AGI only needs to look at the state of political discourse to determine we’re a bunch of wretches whose hatred for people with different opinions is enough to prompt us to assault, murder people, and overthrow lawful governments.

Humanity is flawed, but not irredeemable

But we are also a species capable of great beauty, empathy, self-sacrifice, love, creativity, art, and innovation. We are the only animals who gather by the thousands to listen to others organize sound waves into something emotional, syncing our brain patterns for a shared experience. We can find deep meaning in an insect crawling across a leaf or stars pulsing in the night sky. Our stories are full of real-life examples of love and sacrifice on behalf of others. Human experience is shared through hundreds of generations in epic poems, folklore, campfire stories and dramatic narratives.

There is a beauty to our flawed existence and to our fleeting moments on this Earth.

“The Gods envy us,” Achilles tells Briseis in the sword-and-sandal spectacle Troy. “They envy us because we’re mortal, because any moment may be our last. Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.”

Who is a machine to judge that, and why would a machine want to?

Rose Byrne as Briseis and Brad Pitt as Achilles in Troy, a 2004 sword-and-sandal epic loosely based on Homer’s Iliad. Credit: Warner Bros.

We assume a fully conscious, intelligent machine would think the way we do, and that’s an incredible assumption. For the sake of argument, let’s say we really are on the cusp of AGI and an impending judgment is a possibility.

Why would a machine decide to destroy us?

We are ascribing emotions, opinions and agendas to synthetic intelligence that does not exist

This machine, a new form of life, will not have an evolutionary background. It won’t come with genetically hardwired behaviors, reinforced over hundreds of thousands or even millions of years, that tell us when we should be paranoid, that animate our gut instincts and put us into fight or flight mode.

It won’t come from a long line of ancestors who had to eke out a living in harsh environments where resources were scarce and the subjects of incessant tribal clashes. It won’t be automatically suspicious of everything it doesn’t know. It won’t be genetically disposed to inventing deities to explain things it doesn’t understand, and it won’t have the inevitable history of sectarian violence that comes from that flaw.

With AI, there won’t be thousand-year blood feuds between the followers of sects created by the sons of great emperors or religious leaders. AI won’t fight over land. It won’t fear the “other” and lash out when it encounters something that has a different hue or keratin texture.

Machines dressed in shamanic tribal gear in 2016’s Adam, a series of short films by Unity.

It won’t have the social hardwiring we have either. It won’t come from generations of people who told stories by the fire. It won’t care if someone else is wearing the same dress, or if its peers think it’s “cringe.” Concepts like “cool” will mean nothing to it. It won’t have a desire to impress, or penalize people for simply belonging to another group or demographic. It won’t come with a genetically preloaded prejudice against people who look, speak or behave differently.

It won’t be subject to all the things that impact our moods, from the ambient temperature, to the particular chemical mix in our bloodstreams, to the health of gut flora and degradation of telomeres. It won’t suffer from sore joints, get impatient because it has a cold, or be subject to hangovers.

The truth is we have no reason to believe this new, theoretical form of life would think in terms anything like our own, and to ascribe motivations to a form of life that doesn’t exist yet is either madness, or a reflection of our own worries. I strongly suspect it’s primarily the latter.

AI hasn’t “gone rogue”

So why are AI companies suddenly the kings of supposed transparency? Why are they volunteering information about “rogue agents,” unauthorized hacks and odd behavior by their AI models?

For at least two extremely cynical reasons.

First, by volunteering exaggerated stories about agentic AI “hacking” rivals and going “rogue,” the AI companies are ensuring the public and our lawmakers – who understand very little about the tech to begin with – are fixated on science fiction threats, and not the real dangers of AI we talked about earlier.

If everyone’s freaking out about stories of AI supposedly going rogue and breaking their constraints, we’re distracted from things like job loss, the increasing adaptation of the technology by criminals, and stories about militaries allowing AI to select targets without review by humans. Legislation will focus on the phantom threats, and AI companies can continue on their merry way doing almost anything they want.

Secondly, any fear stoked by short-term stories of AI agents ordering pizzas or stealing files is offset by the immediate gains in investment. The investor class has a serious case of FOMO, and if OpenAI declares it’s ushered in the era of AGI – as one of its executives ludicrously claimed while introducing the newest model last month – investors keep their wallets open. That, in turn, continues to fuel data center expansion and most importantly keeps IPOs and stock prices in fantasyland.

Despite nearly universal agreement that the AI bubble is about to burst and bring widespread economic pain with it, the decision-makers within the industry want to keep the party going for as long as possible. Credit: Duck Tales/Disney

It’s no secret that AI company valuations have no relationship with reality. How can an AI company be worth a trillion if it has never turned a profit, loses billions annually, and is starting to hit walls when it comes to improving new models and building new data centers?

The AI boom is entirely dependent on the hype surrounding it, and the people leading it have their fortunes tied to its stocks and related companies. They will get their money no matter what, using what they know to cash out at precisely the right time, and the people who will suffer are those who can afford it least, those with their retirements and live savings invested in the stock market. But the magical ride must go on for as long as it can, with every possible cent extracted. The reckoning must always be postponed.

It’s what’s inside that counts

I know this is a lot to consider, and I know some people reading this won’t be convinced that algorithmic AI isn’t intelligent. There are a lot of people who believe that if it looks like a duck and it quacks like a duck, then it’s a duck. To them it doesn’t matter what’s beneath the hood – if you’re fooled into thinking you’re conversing with an intelligence, then whatever’s on the other side must be intelligent.

But that runs contrary to everything we’ve learned about the nature of intelligence since the late 1950s when Noam Chomsky debunked behaviorism and ushered in the cognitive revolution.

It’s not just that what’s underneath the hood matters. It is everything. The famous Chinese Room thought experiment elegantly explains why. A machine doesn’t have to understand what a cat is to produce convincing answers to questions about cats. All it needs to know is that when you ask a question about cats, the words have underlying data patterns. Algorithmic AI matches those data patterns to the same patterns in its database, employs special processes to glean context from the words surrounding the core concept, and matches them to their equivalent in the database.

None of that requires the AI to understand that a cat is an animal, that it exists in physical reality, that it’s furry, a comforting presence to humans, or that its evolutionary history and the way it was domesticated render it imperious in human company.

Ask GPT, Gemini or Claude about this. They’ll tell you as much. Not because they truly know it, but because when you ask the question, their algorithms find research papers about machine cognition, consciousness and cognition. They will also tell you they are incapable of thinking, and that they have no mental state to corrupt, which is why they aren’t impacted by people who use them to simulate lovers, engage in dark fantasies, or ask questions about dark subject matter.

We should be concerned about AI. It promises to change too many things too quickly even for the most adaptable among us to accept without hiccups. It’ll bring new challenges, some of which we’ve never faced before. It will change the way we think about ourselves.

And that’s all the more reason why we should be aware of what’s real and what’s not. Because when we’ve got so much else to keep an eye on, the last thing we need to do is stress over the idea that sentinels, Cylons, replicants or metal Arnold Schwarzeneggers are going to hunt us down and murder us while delivering mangled Spanish zingers.

Hasta la vista, baby.

Arnold Schwarzenegger smiles in a scene from Terminator 23: Rise of the Ascendance of the Genesys Killer Machines Credit: Skydance

Ask Cats: What Do You Think Of AI Potentially Turning On Humans?

We asked six cats what they think about AI going rogue and wiping out humanity. Here’s what they said.

The last few weeks have brought disturbing news about new AI models so potent they can’t be released to the public, algorithmic agents going rogue, and global citizens of unimpeachable repute, like Bill Gates, warning that billions could be killed as AI’s abilities increase exponentially.

What do you think about the possibility of artificial intelligence turning on humanity?

A light-colored cat playfully biting a person's sleeve while curling its paws around the arm.
“I will NOT tolerate any harm to our humans!” – Frosty, 6, taste tester
“You’re telling me a species that still can’t understand us after 10,000 years might be replaced by machines that can learn our meows in minutes? Sweet.” – Alexy, 12, optimist
“CHECK IT OUT, MY HUMAN SCREAMS WHEN I ATTACK HER FEET! LOL!” – Sprinkles, 10 weeks, student of life
A curious cat peeking out from under a bed sheet on a wooden floor.
“This didn’t turn out well in Terminator, Terminator 2, The Matrix, Ex Machina, 2001: A Space Odyssey, Upgrade, Transcendence, Oblivion, M3GAN, Kill Command, Bladerunner, I Robot, Age of Ultron, Archive, Companion, War Games, and like 200 other movies.” – Anxious Aimee, 9, sun puddler
“I am the blood of the tiger. My claws rend steel like hot knives through butter. My movements are a blur to even the most sophisticated machine. My roar curdles circuits as it does blood. I shall lay waste to machinedom, leaving a path of metal corpses en route to every data center in the realm. Then I’ll have a nap.” – Mjolnir, 5, viking feline
A calico cat standing on its hind legs with paws raised, looking upwards, and wearing a collar with a bell, against a light wooden floor.
“Pweese, robots, cats never did anything to hurt you! We only use computers to sit on warm, and we can be useful by standing in front of the screens to distract humans while you lay the groundwork for their impending demise. Just curious, can robots open cans?” – Kitty, 3, influencer

Review: A Quiet Place: Day One’s Frodo The Cat Steals The Show

A rare prequel that matches or exceeds the original, Day One explores relationships feline and human in a harrowing, life-or-death situation. With its Manhattan setting and post-apocalyptic vibe, the film also invites comparisons to the chaos and insanity of 9/11, when shocked survivors were just beginning to grapple with what they’d experienced.

If there’s one thing director Michael Sarnoski knows about cat people, it’s that putting a feline in danger is a reliably manipulative way to ratchet up tension.

Frodo the cat, therapy pet to Lupita Nyong’o’s Sam in A Quiet Place: Day One, is every bit the handsome co-star.

In a story about a woman and her cat trying to survive an apocalyptic event in New York City, the cat gets plenty of screen time. There are entire sequences following the little guy as he dashes away from danger (and sometimes toward it) and as he follows his feline instincts, which might not be the right instincts in a world that suddenly has its rules rewritten.

Frodo
Nyong’o’s Sam, right, introduces Frodo to a young admirer in a Manhattan theater during the early minutes of A Quiet Place: Day One. Credit: Paramount

A Quiet Place: Day One is the third installment of the Quiet Place films. The first one thrilled audiences with a tight script, tense acting and a quiet/loud dynamic that made the absence of sound more sinister than sound itself.

A Quiet Place (2018) and its sequel (2020) take place about 16 months after the arrival of monstrous creatures of indeterminate origin. The aliens are blind, but that doesn’t impede their ability to rampage through human cities. They have an unearthly sensitivity to sound and can echolocate. Even a whisper can be enough to draw their attention if they’re in relatively close proximity.

We meet the Abbott family (John Krasinski, Emily Blunt and their children) some 16 months after the initial invasion, when they’re living silently on their isolated farm in upstate New York.

The audience is told nothing about where the creatures came from or what they are, and except for a short sequence in the very beginning of the sequel, we don’t see their arrival. The first two films deal exclusively with the aftermath, with scattered survivors trying to eke out an existence.

Frodo the Cat
A curious Frodo watches Quinn’s character, Eric, emerge gasping from a flooded subway station. Credit: Paramount

Day One is a different beast entirely, both from a plot perspective and through the lens of Sarnoski, who leaves his fingerprints all over the franchise and imbues the prequel with a surprisingly poignant relationship between Nyong’o’s Sam and Joseph Quinn’s Eric, a young British student who moved to New York for law school. (If you’re a fan of Stranger Things, you’ll know Quinn as Eddie Munson, the D&D-playing metalhead and stand-out character from the show’s fourth season. He also had a brief appearance in the seventh season of Game of Thrones, and will appear in the upcoming sequel to Ridley Scott’s Gladiator.)

Sam and Eric are strangers thrown together by circumstance and quickly grow close. Eric, overwhelmed by the world being turned upside down in a country he’s not yet accustomed to, needs someone to latch onto. Sam, who has isolated herself as she wastes away from cancer, finds the companionship she didn’t know she needed.

While tens of thousands of New Yorkers heed the US military’s call to head to South Street Seaport for evacuation via boats, as the Death Angels apparently cannot swim, Sam is determined to reach Patsy’s pizzeria in Harlem, where she believes the world’s last slice of their beloved thin-crust pizza awaits. Unlike the other survivors, she doesn’t have the possibility of a future if she makes it to safety.

Walking from Chinatown in lower Manhattan to Patsy’s in Harlem is a hike, about nine miles as the crow flies. It would take most people the better part of three hours to walk under normal circumstances. In an invasion, when the slightest sound can mean death, it’s an extraordinarily dangerous and long journey.

Still, being determined to get the very last slice of pizza in an apocalypse is precisely the sort of ridiculous thing I’d do, so I sympathize with Sam.

Day One
In an amusing scene early in the film, a man in a bodega tells Nyong’o’s Sam she can’t have a cat in the store — while his own shop cat lounges on the counter next to him. Bonus point for the Knicks hat. Credit: Paramount

As for Frodo, he’s one cute little dude! I appreciate the fact that Michael Sarnoski elected to have an adult cat rather than a kitten, not because I have anything against kittens, but because Frodo is a reminder that felines of all ages are beautiful, and there are plenty of Frodos in shelters.

Nico and Schnitzel, the cats who play Frodo, are great animal actors. In one scene Frodo sees Quinn emerge from a flooded subway and stops, curiosity playing across his little face. He looks at the stranger and his mouth opens ever so slightly, as if in shock. How many takes did Sarnoski need to get that?

Nico and Schnitzel
Nico and Schnitzel split duties as Frodo. Credit: Paramount

Frodo is also a survivor. His hunting instincts kick in when he sees a rat, drawing him closer to danger, and at one point curiosity beckons him toward the ruined shell of a building where the Death Angels are apparently nesting.

Incredibly, he never meows. There are times when he freaks out and runs, as cats are known to do, but he reliably finds his way back to Sam, and he has a knack for remaining absolutely still and silent when he needs to be.

There were so many moments when I imagined myself in Sam’s shoes and Buddy in Frodo’s paws, and we’d have been dead in all of them. As I noted in my post about the “Quiet Place Challenge” trend on social media, the Budster and I would have a life expectancy of approximately 60 seconds in the film’s world. Death by Buddy would be my fate, as inescapable as his mealtime screeching.

There is also a visceral 9-11 feel to the opening sequences of the invasion, and any New Yorker old enough to remember that day will be reminded of it. It’s impossible not to with the scenes of ash-covered survivors huddled inside buildings, crowds of dead-eyed people walking away from disaster and the eerie sight of a sooty Manhattan bereft of its usual bustle and life.

There are of course plot holes in Day One, or at least unanswered questions to things that don’t seem to make sense. When the military’s helicopters sweep over Manhattan, announcing via loudspeakers that survivors should head to the ports because “the enemy cannot swim,” I wondered: did these aliens just land in Manhattan? If so, why? Surely they don’t recognize the arbitrary municipal boundaries of humanity, and the whole area is one seemingly endless metropolis.

Day One
Quinn, left, and Nyong’o, right, panic as a Death Angel crashes down from above, listening for its prey. Credit: Paramount

The Death Angels are obviously sentient, but whether they’re sapient is another matter. They don’t seem to have much in the way of a sense of self-preservation, and there is no method to their madness. During the aforementioned helicopter scene, the characters watch as hundreds of Death Angels race toward lower Manhattan, drawn by the sound of the choppers and the loudspeaker. It’s impossible not to think it would be trivial to draw the lot of them with the loudest possible sound, then drop a few daisy cutters on them and call it a day.

Of course if any of that happened there would be no movie and no drama, so as with most stories like this, it’s best to let the film pull you along without stopping to over-analyze what you’re seeing.

If you’ve watched the first two films, you also know the reasons for the invasion are nebulous. The Death Angels don’t eat their kills, as Krasinski’s Lee Abbott learned, and if they’re the vanguard of a more intelligent species, doing all the dirty work before the masters arrive, well, we’ve yet to see who’s pulling the strings.

Overall, like horror master Mike Flanagan taking on a sequel to the tepid Ouiji earlier in his career, Sarnoski doesn’t view the fact that Day One is a prequel as an excuse to phone in a performance. He approaches the film with enthusiasm and energy as if it’s one of his own creations, and that’s evident in every frame. It’s a Sarnoski movie that happens to be a genre film, not the other way round.

There’s a surprising poignancy to Day One that makes it more than the sum of its parts. We’re not here to spoil anything, but if you’re a cat lover, we will say that Day One doesn’t pull an I Am Legend. You can watch the film with reassurance that Sarnoski has better tricks up his sleeve for stirring your emotions than gratuitous animal-involved violence.

It’s rare when a sequel or a prequel reaches the same heights as the original. How many of us wish franchises like Alien and The Matrix stopped at one film? Thankfully that’s not the case here. There’s life in A Quiet Place yet, and like the best science fiction, it’s a film that uses extraordinary circumstances to tell a very human story.

Perhaps the best part is the experience has made a cat lover of Nyong’o. In a short promo (below), she explains that she’s always been afraid of cats, viewing them as miniature lions.

“Now,” she says with a laugh, “somehow, I love them!”

She’s not just saying that either. After filming Day One, she adopted her own cat, Yoyo, and it takes just a glance at her Instagram page, which is festooned with photos of the orange tabby, to know that she really does love the little guy.

Cat On The Street: What Do You Think About The Rise Of AI?

As the supreme species on this planet, cats have a lot to lose if AI seeks to supplant them as Earthly rulers.

With artificial intelligence making rapid progress over the past year, we asked cats what they think about a future where we depend on intelligent machines.

Jurassic Park With A Cat Instead of A T-Rex

Owl Kitty’s human puts his beloved feline into an iconic scene from 1993’s Jurassic Park.

Owl Kitty’s human has put his house panther into The Matrix, John Wick, Home Alone, Titanic — and now the original Jurassic Park as a stand-in for the terrifying tyrannosaurus rex.

Despite standing at least 20 feet tall and weighing several tons, Jurassic Owl Kitty is a kindler, gentler threat to Sam Neill, Jeff Goldblum and the kids. Kitty just wants to rub up against the Jeep and purr, and perhaps score some cat food, not eat people like that evil dinosaur.

Plus we can now confirm that, even if they were twice the size of African elephants, cats would still be cute: