Movies – Page 2 – Pain In The Bud

‘Nightbitch’: Animal Murder And Child Abuse In The Name Of Modern Feminism

In Nightbitch, Amy Adams stars as a woman who feels cheated by motherhood, so she reclaims her feminine energy by taking her rage out on her toddler and her cat, among other innocents. How brat is that?

In 2020, just after the height of the George Floyd protests, comedian Bill Burr hosted Saturday Night Live, and he was not kind to people who used the moment to complain about their minor misfortunes.

“Somehow, white women swung their Gucci-booted feet over the fence of oppression and stuck themselves at the front of the line,” Burr said. “‘My life is so hard. My SUV and my heated seats! You have no idea what it’s like to be me.'”

That’s Nightbitch in a nutshell, with some added animal and child abuse thrown in for good measure. And when I say “some,” I mean horrifically graphic, uncomfortably-long scenes depicting the murder and torture of animals and the total dehumanization of a baby.

Nightbitch was released as a book in 2021 to critical acclaim despite its risible plot, which says just as many unfortunate things about the publishing industry and media as it does about the book. (The US publishing industry was almost 80 percent white women in 2016, a survey found, resulting in a worrying lack of perspectives. The figures have remained similarly lopsided in the years since, and the industry’s output reflects that. Male readers are essentially ignored, as are women who aren’t of a certain socio-economic class.)

Nightbitch has now been adapted as a major motion picture, slated for a Dec. 6 wide release starring Amy Adams.

Adams plays a feminist and artist whose “art” involves butchering small animals on stage for audiences of over-educated NPCs stuffing themselves with fondue and artisanal fudge. (Think the modern art world isn’t quite so outrageous? Think again.)

Her art brings her adulation, but she wants more. She resents her husband for working too much, she resents her toddler for requiring too much of her time, and she resents her cat for seeking affection. None of the primary characters have names, because someone in the author’s MFA program said names are so out this season, so we get “son”/”the boy,” “woman”/”mother” and so on.

Nightbitch — “Who ruined mommy’s life by existing? You did, didn’t you?”

Most people would be grateful they get to stay home and raise their kid in his formative years, especially in an age of almost mandatory two-income families when so many people struggle to put food on the table. Most people are enchanted by the love of a cat, and the indescribable feeling of cuddling up on the couch with a soft, furry animal who literally buzzes with affection.

But if you’re a graduate of Vassar and you think torturing animals is feminist art, that’s not the life you envisioned for yourself. The main character was told she could have it all, and she’s indignant that the world didn’t give her what she believes she deserves.

So while jogging through her neighborhood at night, she starts to transform into a feminist dog/werewolf thing.

She sprouts fangs, grows the beginnings of a tail, and notices tufts of canine fur on her back. She develops a taste for raw meat, and becomes a de facto pack leader as neighborhood dogs join her on her after-dark runs. Most of all, she unleashes her “nightbitch” energy, reaching deep within herself to find all the power she knew she had.

Yaaasss queen, slay!

What’s “nightbitch”? It’s never explained. How does the protagonist transform into a werewolf? We’re never told.

nightbitch film — An actual scene from Nightbitch.

When we review movies with animal-related subject matter here on PITB, the first thing readers want to know is: does anything horrible happen to the animals? If I don’t address that in the review, I’m guaranteed to get emails and comments about it.

Nightbitch doesn’t just have elements of animal abuse. It glorifies and revels in it. It dedicates long, explicit passages to the butchering of innocent, helpless creatures. It makes the case that murdering animals is some sort of step on the way to feminist empowerment.

And yes, we can confirm the upcoming film adaptation’s cat murder scene, among other twisted elements, remains intact.

Nightbitch, which “explores the strange transformation of Adams’ character as she may be turning into a dog, generated laughter but also audible reactions during graphic scenes of tail-cutting, menstruating in the shower and the murder of a house cat,” Variety reports, noting the movie isn’t going over well with early audiences on the film festival circuit.

In this twisted world view, a cat and a baby aren’t pure innocents who deserve to be cherished and protected. They’re objects of resentment, the things holding Nightbitch back from the fabulous life of cocktail parties, jet-setting and art world acclaim that she believes is her birthright.

In this perverse universe, it’s “empowering” to put a dog collar on your toddler, exchange his crib for a kennel, feed him raw meat and have him drink from a bowl. He’s probably going to grow up to perpetuate the patriarchy, so what do we say to dehumanizing him? Yaaass, queen!

The film’s defenders, like their book counterparts, will doubtless argue that Nightbitch is part black comedy, so anyone who is disturbed by its subject matter is being a bore.

The problem is, the only laughs here are unintentional.

I’ll be surprised if the people involved in this film don’t suffer the ire of animal welfare groups even if no real animals were harmed in the filming. We already have enough problems with cruelty to animals in this country without movies and books promoting it as some sort of cathartic way to reclaim gender-based power.

Hardly a day goes by without news stories about pet cats who are killed or paralyzed for life by people shooting them with BBs, arrows or rounds from a real firearm. Cats are often victimized by men and women in domestic situations who try to hurt their spouses or partners by harming their beloved pets. People kill cats on a whim, for fun, for target practice. We’re talking about intelligent, loving, sentient, innocent creatures.

As for the child abuse content, it’s equally as depressing and horrific, but sadly I’m less certain it’ll result in condemnation. That’s the world we live in.

Nightbitch stars Amy Adams and Scoot McNairy, and is set to hit theaters on Dec. 6. It’s rated R for mature themes and graphic violence.

Apocalypse Z: A Man And His Cat Fight For Survival

As the world ends, Manel doesn’t lose sight of his most important priorities: making sure his cat is safe and well-fed.

Shhhh, don’t meow!

With A Quiet Place: Day One and Apocalypse Z: The Beginning Of The End, it looks like the “protagonist and cat surviving the world’s end” thing might be a growing subgenre.

While Day One lit up theaters in spring and early summer, Apocalypse Z is a zombie flick out of Spain, currently sitting atop Amazon’s Prime Video charts as a major crossover hit.

It stars Francisco Ortiz as Manel, the owner of a small solar power business and servant of a talkative cat named Luculo. Manel’s brother-in-law works for the Spanish military, and as reports of a deadly and spreading virus hit the news, his sister relays privileged information from her husband warning Manel to hide during mandatory evacuation and find a way to join the family on the Canary Islands, where Spain’s military and civil leaders have fled.

After weathering the initial wave of the virus by huddling in his apartment in Galicia, Manel seeks out a way to make the 2,400km (about 1,500 mile) journey to safety.

One thing I loved about this movie was Manel’s absolute devotion to Luculo. When he tries to stock up at a store being ransacked by panicked locals, the first thing he does is grab cat food. When he finds a set of wheels at one point — a sporty motorcycle — he straps Luculo’s carrier securely to the back of the seat.

No matter how impractical, no matter how much danger it puts him in, Manel refuses to abandon his pal, even though the little guy can’t keep his mouth shut.

Apocalypse Z — Manel with Luculo the cat in his carrier, strapped to the back of the motorcycle.

While watching Day One, all I could think about was how conveniently silent Sam the cat was, and how dead I’d be trying to survive with Bud in the same situation.

Luculo is incapable of being quiet, although he’s not as loud or insistent as Bud is. He’s named after the Roman statesman and conqueror Lucinius Lucullus, described as “the greatest glutton of antiquity, who stunned Rome with his lavish feasts” and his dedication to bringing recipes for the tastiest dishes from the provinces back to the capital.

“He came, he ate, he conquered” might be an appropriate motto for Lucullus, and his feline namesake is similarly food-obsessed, often seen scarfing down yums as if the apocalypse is just a minor obstacle between meals.

Apocalypse Z isn’t a walk in the park, given the genre, but it’s significantly less gory than The Walking Dead, The Last of Us or even Zombieland. The film’s infected are Danny Boyle-style zombies, the terrifyingly fast baddies from 28 Days Later and 28 Weeks Later, rather than the slow shufflers of Romero-influenced productions. Accordingly, they’re much more dangerous and enable more intense action sequences.

Finally, because this is a cat blog and I’ll most certainly get emails and comments if I don’t address the tabby in the room: nothing terrible happens to Luculo. His greatest ordeal is having too many admirers, who are shocked to see a guy who’s survived so long with his pet cat.

Apocalypse Z: The Beginning of the End is the first part of a bigger story, as the title suggests. It rocketed to the top as the most-streamed movie in more than 90 countries, so we should be hearing news about a sequel soon.

If you’re a fan of genre movies and escapism, Apocalypse Z is a fun way to spend a few hours.

Apocalypse Z is available now to stream on Amazon Prime Video. The stream will default to an overdubbed version, but we highly recommend enabling English subtitles and switching the audio track to its original Spanish.

This New Cat Movie Looks Incredible!

There’s huge buzz around Flow, which follows the journey of a cat through a flooded world where humans are curiously absent, but their former presence is felt everywhere.

Happy Friday! We don’t have any sarcasm, Big Buddesian wit or photos of the sexy beast himself, Little Buddy, for you today.

But we do have a trailer for what looks like an amazing cat movie! The buzz around Flow started in earnest in late spring, but I held back on writing about it because there was no information about when or where people could see this film.

Now it looks like Flow, after getting universal praise from critics and a triumphant release in the creator’s home country of Latvia, is finally poised to reach the rest of the world. Behold:

There’s so much going on here, from the sheer beauty of the world the trailer shows us, to the strange absence of humans after an apparent cataclysm, to the snort of the confused Capybara as our heroic void wriggles his way aboard a small sailboat and catches a ride with a motley company of stray animals.

The cat animation is perfect, capturing every nuance of feline movement, and the faces of the animals are expressive, telling us everything we need to know about their thoughts and moods as they survive in this strange new world.

There’s no real explanation for what happened other than the apparent biblical flood, and we’re hearing there isn’t a single word of dialog in the entire 85 minute film. Latvian animator Gints Zilbalodis is already well regarded for his 2019 debut, Away, and the reviews for Flow have been glowing.

While Variety reported Flow will begin its run in theaters on Nov. 22, and Rotten Tomatoes has the same date listed, Fandango says the debut is slated for Nov. 12. Whether that’s a typo or there’s some other reason for the discrepancy, we’re not sure, but we’ll update as more information becomes available.

Flow (2024 movie) — A still from Flow, a 2024 animated movie about a black cat navigating a post-human world of danger and beauty.

Edit: Okay, fine! Here he is:

Buddy the Beefcake — The sexy beast himself.

Would Your Cat Survive The ‘Quiet Place Challenge’?

Buddy is many things, but he’s NOT quiet. His incessant chattiness can kill my sleep and my peace and quiet, but in the world of A Quiet Place, it would kill me! Would your cat get you killed in the movie franchise’s monster-stalked reality?

As a cat lover, big time science fiction fan and appreciator of the first two A Quiet Place installments, the very first thing I thought when I saw the trailer for A Quiet Place: Day One was “I hope the cat doesn’t meow!”

My second thought? Bud and I would be so, so dead.

Dead immediately. Dead a thousand times over.

Apparently I’m not the only one, because fans have taken to social media to participate in the “Quiet Place Challenge,” which involves reenacting some of the scenes from the movie with their own cats to see if their furry overlords can stay silent.

As PITB readers know, Buddy never shuts up. He’s got something to say about everything, he often narrates his activities in real time, and he’s got an entire meowing ritual that starts at least a half hour before Food O’Clock, gaining in volume and annoyingness until a fresh bowl of turkey is placed before him. His personal patois, the Buddinese dialect, makes heavy use of trills, chirps, grunts, chuffs and sniffs to elaborate on his meows.

If you’re unfamiliar with the Quiet Place movies, they imagine a world that’s been invaded by so-called Death Angels, dread creatures of extrasolar provenance who are completely blind, but have extraordinarily sensitive hearing. The first movie, about a family surviving on their farm in upstate New York months after the initial invasion, was universally lauded for its taut script, effective tension and novel use of a quiet/loud dynamic that is a marked departure from the usual horror-thriller formula.

In A Quiet Place (2018), its 2020 sequel and the recently-released prequel, Day One, entire minutes pass soundlessly. As a viewer you can’t help but wince and tense up when a character errs and makes noise, knowing the consequences can be immediately tragic.

There’s simply no way Bud and I would survive more than five minutes, and if I had to put money on it, I’d wager we’d probably be dead within 60 seconds of the terrifying monsters showing up.

Indeed, the movie doesn’t dither: the Death Angels make planetfall at around the 12 minute mark. Mild spoilers from the beginning of the film follow:

12:31 – On Chinatown’s ruined Pell Street, within a haze of dust so thick you can’t see more than a few feet in any direction, a man shouts loudly into his smartphone, telling the person on the other end that something meteor-like had landed just a few hundred feet away. He’s pulled suddenly and violently into the smog, his scream ending as abruptly as it began. Verdict: Death by Buddy. He’d probably meow in protest at the dust and get us both killed immediately.

12:53 – A female National Guard soldier sees Nyong’o’s Sam and shouts at her to take cover. The guardswoman’s radio crackles with the panicked screams of her comrades saying the enemy is everywhere, and then she’s dispatched as quickly as the guy on the phone. Verdict: Death by Buddy. He’d almost certainly huff derisively at the soldier’s order to take cover, and we’d both be crushed underneath the foot of one of the lumbering beasts.

13:34 – Sam huddles behind a vehicle with another woman when a panicked man screams, drawing the aliens like moths to a flame. Verdict: Death by Buddy. Little dude’s default reaction when he’s scared is to run screaming and hide behind my legs. He’d draw the monsters right to us and we’d die.

13:50 – Sam wakes up inside a theater several minutes after an explosion knocked her out. She’s about to speak when Djimon Hounsou’s Henri clamps a hand over her mouth and raises a finger to his lips. Unfortunately that doesn’t work with a cat. Verdict: Death by Buddy. Attempts to get him to shut up would be fruitless, and while I’d know my only chance for survival would be to throw him like a football so the aliens track his indignant screech, I wouldn’t have the heart to do it. We’d die together.

Frodo, the feline co-star of Day One and “service cat” to Lupita Nyong’o’s Sam, is precisely the opposite. He’s a Good Boy extraordinaire, consistently calm in his mother’s arms and reliably silent when he needs to be.

Frodo the Cat — Frodo is a handsome and resourceful little guy, and much of Day One’s tension comes from putting him in danger. Credit: Paramount Pictures

Without meows to rely on, director Michael Sarnoski gets quite a performance out of Nico and Schnitzel, the two cats who play Frodo. They’re expressive felines who could teach Nicolas Cage a thing or two about how to emote with subtlety, as in one scene when Frodo sees a man emerge gasping from a flooded subway station. Frodo regards the stranger with curiosity, his little face registering surprise at the man’s sudden appearance with just the slightest twitch of his mouth and whiskers.

It’s effective and very cute, but we never forget about the incredible danger that faces Frodo and Sam as they ~~return the One Ring to Mount Doom~~ navigate the ruins of New York City amid blind predators with extraordinarily sensitive hearing.

buddyroarbanner — “LOL I got you killed, dude! Hey! Wake up! I’m hungry! Turkey time! I’ll take my evening meal on the balcony and dine al fresco this evening, okay? Big Bud? Dude?”

If Day One’s world was reality — and I’m extremely thankful it’s not — I suppose it’s possible I’d get lucky if we were in a deep subterranean level of a building for some odd reason, and if Bud decided it’s not worth disturbing his nap to investigate the ruckus above.

But the moment his belly rumbles and he starts screeching for yums, or the second he gets it into his little head that he just has to tell me his latest theory regarding entangled subatomic particles, it would all be over, for me at least. I could totally see Bud making noise, then dashing to his customary hiding place behind my legs while a “Death Angel” impales me with one of its giant claws.

What about the rest of you? Is your cat a Frodo, a Bud or another sort entirely? Would you be dead as quickly as we would be, or do you think you could survive with your furry pal?

Buddy The Cat Offers The World Cuddles: ‘In These Times Of Strife, People Need Hugs’

“I’ve noticed everyone’s super stressed lately,” Buddy said. “People need hugs. I’m fluffy and adorable. It’s the perfect solution.”

NEW YORK — Buddy the Cat announced the launch of a new program, Hugs From Buddy, to “help the humans calm down a little bit, because things have gotten crazy.”

The normally mercurial tabby cat, whose concerns are typically limited to his own gastronomical satisfaction with meals and snacks, said he had the idea for Hugs From Buddy after watching the movie Civil War with his human and seeing footage of police and students clashing on college campuses.

“The world is crazy right now,” Buddy told reporters at a press conference in Manhattan. “War in Ukraine, Haiti, Gaza and Syria. People punching strangers on the street for Youtube ‘pranks.’ Protesters and police clashing. People threatening to kill one another, banning books they haven’t even read, Karening each other in the grocery store, brawling on passenger flights. Even dogs, bless those simple-minded beings, seem stressed!”

Buddy the Handsome Cat — Buddy the Cat is offering hugs to anyone who needs them!

Buddy paused to address a bystander who was holding a pepperoni pizza.

“You gonna eat that? Here, give Buddy a slice, I’ll give you a hug,” he said, embracing the young woman before returning to the podium with a slice of pizza.

“Where was I?” he asked, chewing thoughtfully. “Oh! Right. The crazy, stressed out humans.”

He belched, then continued.

“I’m here today to offer myself up as the nation’s emotional support animal. If you’re in need of a hug or a snuggle, well, Little Buddy’s got you covered.”

Then he looked to the reporters, who were seated six or seven rows deep for the press conference.

“Look under your seats!” he said excitedly as the journalists mumbled in surprise, finding small gift-wrapped boxes there. “You, the young lady from CBS News! You get a hug! You, the angry guy from InfoWars! You get a hug! BBC, you get a hug too! You all get hugs!”

The press conference was supplemented with an announcement of a $20 million television ad buy publicizing the Hugs From Buddy program, as well as a new site where the angry and stressed can log on, request a hug from Buddy, and make travel arrangements to bring him to their cities.

Reaction to the announcement was mixed.

A panel on Real Time with Bill Mahar concluded Buddy was sincere, trying to be helpful, and “absolutely adorable.”

But in a statement issued later Friday, catnip cartel Los Gatos International accused the New York feline of “shameless self-promotion, which he will undoubtedly parlay into goodwill for his own catnip empire,” while former Fox News host Tucker Carlson declared Buddy a threat to national security.

“Buddy the Cat is a dangerous tiger in kitten’s clothing,” Carlson declared on his X show as a chyron scrolled below with the headline: “IS BUDDY THE CAT WORKING FOR TERRORISTS?”

Tucker Carlson: Buddy A Bad Guy? — Former Fox News host Tucker Carlson wasn’t convinced of the feline’s supposedly noble intentions.

“You might say Buddy the Cat is a danger to America, softening us up at precisely the time when we need to be tough to fight China, North Korea, Iran, the school board of Boise, Idaho, Taylor Swift, and the WNBA,” Carlson said, pounding a fist on his desk. “Up next, a conversation with Nick Fuentes. But first: Is Buddy the Cat a Chinese operative? Is he an agent of anti-American cat ladies who want us all to be hummus-eating vegans? Why does he ignore the beauty of the Moscow subway system? And is there any truth to the rumor that he’s working with the San-Ti from 3 Body Problem to help them invade Earth? Just asking questions here, folks. Nothing wrong with that.”