‘My Cat’s Cat,’ PLUS: Bobby Flay Says Goodbye To Nacho

A man in Guam now has two cats after his little buddy adopted his own little buddy.

Last year we wrote about Youtuber Estefannie and her attempts to DIY a sophisticated artificial intelligence-enabled bathroom for her cat Teddy and her “cat’s cat,” Luna, after the former racked up a $3,000 vet bill prompted by an incorrigible plastic-munching habit.

One of the problems, Estefannie explained in her entertaining video on the building and coding process, was that Luna was “technically not my cat, this is Teddy-Bear’s cat.” Luna “uses the same litter box as Teddy,” so Estefannie had to train a machine learning algorithm for the high tech bathroom’s cameras to distinguish between felines.

I’ve always been fascinated by the phenomenon of “cat’s cats,” meaning stray cats who are adopted by la vida loca-living kittypets to share in their warmth, yums and human servantry.

“You gotta move in, Stripes,” I can imagine a well-fed moggie telling a stray buddy. “The service is great, the food is out of this world and the ambience? Oh, the ambience!”

In those cases, the stray usually follows the housecat right into their new home, which is what happened when Christian Fleming’s cat, Little, came back with a friend.

“I was surprised the cat came inside, initially,” said Fleming, who lives in Guam. “But if he’s hungry enough to be that brave, I wasn’t going to begrudge the food.”

Fleming named the new cat Tedo and told Newsweek he’s “90 percent sure he used to be someone’s pet or they left him, which is largely the case with friendly strays out here.” Guam is a US territory in the Pacific, about 1,450 miles east of the Philippines, and to say it’s got a stray cat and dog problem is an understatement, with tens of thousands of homeless animals.

One local veterinarian called the problem “astronomical” in an article for the Pacific Daily News, pointing out there more than 60,000 dogs alone on the 210 square mile island. By contrast there are 168,000 people living in Guam, meaning there’s more than one dog per three people. Cats similarly run rampant, although estimates of their population are harder to pin down.

There’s been a strong effort to spay and neuter in recent years, but local veterinary groups have a massive job in front of them to get the Micronesian island’s domestic animal population under control and reduce the suffering of unwanted cats and dogs.

Tedo is one of the lucky ones and has settled down nicely in his new digs. He’s adjusted to indoor life, regular meals and feeling protected with Little and Fleming, who says he now has “a small herd following me around” in his home.

“He has since gotten braver and more comfortable,” Fleming said. “When he jumped on me to snuggle with Little, I knew he had decided to live here.”

RIP Nacho

I’m not a fan of gastronomical fetishism, the concept of celebrity chefs or the idea that watching someone else eating food on television counts as entertainment, but I do respect Bobby Flay for two things: he’s a cat guy and he had a hilarious cameo in HBO’s Entourage in which he enraged high-powered agent Ari Gold by dating Mrs. Ari while the two were separated.

Flay, who has been the star of more than 20 cooking shows (not including specials) on the Food Network and Cooking Channel, saw the potential for profit in the pet food market and launched Made By Nacho in 2021, naming the food line after his little buddy.

Sadly the photogenic Maine Coon died this week, Flay announced in an Instagram post. Nacho was only nine years old and while that may seem a tragically young age for a cat to die — and it’s tragic any time someone’s beloved pet passes away — Maine Coons lose in lifespan what they gain in size, living an average of 10 to 13 years compared to the 13 to 18 year life expectancy of domestic felines in general.

Flay used the occasion of his cat’s death to hawk his outrageously expensive pet food line, which is weird. In his goodbye post, Flay wrote that “Nacho’s inclusiveness in our home inspired me to create something that would nourish cats everywhere.” Everywhere meaning houses where people don’t mind paying $3 for a 3oz can. (We don’t endorse any particular brand at PITB but Bud’s wet food, which always has real meat as the first ingredient and doesn’t include grain or fillers, costs 51 cents per meal when bought in bulk from Chewy.)

Cat food issues aside, Flay’s undoubtedly grieving his well-loved little friend, and although he recently adopted two more cats, that’s little consolation for losing a feline you’ve loved and bonded with. Best of luck to the Flay family and RIP Nacho.

Cat On The Street: What Do You Think About The Rise Of AI?

As the supreme species on this planet, cats have a lot to lose if AI seeks to supplant them as Earthly rulers.

With artificial intelligence making rapid progress over the past year, we asked cats what they think about a future where we depend on intelligent machines.

The ‘Snake Cat’ Is A Bad AI Fake

A viral image allegedly depicts a “snake cat,” described as an extremely rare species native to the Amazon rainforest.

Say hello to felis retrowavus, commonly known as the synthwave cat, one of the rarest species of felid on Earth.

Using the same technique GloFish employed to create bioluminescent neon fish for the pet market, scientists engineered felis retrowavus by extracting fluorescent proteins from jellyfish and inserting them into cat embryos, which incorporated the new proteins into their genome.

The result? A new species of cat that glows in fabulous colors like Tigerbrite Orange™, Electro Azure™, RadarGlo Green™, 1984 Pink™ and SithRed™!

Your brand new Neon Feline™ will run, jump and meow just like a regular cat, but unlike a plain old kitty, your Neon Feline™ will snuggle up with you at night and serve as your personal biological night light! Collect them all!

If that sounds like BS, that’s because it is.

Obviously.

Likewise, it should only take a second or two to realize the widely disseminated photo of a “snake cat” is a fake rendered by an AI.

The image has all the hallmarks of an AI generated image fail: Anatomical errors, fuzzy pixels where the AI struggled with the way light hits fur, a misshapen head and a nebulous, blurry background.

Although the media seems to be more obsessed with the snake cat hoax than people are (the snake cat image “mystified the internet,” the New York Post claims), after years of witnessing people take Onion stories seriously and confidently repeat misinformation online, I’m not really surprised when something like this makes the rounds.

The image was accompanied by a clever bit of writing claiming the cat isn’t well known because it’s native to the deep jungle of the Amazon, where scientists have difficulty tracking it. The text even offered a taxonomical name for the cryptid animal.

Enough people apparently fell for it that the staff at Snopes felt the need to debunk the image, even going as far as to check with a biologist who specializes in tropical fauna.

The original author of the snake cat post says he created the image and accompanying text to prove how easy it is for people to be fooled by AI-generated fakes. A noble goal if true, but I’m not sure everyone got the message.

In any case, the “snake cat” proves once again that AI, like all innovations, isn’t inherently good or bad. It’s what we do with the technology that counts.

Now can I interest anyone in a brand new Purple Velvet or Flaming Hot Cheetos SnuggleCat™?

WATCH: New Buddy Wildlife Documentary Premieres On PITB!

Watch the premiere of Buddy: Perfect Predator exclusively streaming NOW on PITB!

It’s here!

The long-awaited documentary feature: “Buddy: Perfect Predator” has arrived on PITB.

Join Sir David Cattenborough and his intrepid crew of wildlife videographers as they follow the elusive Buddinese tiger through the dense undergrowth and dangerous terrain of its natural habitat in suburban New York.

Watch never-before-seen footage of the silver-furred Buddy stalking his prey, lounging, sleeping and eating, and follow a tense encounter between the Buddy and a red laser dot.

“I’m extremely proud of the work we’ve done here, and I believe our audience will be thrilled to learn more about this little-known creature, who shares so many qualities with tigers, lions, jaguars and leopards,” Cattenborough said.

“We fell in love with the silver-furred Buddy as we kept our cameras trained on him, and we think our audiences will find him just as charming as we did,” the British naturalist said. “He’s such a good boy!”

(Please ensure your sound is enabled or wear headphones to hear the narration and the atmospheric sounds.)

About this video:

This story was made possible with the use of artificial intelligence tools. To create the images of Sir David Attenborough with Buddy, we used a natural language processing AI trained to output realistic-looking images and Pixlr to refine the images in post. To create the narration, we assembled samples of Attenborough speaking and trained a vocal synthesis AI, based on brand new technology, to mimic Attenborough’s unique pronunciation, cadence and rhythm, then layered the audio with a background of various nature sounds and incidental sounds, such as a tiger roaring.

Just a year ago it would not have been possible to generate images like this or faithfully recreate Attenborough’s famous narrative style, proving AI not only allows users to achieve things that were previously impossible, but has been making major leaps forward in short periods of time.

We believe AI, when properly used, can be a great instrument in the creative toolbox.

Finally, a thank you to Buddy for being a good sport about having cameras in his face. Great job, Bud!

Cattenborough and Buddy
Sir David Cattenborough with Buddy the Cat.

PITB Reviews: ‘The Peripheral’ Is A Refreshingly Original Science Fiction Thriller

Amazon’s newest streaming hit is heady, fast-moving and a lot of fun. There’s nothing else on TV like it.

Amazon’s newest big-budget prestige drama, The Peripheral, imagines a near future when technology has become even more deeply embedded in every day life.

Flynne Fisher (Chloe Grace Moretz) is a young woman who lives in North Carolina’s rural Blue Ridge Mountains, works in a 3D print shop by day and plays virtual reality games by night.

The story is set a decade from now in 2032, and while Flynne’s brother, Burton (Jack Reynor), plays startlingly realistic VR games for fun, Flynne plays them for money. Although Burton is a former United States Marine Corps infantryman and war veteran, his sister is the superior player when it comes to video games, and she’s so good that well-heeled players across the world pay her to carry them through high-difficulty levels.

If that seems fanciful, consider that it already happens in real life: some people fork over big bucks to highly skilled players who can help them win in multiplayer video games like Fortnite, or run them through the most challenging missions in online role playing games to get coveted in-game gear.

Flynne’s side hustle allows her to afford expensive medication for her sickly mother. Apparently in 2032, Democrats and Republicans are still squabbling over how to pass meaningful prescription drug reforms while remaining in the good graces of the corporate behemoths who finance their campaigns. Some things never change.

When a Colombian company called Milagros Coldiron offers Flynne a hefty chunk of change to beta test their newest game — and the incredibly immersive new headset it comes with — Flynne thinks she’s just taking a lucrative but routine job, one that will help pay for her mom’s meds for at least a few weeks.

What she doesn’t know is that her life is going to change drastically the moment she steps into the newest form of virtual reality, revealing things about her world and herself that she never imagined.

The Peripheral
Jack Reynor as Burton Fisher and Charlotte Riley as Aelita West in The Peripheral.

There’s so much more to the story, and in fact we’ve barely scratched the surface, but The Peripheral is the kind of show best appreciated by knowing as little as possible going in.

The ambitious new series is based on a 2014 novel by technoprophet William Gibson of Neuromancer fame. Gibson envisioned the concept of cyberspace in 1981, more than a decade before the first mass market commercial dial-up services were available.

At the time, the idea of exploring almost photorealistic worlds in virtual reality was a radical new idea, and it took more than 35 years for technology to catch up by making it feasible. (We’re still not quite there yet. VR tech has improved by leaps and bounds, and we’re beginning to see the first deeply immersive VR games, but Mark Zuckerberg’s much-hyped version of the metaverse, for example, has fallen flat and been pilloried by press and players alike.)

By choosing to adapt Gibson’s work, Amazon has dipped into the largely untouched world of literary science fiction.

While the science fiction of movies and TV has been treading the same worn ground and returning to the same tired concepts for decades, SF novels are a rich source of astonishingly inventive big ideas, from the existential stories of Liu Cixin (The Three Body Problem) to the galaxy-spanning space opera of the late, great Iain M. Banks, to the gothic horror-tinged, wildly imaginative universe of Revelation Space by Welsh astrophysicist Alastair Reynolds.

Indeed, Netflix is developing a series based on The Three Body Problem, with Game of Thrones showrunners David Benioff and D.B. Weiss taking the helm. Amazon has acquired the rights to Banks’ first Culture novel, and Netflix’s highly-praised anthology series Love, Death + Robots adapted two of Reynolds’ short stories as episodes.

Finally we’ve moved beyond the Alien clones, Star Wars sequels, prequels, spinoffs and crossovers, as well as the unfulfilling JJ Abrams mystery box offerings that have made up the bulk of live action science fiction on the big and small screens.

There are no candy-colored light swords in The Peripheral, nor are there spandex-clad superheroes or franchise installments designed with merchandise sales in mind. Instead, we get a story for adults, one that gives the audience a lot to think about while also holding a mirror up to our own world, as the best science fiction always does.

After all, technology changes but people don’t. Human nature is a constant. What we do with our shiny new toys says a lot about us as a species and civilization.

Although The Peripheral begins with the comparatively low-stakes world of virtual reality, its scope rapidly expands until, by the end of the first episode, it becomes clear the show is asking its audience to grapple with existential questions about humanity and our future.

The Peripheral demands its audience’s full attention as it introduces concepts like the parallel universes of M-theory, nanotechnology and the idea that even if matter can’t be shifted between time and space, information in the form of photons can.

Gibson uses these heady concepts in his narrative sandbox, forcing his characters to consider wild concepts like the possibility that there may be infinite versions of themselves existing in infinite branching realities.

How would you react knowing there’s a version of yourself who chose to study classical literature and move to Athens, or a version who became a software programmer, authored a lucrative app and lives in a Manhattan penthouse? Can you imagine having a different wife or husband, or a different child? (Are there realities in which I am not the loyal and loving servant of Buddy? In that case, who is feeding him snacks, and are they doing it promptly?)

Cherise Nuland
T’Nia Miller radiates malice as Cherise Nuland.

Of course, none of this stuff would matter without interesting characters and a compelling narrative. Moretz and Reynor have the chemistry of a real brother and sister in the way they regularly bicker but ultimately love each other. Eli Goree’s Connor is a man of wonderful paradoxes, and T’Nia Miller steals every scene she’s in as the delightfully malicious Cherise Nuland, an antagonist who loves making her enemies squirm while dispensing witticisms in cut glass RP.

For longtime SF fans, there’s another compelling reason to give the series a shot: Canadian writer-director Vincenzo Natali, best known for his mind-bending 1997 indie film Cube, is an executive producer and directs four of the season’s episodes. Natali is a pro at incorporating heady ideas in ways that enhance his narratives instead of weighing them down.

The first season just concluded, and you can stream all eight episodes on Amazon Prime. Bud and I are already looking forward to The Peripheral’s return.

cube-pic-6
Cube writer-director Vincenzo Natali is behind the lens for half of The Peripheral’s episodes.