Knicks’ OG Anunoby Is A Confirmed Cat Dude, But…

Does Anunoby have a cat of his own?

When OG Anunoby teamed up with local New York cat rescues to promote an adoption event in June, the marketing materials were curiously devoid of any mention of Anunoby having a feline of his own.

The Knicks were still basking in the glow of their incredible run to the NBA championship, and Anunoby was doing a good thing, but there was a piece of the story missing.

Why was he helping cats?

Now we know.

Anunoby says he loves all animals, “but especially cats.” He just doesn’t have a cat of his own yet for a very practical reason: he’s on the road constantly as a professional athlete, and his job is extremely demanding on his time.

“Because of the season and the scheduling and all the travel I have to do, it’s hard to have one,” he told NBC Sports. “So, I don’t have one right now, but I do want to get one in the future.”

Some professional athletes make it work. Jordan Poole is the NBA’s most prominent cat lover and was a regular volunteer at a local shelter when he played for the Washington Wizards.

A close-up of Muñoz’s custom glove with his cat’s name and likeness.
Munoz using his custom glove during an MLB game.

In Major League Baseball, 27-year-old Seattle Mariners closer Andrés Muñoz is famous for his devotion to his cat, Matilda. He had her hilariously sneering face and paw prints stitched onto a custom glove, and his wife brings Matilda with her on the road when the Mariners embark on road trips, so Muñoz can have his family with him.

Even Seattle fans love Matilda and she’s become an unofficial team mascot with her own bobblehead doll.

After picking a “starting five” of adoptable cats in June, Anunoby is currently partnering with Royal Canin in a campaign to urge people to take their cats to the vet for preventative care.

He’s beloved in New York not only for being an absolute badass on the court and for exceeding expectations as he hit one of basketball’s most iconic game-winning shots. He’s also loved for his demeanor. The dude’s a space cadet.

After the Kicks won it all, Anunoby stared quietly, immersed in his own thoughts during a national TV morning show appearance with his teammates, completely oblivious to the anchor who was asking him a question. The rest of the Knicks were doubled over in laughter.

He’s the kind of introvert who would probably make a good cat dad, so when he retires — or maybe when he gets a guarantee of stability, like a no-trade clause in his contract — he’ll provide a good home.

In the meantime, he said what every fan likes to hear. The Knicks enjoyed their championship, they basked in the celebration, but they know there are 29 hungry teams ready to stop them from repeating as champions, so now they’re back in the gym and putting in the work to level up.

The Strange Experience Of Others Insisting Your Writing Is AI

Those of us with even a modicum of writing talent are suddenly bumping up against hostile readers who insist we’re purveyors of AI slop. The people we have to thank for this new experience? The purveyors of AI slop.

Fresh off reading a fiction novel and highly amused by the author’s tendency to go on bizarre tangents, I wrote a few hundred satirical words mimicking his style and shared it to a subreddit.

I expected like-minded people to respond. Hopefully they’d find it amusing. At the very least, it should spark a conversation.

Instead I checked back the next day to find my post hidden by downvotes.

The top comment: “AI slop, f— off loser.”

The second-highest rated comment was simply “ChatGPT.”

I should have cut my losses and moved on, but it bothered me that something I wrote could be so easily and thoughtlessly dismissed as the product of AI. So I responded explaining that I had in fact written the post, slapping it together during some downtime because I thought fellow readers might get a kick out of it.

I have many deficiencies as a writer which frustrate me to no end, but I do have a modest talent for literary mimicry that I’ve deployed at various times to make observations about novelists like George R.R. Martin, popular essayists like Mitch Albom, and people like Donald Trump, whose speech patterns are practically emblazoned in neon.

No, the commenters told me. You didn’t write that post, you used ChatGPT, you are a loser, and you need to f— right off with your AI slop.

Apparently it is now inconceivable that human beings with even moderate talent exist, that anyone would spend 15 minutes jotting down a satirical take on a popular book or TV show, or put any effort into anything at all when we can cognitively offload everything.

It just happened to me again twice in recent weeks, bringing the total to probably half a dozen times since January. It doesn’t happen here because readers know me, and the blog has been around for seven years. If I’ve been using a large language model to write this blog, then I must have a time machine that allowed me to access the tech at least two years before its first crude incarnations were tested in-house at OpenAI.

Plus there’s no other idiot out there who writes absurd stories glorifying his pet cat for fictional adventures like running a criminal catnip empire. It’s not as if there’s a line of people trying to emulate what we do here, nor is there profit in it. It’s a labor of love not just because I love cats, but also because I love my cat. He’s changed my life for the better and I enjoy writing about his antics.

Credit: Hatice Baran/Pexels

There is also a strong argument for not caring. Social media and general forums are not lacking for miserable cynics and people who work through their real life frustrations by vomiting bile in every direction.

I don’t need to justify myself to every cynic and malcontent, nor do I want to take on the burden of proving a negative.

The real-life impact of AI on the news and publishing industries

Unfortunately it’s becoming more difficult to ignore because it’s beginning to impact more than just online dialog.

Generative AI has put the editors of genre magazines and periodicals on their back feet. Editors, already overworked, find themselves trying to navigate “a swamp of slop.” Some have shut down general submissions entirely. Others have adopted convoluted processes or require known writers to vouch for the submitter, as if they’re applying for membership in an exclusive social club.

Generative AI is also destroying what’s left of the news industry, and the damage is now so widespread that it isn’t only impacting people who used to crank out simple daily stories. When entire publications fold and companies like Gannett turn formerly excellent broadsheets into little more than AI-generated shells for advertising inserts, investigative journalism jobs disappear and government employees at the municipal, county and state level operate without anyone keeping watch.

Credit: Mart Production/Pexels

I think about some of the stories I wrote: A series about an unusually high number of suicides on particular bridges in New York that led to major changes in safety features on those bridges. A comprehensive account of extensive fraud in the state jail system. An investigation into New York-based charities guilty of outright corruption or abysmal program spending, run by people who paid themselves well and held glitzy charity galas, but actually raised very little or nothing for the causes they claimed to represent. An interview with the traumatized dad of a mass shooter who kept blaming himself and asking “Where did I go wrong as a father?”

And the story I’m most proud of, an 11th-hour rush job about an abducted girl, an article I scrambled to get done by the print deadline and submitted just minutes before pagination files were sent to pre-press. The story ran in one of our sister papers in New Jersey, leading to a reader recognizing the kidnapper the same day it was published. The reader called police, who found the man with the young girl he’d abducted.

I helped save a kid from a horrific, life-altering trauma! I don’t say that to toot my own horn, but to emphasize the value of real journalism, of human beings prioritizing a story and making every effort to get it done and published when there are real stakes. The story wasn’t anything special, it didn’t stretch my abilities or win any awards, but it impacted the lives of a real family for the better.

A machine could not have taken a call from a panicked mother, reassured her every effort would be made to get the story out, driven to the detective bureau after hours to verify the details, found out where the abductor had roots, and made sure the story ran in the newspaper covering the area where the abductor likely fled with his victim.

That kind of journalism cannot be replaced by AI or bloggers. It takes training, strong news judgment, the ability to navigate bureaucratic circles of hell, and lots of patience in dealing with people who consider reporters irredeemable bottom-feeders.

At least as it stands now, generative AI can’t replace a thoughtful interviewer, a true investigative reporter, or honest analysis of important stories. An investigative reporter can use AI to help scour thousands of documents for a needle in a haystack or to search for hidden patterns, but that is an example of incorporating the tech into a workflow, using it to make drudge work easier, not using it to replace a human. Human consciousness and judgment is still the guiding force behind the effort.

Still, I’d be lying if I said it didn’t bother me that this is happening as often as it has been recently. We may be living in an age of algorithmic AI, of simulated intelligence instead of AGI and true machine cognition, but this is not what I envisioned while imagining the ways AI could impact society.

It’s also frustrating that my writing is now automatically dismissed as “slop” because it doesn’t have some arbitrary lack of polish to it, or because people are cynical in general.

My writing is the closest thing to my consciousness, to my mind, to me.

Obviously I format and attempt to copy edit my own posts. A replica of my stream of consciousness wouldn’t make for coherent, entertaining reading. But when I write a post about an issue impacting animals, my feelings for my best Bud, or something else that I’ve got an opinion on, you’re reading my thoughts on the subject.

That is a direct result of who I am. To offload that to a machine seems insane, an abdication of my mind, personality and voice to a fancy bit of code.

AI-generated content is even more ubiquitous than we realize

When I finish my novel — a narrative that weaves elements of space opera with themes about species conservation and appreciation for our one and only home planet — will I run into skeptical editors? Will some people dismiss it out of hand if they deem it too polished or they’ve been inundated with submissions from people who see AI as a shortcut to getting published? Will there still be a book publishing industry?

A Wall Street Journal story about the most recent AI publishing scandal.

The doors are already closing. In the latest scandal, a publishing company withdrew a multimillion-dollar advance to an author whose debut had sparked a bidding war because he used AI to write the novel. (The claimed author, Jerry Falade, says he did not use AI and argues he’s a victim of racism targeting black novelists, though it’s worth pointing out that it wasn’t just the publishers who bought the rights in the US and UK who cancelled the book. His agent dropped him too, saying she “could no longer substantiate” Falade’s insistence that he wrote the book.)

Given the fact that they’re voluntarily shelving a novel that was likely to move copies and make them a tidy profit, it’s difficult to believe the publishers and agent made the decision lightly.

The fact that Falade is an academic does not shield him from suspicion. The writer Sam Kriss has called out several people in higher education for using AI, including Narges Bajoghli, an assistant professor of Middle East Studies at John Hopkins University. Kriss cited this passage, which screams “I wrote this with ChatGPT”:

“Not a ceremony. Not a transition. A series of viral moments. A missile arc across a pale sky, and below it, the world already changed.”

Indeed, that precise sentence construction appears in another bit of AI writing highlighted by Kriss, and you can find it in AI-generated writing all over the internet. “Not an X. Not a Y. A Z,” followed by a bit of purple prose that sounds vaguely poetic but says nothing. Why the large language model likes to phrase things that way is a mystery, but it must have appeared in annotated data sets used by OpenAI to train the algorithm, and now it’s popping up with alarming regularity in essays, news stories and fiction writing “authored” by people who have suddenly and miraculously transformed into prolific, polished writers.

Not an accident. Not a happy coincidence. A blaring klaxon forged in ones and zeroes, summoned by prompt engineers communing with the machine gods.

That’s just one example, but AI’s penchant for using certain phrases and rhythmic structures has led to an unsettling, self-reinforcing homogeneity. The more AI uses these constructions, the more we’re hammered over the head with them, the more they leak into our own conversations and writing. It’s like going on vacation with a friend and coming back two weeks later to realize you’ve picked up on their favorite exclamations. Except that friend is now everywhere at once, and half your work colleagues have incorporated his -isms into their everyday dialog.

I use AI for images, which makes me a hypocrite

This has, of course, led me to reevaluate my use of generative AI images on this blog.

I’ve justified it by telling myself there was never going to be a situation in which I’d commission a professional artist to paint images of my cat dunking over NBA players in a summer league game, looking comically ridiculous in a powdered wig as a captain aboard a 17th century ship of the line, or riding through the jungle on the back of a jaguar 10 times his size.

An AI-generated image of Buddy playing street ball at a Manhattan court. I tend to use AI for two things: to explain physics concepts I have difficulty wrapping my head around, and to generate images of my cat in ridiculous situations.

There’s also a crucial difference in that I’m using AI images to illustrate humor stories on a blog, not submitting them to galleries or publications as my own work, then accepting payment and plaudits for them, which is what many people are doing with AI-authored writing.

While that’s true, it’s also true that I’m participating in the devaluing of art on some level. More recently I’ve made a conscious effort to limit its use here, but that still makes me a hypocrite. I relied on it too heavily in the past and now routinely see blogs that use it for every post. I’m not judging those bloggers, merely observing how much we’ve all come to rely on the technology.

The improbably prolific new masters of prose

On the writing side, there’s also been a deluge of new “storytellers” who write generic stuff in a punchy style, with minimalist sentences and formatting that is unmistakably the output of a large language model. They blog under names like “Stories from the Mind Of…” or “Weekend Stories With…” and they always seem to have the right anecdote to illustrate some generic societal ill.

Many of these new, astonishingly prolific writers are publishing their AI-generated stories on platforms like WordPress, WebNovel, Royal Road and Youtube, and people are eating it up despite the fact that it’s machine-generated, generic content. It’s not coincidence that Amazon suddenly has three times as many book titles for sale, or that there are entire YouTube channels dedicated to genre stories — horror, science fiction, romance — that contain all the hallmarks and language quirks of AI, including nearly identical plots, recycled character names, and recycled phrases. Nor is it happenstance that they’ve all materialized out of nowhere in the last year or two.

A Youtube channel that posts science fiction stories narrated by AI, with images created by AI, and music created by AI, by a person who claims he does not use AI to generate his stories despite all the hallmarks of AI-generated writing.

Some publish stories of 8,000 to 10,000 words several times a week or even daily! As a writer who came up in a daily news environment, I’ve learned to pump out accurate, polished posts with regularity. It is a requirement of the job.

If you can write in a busy newsroom with phones ringing, police scanners buzzing, and more than 100 coworkers in an open office plan chatting away, you can write just about anywhere.

And yet I cannot dream of dropping polished 8,000-word fiction stories every single day. No human being can do that. Even if you can keep that pace for a short while (and very few people can), before long you’ll be derailed by burnout, a lack of new ideas, stories that just don’t come together the way you envisioned. Or maybe life just gets in the way.

The hidden physical cost of AI

A server room at CERN, the large hadron collider in Switzerland. Credit: Wikimedia Commons

While I don’t want to come off as one of those people who reflexively condemns new forms of tech, the more I learn about the infrastructure behind AI, the less I like it.

AI requires massive data centers that rival or exceed cities in power consumption. While it’s true that data centers have existed for decades, the centers that power AI are a new breed, orders of magnitude more power-hungry than their predecessors.

Advanced processors require cool ambient temperatures but they also generate lots of waste heat, meaning data centers are also a huge drain on water reserves. That’s the second law of thermodynamics. With summers getting hotter, what happens when there are droughts? If you think the government will tell big tech to ease up on data center water consumption, you’re probably not aware that our government doesn’t even protect cities and states from overwhelming water consumption by foreign-owned industrial farms.

There are communities in the southwest that have become endangered because, for example, Saudi-owned alfalfa farms consume so much water that there’s none left over for the people who live there. Politicians listen to the people who have the deepest pockets and a town of 10,000 in Arizona can’t compete with the vast wealth at the disposal of Saudi Arabian interests, even when those constituents have been reduced to frantically filling gallon containers in the brief interludes when new rainfall temporarily replenishes reservoirs.

Don’t like it? Go to Costco and stock up on spring water. No, the congressman cannot take your call. He’s got a meeting on data center expansion this afternoon.

If our elected representatives side with foreign investors over their own voters, we have little chance of them siding with us over deep-pocketed technology giants, headed by tech oligarchs who cut checks to lawmakers in every election cycle and already have their tendrils deep in government at every level.

Finally, about that cognitive offloading we talked about earlier: the mind and brain depend on keeping skills sharp. If we don’t use it, we lose it. It’s very easy to see how capabilities and intelligence may regress in our society if everyone uses AI for virtually everything.

Maybe all this is pointless. Maybe I am, in the words of Kriss, merely expressing “the rage of a rapidly obsolescing ape.”

I’m not condemning anyone who uses AI and I’m not saying I’ll never use AI again. That would make an even bigger hypocrite out of me, and it would be an act of self-harm not to keep up with such a rapidly-evolving technology. But I am going to make an effort to use it sparingly, hopefully only when absolutely necessary, and never to write a single word for me.

As a one-man band without a budget, for example, I rely on free-license photos from Wikimedia Commons and Pexels to provide visuals for my posts. Which is fine for the majority of topics, but sometimes there are obscure stories that cannot be illustrated with existing free photos.

For the other stuff, I’ll go back to the simple charms of bad Photoshops of Buddy as a Godzilla-size cat stomping around Manhattan in search of similarly massive turkeys.

And let’s hope services like Pangram, which claims 99 percent accuracy in detecting AI-generated writing, stay ahead in the arms race. Already people determined to use AI to become authors and storytellers are using so-called “humanizers” in an attempt to fool those apps. I suspect the next few years will look an awful lot like the unending battle between hackers and security companies in their own arms race to stay ahead of exploits.

Ricky Gervais’ ‘Alley Cats’: These Cartoon Felines Could Go Easier On The Swearing And The Sugar

The new Netflix animated comedy from Ricky Gervais has its moments, but it’s overly dependent on litter box humor and its attempts at redemptive sweetness border on the diabetic.

Ricky Gervais’ eponymous alley cats have one thing in common with Buddy: they think they’re the toughest, most fearsome creatures on the block.

They might recoil in horror, jump back a dozen feet and soil themselves when a vegetable delivery man drops a cucumber on the sidewalk, but approximately half of their obscenity-peppered banter involves discussing other living things they reckon they’d destroy.

Among them: snails, elephants, meerkats, portly humans, sharks and anything besides spiders who are, invariably, referred to as “a bunch of c—s.”

When they’re not praising themselves for being fearless apex predators, hunting mice or watching “a bit of telly,” they’re ripping on Rupert, the only house cat in their gang, by reminding him he no longer has his testicles.

In an early episode the gang is poised on the wall of a cemetery, impatiently waiting for a “dead c—” to get buried so they can go hunting for mice when Rupert pads up, says hello and announces he’s already eaten: chicken and rabbit in gravy “with extra calcium.”

The others tear into him, asking him if his humans brushed him or gave him pudding afterwards.

“I have my pudding during the brushing,” he says, explaining that brushing is stressful and a simultaneous dessert “takes the edge off.”

That prompts another round of full-throated laughter and ball-busting over Rupert’s lack of them. Ricky Gervais’ Gus and Andrew Brooke’s Fang – a big bruiser tuxedo tom – lead the charge, making kissing sounds and mocking Rupert for being a sweet pet to his “mummy and daddy.”

When the scrawny Puke (David Earl) uses the freshly-dug grave as a litter box and Rupert protests, Gus waves a dismissive paw, insisting all humans are scum anyway.

“Not all of them,” Rupert says. “Attenborough. Malala. My owners, for instance.”

“His owners!” Fang says, breaking into mocking laughter.

“Do you hear yourself?” Gus says.

“They are my owners,” Rupert sniffs. “They paid a tidy sum for me, and I’m grateful. Otherwise I’d be rotting in a shelter or worse, living in a dump like you lot.”

Which, of course, prompts another round of mockery about Rupert’s missing bits.

After agreeing they’re the toughest, baddest cats on the block, Gus and the gang are terrified by the sight of a single cucumber.

That’s Alley Cats in a nutshell, no pun intended, until the appearance of a lost kitten gives the gang a purpose and brings out their humanity. (Catanity? Felinity?)

At first the alley cats are tempted to make a snack of the little one until Olive (Diane Morgan) reminds them she’s a baby, she’s lost, and they’re big, strong cats, which they’re always reminding everyone of.

Amid all the obscenities there are moments acknowledging that being a street cat is not an easy life. One minute the strays are joyously knocking flower pots off a window sill, the next they’re staring shocked at the body of their friend who was hit by a driver.

“He didn’t even stop,” one of them says. “He didn’t care.”

“Humans never do,” Gus replies matter-of-factly.

Later they find another one of their mates, an elderly tom, stuffed in a carrier.

“Off to the vet,” their friend says from his confinement.

“He’ll fix you right up,” Gus says.

“Nah,” the scraggly old tom says sadly. “I overheard ’em. This is a one-way trip.”

With their earlier exuberance wiped out, the alley cats decide to retreat for the day, prompting the kitten to ask them uncomfortable questions about mortality and what kind of life a cat can expect.

For Gus, it means being put in a tough spot. He clearly cares for the kitten, even inviting her to snuggle up with him when she’s whimpering alone at night, but he has a reputation to maintain. He’s Gus, fearless and tough street cat!

Gus fancies a tabby from his neighborhood, but usually keeps his distance for fear of her intimidating boy(cat) friend.

Alley Cats is not for everyone. There will be people who reach for the remote within the first two or three minutes because it is relentlessly obscene.

I’m not particularly bothered by foul language if there’s a genuine purpose to it, but too often it feels like it’s in the script in lieu of genuine jokes, as if Gervais is elbowing us like “See what I did there? I called him a c—! Haha! That’s funny, innit? My character is a cat who calls everyone c—s and tw–s! Brilliant.”

The UK press has savaged the show, concluding Gervais is capable of comedic brilliance but has become lazy and formulaic.

And that’s true to a degree, just like it’s accurate to say South Park is a festival of fart jokes. But just like the latter show also has a sharp satirical edge and functions as an equal opportunity eviscerator of the ridiculous, Alley Cats tries to say more. It just isn’t always successful.

Heathcliff and the Catillac Cats are the family-friendly animated template for Alley Cats. Reruns of Heathcliff were part of after-school cartoon blocks in the late 80s and early 90s.

Whether you stick around for the bigger themes depends on your personal tolerance for the banter they’re wrapped in.

Unfortunately it’s also true that the reflective moments are a little too formulaic, like the lesson-of-the-day from after-school TV years ago. Balancing comedy with earnestness is already a difficult task that requires timing and a degree of self-awareness that I’m not sure Gervais possesses at this stage of his career.

Reviewers who have soured on the UK comedian are increasingly convinced he requires the tempering influence of his The Office co-creator and writer, Stephen Merchant.

They may be on to something, but I also think it may cut both ways.

I really enjoyed Merchant’s HBO series, Hello Ladies. It was unlike anything else on TV and felt like a genuinely fresh approach to comedy. But it also operated at a default cringe level orders of magnitude more uncomfortable than other shows.

There were times when the situations in Hello Ladies became so embarrassing, so completely detached from the norms of social behavior, that I had to pause the show and take a break.

Gervais and Merchant could temper each other’s worst instincts as they did in The Office.

I’m not the only one who felt that way. Reviews at the time were fixated on the improbably powerful osmotic cringe effect, and Merchant didn’t know when to let up. Just as you felt so mortified that you’d swear things couldn’t possibly get worse, Merchant found ways to crank it up.

The career trajectories of both men indicate a reunion just might be the best thing for them. If Netflix gives Alley Cats a green light for another season, Merchant could fit right in with the gang as a lanky Savannah, a wannabe Lothario who prompts Gervais’ Gus to lean less on the c-word and more on genuine humor, while Gus could bring Merchant’s cat back down to Earth by reintroducing him to reality every once in a while.

I’m sure that, whatever might come from a new collaboration, it would be better than the moderately funny Alley Cats.


Heads up: Recently I discovered a content scraper was skimming posts from this site and repackaging them as books priced at $40 each. I was able to get that person’s online shop terminated, but have since discovered there are at least two others, including one who repackaged my “Amazing Cats” series. The other is even more exorbitantly priced and appears as part of a trove of materials on an Etsy shop marketed to people who want to put out their own books, and claims to offer chapter modules that can be assembled into custom books, which can then be listed for sale on Amazon et al.

Please do not buy them. These people are NOT affiliated with Pain In The Bud and they do not have permission to use content from this site. The posts they pilfered from are free and remain on this site available to everyone. I’d hate to see people buy this stuff believing they’re supporting the site and end up getting ripped off.

90s Music Throwback: Snow’s ‘Informer’

In 1996 the world was rendered deeply confused by the emergence of Snow, a bespectacled Canadian caucasian who implausibly sounded like a Jamaican.

Back in the 90s the choice between hip hop and rock was viewed as a binary, and as a kid you were expected to pick one and express a sort of tribal allegiance. And yes, there were racial fault lines involved, especially among people who lived in insular communities.

If you were a self professed fan of rock, you were supposed regard anything even tangential to hip hop as inherently ridiculous garbage that required no talent to produce. I remember seeing the punk band Goldfinger in 1996 when lead singer John Feldman quieted the crowd, took on a somber tone and announced we were going to have a moment of silence for the just-slain Tupac Shakur…immediately before the band’s drummer launched into the noisiest, most chaotic solo he could muster.

The crowd loved it. There was no indication anyone stopped to think about why they were celebrating the death of another person, let alone one the violent end of a rising star who was only 25 years old when he was slain by a gunman who remains at large 30 years later

On the hip hop side, rock was either regarded as a relic, a nonentity or entirely lacking in the spark that made you feel the music.

In that environment, there was a narrow window for white performers to break through as hip hop artists, but until the emergence of Eminem it was a deal with the devil, and the cost was spending one summer on top of the world and the rest of your existence as a punchline.

Just ask Vanilla Ice. Or Marky Mark, who doesn’t exist anymore because Mark Wahlberg wisely switched to acting and would like everyone to forget he once strutted around with pants halfway down his ass. (“Back when Mark Wahlberg was Marky Mark, this is how we used to make the party start,” Eminem rapped in one of his early tracks.)

Purveyors of reggae-hip hop were not exempt from the aforementioned dark pact, which is why the mainstream hasn’t heard anything from Snow in almost 35 years.

The 56-year-old Darrin Kenneth O’Brien was the hottest artist on the planet for a good chunk of 1992, and despite a name that conjures images of a guy singing twee Gaelic tunes, Mr. O’Brien spat reggae and dancehall with a patois that had listeners sure they were hearing a guy from Jamaica.

“People dem say mi come from Jamaica but mi born and raised in di ghetto of Toronto,” the bespectacled, white-as-you’d expect O’Brien chants on his worldwide hit, Informer:

Informer includes an intro and a short rap from MC Shan, a black rapper, for credibility purposes that were essential in the 90s. (“Well, if black dudes are cool with this pasty Canadian guy singing like a coked out Bob Marley, who am I to argue?”)

Ostensibly it’s about Snow, he of a known criminal reputation, being accused of “stabbing someone down the lane” and heroically refusing to turn informer/snitch on some unnamed greater target. The story was frequently worked into marketing materials at the time to burnish the credibility MC Shan already established: Snow isn’t just good at affecting a Jamaican accent, and he doesn’t just have the approval of respected emcees, he’s also a real criminal! He’s legit, okay?

But dig a little deeper and it turns out Snow was involved in a bar fight and was booked into police lockup or a county jail, not a state prison or its Canadian equivalent.

That changes the calculus considerably. It’s like being told someone played professional baseball, then finding out that instead of being a Yankees or Dodgers regular, he pitched 3.2 innings for the Savannah Bananas in their 2024 campaign.

The Savannah Bananas celebrating a run. I think.

Regardless, Snow’s pact granted him an earworm that blasted from boomboxes and on MTV all summer as people tried to figure out exactly what the hell the guy was saying.

Most of it’s an unimaginative blow-by-blow account of his arrest for possible minor assault stemming from the aforementioned bar argument and the allegedly enthusiastic welcome he received from the drunk drivers, petty thieves, kids caught spraying graffiti and other hardened criminals who populate the cells of Canada’s notorious local lock-ups. A group that was in Mr. O’Brien’s telling so impressed with his cajones, they welcomed him like a lord of the criminal underworld finally returned to his people. Game recognize game and all that.

Kriss Kross, a seminal 90s hip hop one hit wonder whose primary innovation was wearing their clothes backwards.

To this day I don’t know what licky boom boom down means, except possibly the name of a supplementary service at a shady shiatsu salon staffed by undocumented and indentured women of nondescript Asian origin, but the rest is straightforward: Snow is tough, Snow sounds like a Jamaican guy, Snow is respected, Snow is into them irie girls, them irie girls love Snow, bombaclot.

Regardless, Snow walked so that guys like Matisyahu could run, and instead of having their careers extinguished just as quickly as they began, today’s white reggae artists often enjoy long, drawn-out declines playing to small- and medium-size crowds on the sunshine reggae circuit.

But Snow, pioneer that he was, saw his star fall within months, culminating in Jim Carrey parodying him as Imposter in an In Living Color skit. In the 90s, there was no way back from this:

A licky boom boom down!

‘Okay, My Feline Overlord, What Would You Like For Dinner?’

Have you ever asked your cat what she wants to eat?

Every once in a while, as Bud happily dances around the kitchen because he knows it’s Yums O’Clock, I’ll look through the available inventory and give him a choice.

“Hey, Bud!” I’ll say, holding a different kind of food in each hand. “Which one do you want?”

And without fail he’ll mrrrrrp enthusiastically and select his dinner by choosing one can – or more often, a Perfect Portions tub – and rubbing his face against it while trilling.

I’ve addressed the topic of meal variety before on PITB. One great piece of advice I got before adopting the king was to feed him as many different varieties of food as possible. Turkey, his absolute and longtime favorite, chicken, tuna, salmon, beef, duck, trout, pate, chunks, shredded cuts in sauce. Sheba, Iams, Nutro, Blue, Fancy Feast, and occasionally even the Temptations “catnip-flavor” pate, even though that’s probably not great for him.

Credit: David Yu/Pexels

It has many benefits, the most obvious of which is that he enjoys his meals, he looks forward to them, and he reliably eats his wet food. That’s important because cats have a low thirst drive and he needs the hydration. It’s also satisfying as his caretaker to remove his bowl when he’s done and see that he’s licked it clean. It means he’s happy, healthy, has a good appetite, and he won’t be yowling at me for snacks because he’s still hungry.

It also means we won’t be put in a tough spot if, say, one particular brand changes its formula or discontinues a flavor. I’ve heard stories of frustrated people taking weeks to find a food their finicky cats will accept when a particular favorite is no longer available.

Still, I wonder if given the choice, he’d want even more variety. I don’t even know if he’s actively making a choice when I give it to him. Can he smell the food through the sealed packages? Is he really selecting what he wants, or is he just picking one at random?

Has anyone else tried this?