‘Demon of Champawat’: The Man-Eating Tiger Who Killed 436 People And The Hunter Who Put An End To Its Bloody Reign

The tiger had authored an unprecedented reign of terror, killing more people than any other animal in recorded history. Some villagers thought the ferocious cat was supernatural and dubbed it the Demon of Champawat.

They called it the Land of the Gods.

The northern Indian state of Uttarakhand was known for its ancient Hindu temples, the ruins of a once-mighty kingdom called Kumaon, and sprawling wilderness dotted with villages mostly inhabited by farmers and craftsmen living in the shadows of the Himalaya mountains.

But when Jim Corbett arrived in 1907, it was a ghost state.

Doors were closed, windows were shuttered, village greens were abandoned. The fields lay dormant, their crops unharvested and ripening on the vine as farmers refused to leave their homes. When people had to venture out for fire wood they did so only in armed groups, with dozens of adult men wielding blades and repurposed farming tools, making a ruckus as they set out.

No one dared go out at night. Travel between villages had become rare, and if necessity forced people to travel, they did so in the heat of the mid day and only in numbers resembling small armies.

It wasn’t war, disease or superstition that kept the people of Kumaon huddled in their homes, terrified to step out.

It was a tiger.

Or a tigress, as Jim Corbett found when he set eyes on the first pug marks — paw prints — left by the notorious man-eater.

The paw pads of male tigers are ovular with distinctive gaps between the toes, while the impressions left by females are more compact, with toe pads that leave unmistakable teardrop shapes in mud and dirt. The pug marks revealed it was massive adult female Bengal. Corbett suspected it was the same tigress who had terrorized the people of Nepal from the late 1890s until 1903, killing hundreds before the Nepalese army was called in.

Not even the soldiers managed to stop her, and when the tiger’s death toll topped 200 and local leaders were running out of options, the army organized a massive beat — essentially a wall of people wielding torches and guns, advancing in unison — to drive the tigress out of her territory, over the River Sharda and deep into neighboring India.

They hoped the tigress would become someone else’s problem — and she did, continuing her reign of terror for four more years in Kumaon, bringing life in the region to a standstill.

The tigress was ruthless and efficient, striking farmers working the edges of fields, children sent to fetch wood, fishermen sitting by streams. She seemed to have lost her fear of man completely, hunting in broad daylight and picking her victims off regardless of whether they were alone or surrounded by others.

The local villages dispatched hunters who went after the tiger and never returned. Pooling their money — no small feat in a poor, rural state of India — they hired professionals who set out and weren’t heard from again. One party comprised of a dozen seasoned hunters armed with rifles tried challenging the tigress on her own turf, entering the jungle and using a fresh animal carcass to draw her out.

The tigress was cunning. She knew human hunting parties were after her, and she changed her behavior in response. Although the town of Champawat remained the center of her new territory, she widened it considerably and ranged great distances in between kills.

Instead of terrorizing one area, now she was stalking a wide swath of greater Uttarakhand. She’d appear on the outskirts of a village one day, killing a housewife out collecting herbs and firewood, then pop up 20 miles away by the next sunrise, striking as opportunity presented itself.

But the Demon of Champawat, as she came to be known, wasn’t the only tiger in the region. Many people who’d seen her didn’t live to provide a description, so she became the shadow at the edge of the forest, the monster lurking in the grass.

Every time villagers heard a tiger’s roar echo from the jungle, they dropped their tools and ran for the safety of their homes. Every roar became the roar of the Champawat tigress. She was seemingly everywhere at once, taking on almost supernatural qualities in the minds of those she terrorized.

A desperate community seeks help

The Tahsildar — a local government official who serves as administrator and tax collector — was desperate. Many of the families in Uttarakhand were subsistence farmers, meaning abandoned fields weren’t just taking an economic toll on the area.

If the local farmers didn’t harvest, they wouldn’t eat.

The Tahsildar was the one who had to look grieving parents, siblings and children in the eye, telling them the government would figure out a way to stop a “demon” who had eluded hunters and soldiers for years.

When the Tahsildar approached Corbett, the Champawat tiger had killed an inconceivable 434 people. No other animal in recorded history had taken as many lives, let alone evaded retribution during a nearly decade-long stretch straddling two centuries and the border of two countries.

The notorious man-eater was loitering around a village called Dhari, where it had been spotted on the outskirts. For three nights the villagers were kept awake by the roars coming from the man-eater at the edge of the jungle.

Others were trying to track the tiger, the Tahsildar said, drawn by the considerable reward for the hunter who could finally rid the region of its felid scourge.

But Corbett didn’t want the money, saying he had an “aversion to being classed as a reward-hunter,” and he asked the Tahsildar to call off the other hunters for fear of getting caught in friendly fire.

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Champawat town, present day. Credit: WhiteRaven335/Wikimedia Commons

After the men agreed to terms, Corbett and his small party set off on the 17-mile journey to Dhari. No one came to greet them when they arrived, wearily dropped their packs and sat down in a central courtyard. The place looked abandoned.

“The people of the village, numbering some fifty men, women and children, were in a state of abject terror, and though the sun was still up when I arrived, I found the entire population inside their homes behind locked doors,” Corbett wrote in his memoir, Man-Eater of Kumaon. “And it was not until my men had made a fire in the courtyard and I was sitting down to a cup of tea that a door here and there was cautiously opened, and the frightened inmates emerged.”

“That the tiger was still in the vicinity was apparent,” Corbett wrote. “For three nights it had been heard calling on the road, distant a hundred yards from the houses, and that very day it had been seen on the cultivated land at the lower end of the village.”

Corbett confirmed it was the tigress he sought, and the death toll had climbed to 435 when villagers reported the disappearance of Premka Devi, a teenage girl.

Devi had been gathering wood and foraging with a handful of other women when the tigress leaped out of cover, snared her foot and began dragging her away. She fought, holding onto a tree branch while trying to wriggle free, but the man-eater let go of her foot, lunged forward and sank her teeth into Devi’s neck in the fashion tigers most often use when taking down prey.

When the other women came running back to Dhari, a party of men set out to find Devi, but found only blood and torn clothing.

While the Demon of Champawat was known for disappearing into the night after her kills and re-emerging miles away, for reasons no one understood she continued to stalk the outskirts of Dhari. It was as if she was determined to take another life from the same village.

After the locals told him the animal had a “habit of perambulating along” the road leading into the village, Corbett decided he would try for the tigress that first night before she decided to range miles away to another village, as she was fond of doing when she knew she was being hunted.

The first hunt: Fear and regret

James Edward Corbett knew rural India. The son of a low-level official in the British Raj, Corbett grew up in poverty among 12 brothers and sisters in the Indian countryside, where he learned to track and hunt as a boy, traversing rough terrain barefoot and deciphering the clues left behind in the jungle when big cats and other predators took their prey.

Today Corbett’s name is still familiar to the people of Uttarakhand, with the largest national park — land he helped secure for a tiger habitat — bearing his name.

He’s remembered as a champion of the often-forgotten rural poor and a legendary figure in big cat conservation circles. Long before he became a tiger conservationist later in life — calling the extraordinary animals “large-hearted gentlemen” who avoided conflicts with humans the vast majority of the time — he’d built a reputation as a man who could handle the most dangerous felid predators, tigers and leopards who had developed a taste for human flesh.

These were not the canned “hunts” of modern day, facilitated by teams of guides armed to the teeth with cutting-edge gadgetry and tracking devices, chauffeuring well-off weekend warriors in climate-controlled vehicles and luring unaware animals directly into their paths. Corbett and men like him hunted at extraordinary risk to themselves, on foot, at the mercy of the most cunning predators on the planet.

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The Rigby .275, Corbett’s most famous rifle, was given to him by grateful officials of India’a government. Corbett’s reputation grew as he successfully hunted man-eating tigers and leopards, particularly those that had eluded other hunters and even the military. Credit: The Vintage Gun Journal

But at 31 years old, despite his repute as an excellent hunter, Corbett was in new territory. The Champawat tiger was his first man-eater, and nerves got to him. As he stood watch that first night at the edge of the village, he wondered if he’d made a lethal mistake.

“I had spent many nights in the jungle looking for game, but this was the first time I had ever spent a night looking for a man-eater,” he wrote. “The length of the road immediately in front of me was brilliantly lit by the moon, but to right and left the overhanging trees cast dark shadows, and when the night wind agitated the branches and the shadows moved, I saw a dozen tigers advancing on me, and bitterly regretted the impulse that had induced me to place myself at the man-eater’s mercy.”

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Counterintuitively because of their coloring, tigers are exceptional at blending into high grass, jungle and forest.

The next day, Corbett asked the men of the village to show him several spots where the tigress had been sighted, but they refused. He was determined to resume the hunt at night, taking advantage of the full moon, and the villagers knew every inch of the surrounding territory. He needed their cooperation if he was going to successfully navigate the terrain by moonlight, avoiding pitfalls and places where he was likely to be ambushed.

Instead, the villagers wanted his help with a more mundane — but vital — task.

The village’s “headman” told Corbett that “if the crop was not harvested in my presence, it would not be harvested at all, for the people were too frightened to leave their homes.”

So Corbett stood watch with his Martini-Henry rifle as “the entire population of the village” emerged, and with the help of Corbett’s men, began harvesting their crops in double time, clearing almost everything before the sun set.

Earning the trust of the village

Still getting nowhere with his requests that the villagers show him where the tiger had been spotted, Corbett changed his approach the next day. He would embark on a hunt, he announced, and sought to kill a ghooral — a wild, goat-like animal — to provide meat for his men. If some of the villagers were willing to help point him in the right direction, he’d hunt two ghoorals for the villagers as well.

Some men of the village, who had never seen anyone fire a rifle, accompanied the hunter and, for a short time, forgot about the tigress who had taken over their lives.

“The expedition was a great success in more ways than one,” Corbett wrote, “for in addition to providing a ration of meat for everyone, it gained me the confidence of the entire village. Shikar yarns, as everyone knows, never lose anything in repetition, and while the ghooral were being skinned and divided up the three men who had accompanied me gave full rein to their imagination, and from where I sat in the open, having breakfast, I could hear the exclamations of the assembled crowd when they were told that the ghooral had been shot at a range of over a mile.”

With their neighbors and friends vouching for him, the villagers were more willing to believe this man who had arrived seemingly from nowhere, at the behest of the Tahsildar, really was a competent hunter and might be the one who could finally stop the tigress.

After they ate, some of the men — having seen Corbett’s professionalism and marksmanship for themselves — agreed to show him the tiger’s recent haunts.

The men brought Corbett to the stand of trees where Devi had been ambushed. Noting that “jungle signs are a true record of all that has transpired,” Corbett realized the tigress had approached the group of women from a ravine, slipping between a pair of large rocks unseen before seeing her opportunity.

“The victim had been the first to cut all the leaves she needed,” Corbett wrote, “and as she was letting herself down by a branch some two inches in diameter the tigress had crept forward and, standing up on her hind legs, had caught the woman by the foot and pulled her down into the ravine.

“The branch showed the desperation with which the unfortunate woman had clung to it, for adhering to the rough oak bark where the branch, and eventually the leaves, had slipped through her grasp were strands of skin which had been torn from the palms of her hands and fingers.”

A blood trail ran from the ravine to the ground cover of some bushes where the Champawat tiger “had eaten her kill.”

The party found Devi’s clothes “and a few pieces of bone which we wrapped up in the clean cloth we had brought for the purpose.”

“Pitifully little as these remains were, they would suffice for the cremation ceremony which would ensure the ashes of the high caste woman reaching Mother Ganges.”

For the next three days, Corbett tried unsuccessfully to find traces of the tigress as he moved between her haunts from dawn to dusk.

tiger with sharp fangs in nature
Credit: Enric Cruz/Pexels

Following the trail to Champawat

It was clear the big cat had moved on, so the hunter and his men decided to walk to Champawat town, the closest thing to a population center in the area. There, perhaps, they could pick up the trail again.

While on the road they were joined by local men who wanted to help, their numbers swelling as they passed villages. Some of the men told Corbett they’d seen the tigress dragging a still-living, screaming woman in a valley below the main road to Champawat two months earlier. Frozen with fear, the men did nothing even as the victim screamed for help and beat her fists against the predator’s flank. They were ashamed, they told Corbett, but they were farmers armed with sickles and machetes, without a firearm between them, terrified of approaching an animal who had killed everyone who went after her.

Corbett took up residence in an abandoned hut close to the site of several earlier killings, looking for signs of the tiger. Two days later, a man from Champawat town came running up, out of breath.

The tiger had struck again, he said. A girl of about 16 or 17 years was gathering sticks with a group of women when the tiger pounced, snapping her up in its jaws and already dragging the victim away before the others realized what was happening.

He brought Corbett to the spot, and the hunter began to follow a distinct blood trail. After following the predator’s path through nettles and over difficult-to-negotiate rocks, Corbett descended into a ravine where a pool of freshwater fed a stream.

He’d recovered the victim’s shattered necklace of bright blue beads and found her sari at the top of a hill, but now Corbett found himself looking at something he couldn’t place in context until he realized with horror that it was the girl’s leg “bitten off a little below the knee as clean as though severed by the stroke of an axe, out of which warm blood was trickling.”

Without knowing how close he was, Corbett had blundered his way in and interrupted the tigress in mid-meal. Now, he realized, he was standing still, exposed at the bottom of the ravine.

He turned and raised his rifle just in time to save his own life. The tigress had the high ground and was about to strike but turned and bolted when it saw the weapon, dislodging dirt and rocks from the lip of the ravine.

Corbett ran after her.

close up of tiger
Credit: Pixabay

For the first time the tigress was put on the defensive, carrying her kill as she sought to shake the hunter on her tail. Several times Corbett found a larger pool of blood where the tigress had briefly put the girl’s body down.

Annoyed that a human was actually following her rather than running in the other direction, the tigress “now began to show her resentment by growling.” It was an intimidation tactic by a skilled predator who understood something of human psychology. When she realized Corbett still wasn’t dissuaded from following, the tigress went silent again so she wouldn’t give away her position.

Corbett’s heart pumped and he was driven on by a heady brew of excitement and fear. He could be eviscerated at any moment, or he could be the one who finally stopped the Demon of Champawat, killing her on the day she claimed her 436th victim.

It wasn’t to be.

With the sun low on the horizon, Corbett knew he had to backtrack to avoid being stuck in the open at night with the irritated tiger fixated on him. He made his way back, drawing relieved sighs from his new friends as he reappeared.

Hunter and hunted

That night, Corbett decided to change tactics. Instead of chasing the Demon of Champawat, he’d organize a beat like the Nepalese army had years ago, but this time instead of driving the tigress across a river, they’d attempt to drive her to Corbett and his rifle.

With the help of the Tahsildar, Corbett was able to enlist 298 men by noon of the next day, a ragtag group carrying weapons that “would have stocked a museum,” including a handful of vintage, illegal firearms. The Tahsildar distributed ammunition to the men who had guns, and Corbett had them line up on the ridge where the tigress had killed her last victim.

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The Indochinese tiger, Panthera tigris corbetti, was named after Corbett. Credit: GlobalConservation

Corbett continued to the next hill with the Tahsildar. The terrain was rough and their progress slow. Perhaps believing Corbett had forgotten to signal, the men fired their weapons into the air and made as much noise as they could by shouting, beating drums and rolling rocks down the ridge. Leaving the Tahsildar on the hill, the hunter ran to an open field ahead and positioned himself between the ridge and a gorge, hiding in waist-high grass with his rifle.

He caught movement in the distance. It was the tigress. But instead of running from the commotion, she made to move toward it.

“When the din was at its worst I caught sight of the tigress bounding down a grassy slope between two ravines to my right front, and about three hundred yards away,” Corbett recalled. “On hearing the shots the tigress whipped round and went straight back the way she had come, and as she disappeared into the thick cover I threw up my rifle and sent a despairing bullet after her.”

The nearly 300-strong group spanning the top of the ridge threw up a cheer, thinking Corbett must have taken the tiger down with the shot. They fired off the last of their rounds in celebration. Corbett listened with grim anticipation, expecting to hear screams at any moment as the tigress broke cover and attacked the men.

But the Demon of Champawat had thought better of it and reappeared, running for the gorge behind Corbett at full speed.

Corbett raised his rifle and squeezed off another round.

“When the tigress stopped dead,” he wrote, “I thought the bullet had gone over her back, and that she had pulled up on finding her retreat cut off.”

But as he watched the murderous big cat regard him, Corbett realized he’d injured her. She lowered her head, closing to within thirty yards. Corbett fired again. The bullet missed its target. The tigress flinched but stood her ground “with her ears laid flat and bared teeth.”

Both man and tiger were unsure what to do next. Corbett froze. His rifle was empty. He’d brought three cartridges, reasoning he’d get no more than two shots off no matter what happened. The third, he wrote, was for emergencies. The tigress made to charge, coiling her body as she crouched low.

But the big cat had no way of knowing Corbett was out of ammunition and turned slowly, keeping an eye on the man who had clipped her. Then she took off, bounding over a stream, across a rough span of rocks and up the nearby hill.

Corbett ran back to the Tahlsidar and took his rifle, then went after the tigress.

He climbed the hill warily and watched the tigress turn to face him again. She charged. Praying that the Tahsildar’s rifle would strike true, Corbett aimed for the enraged cat’s head — and missed. But the shot caught the tigress’ right paw. She lurched, lost her footing and collapsed, coming to rest on the lip of a large rock at the summit of the hill.

One of Corbett’s earlier shots must have been more accurate than he realized, and the charge was the last desperate move by the severely injured animal. But Corbett didn’t have the time to think about that because the men of the beat were coming closer, screaming and working themselves into a frenzy.

“There it is on the rock!” one man shouted. “Pull it down and let us hack it to bits!”

“This is the shaitan that killed my wife and my two sons!” the ring-leader declared, waving a sword.

Powalgarh
Corbett in the winter of 1930 after killing a massive male called the Bachelor of Powalgarh. Credit: Wikimedia Commons/historical file

But reason prevailed, the crowd’s rage died down, and for the first time Corbett was able to examine the tiger up close. He saw something he’d find again and again over the following years, as he became a famed hunter with a reputation for stopping man-eating tigers and leopards.

Tigers don’t become man-eaters by choice, and there’s no evidence they enjoy eating humans. Eating people is a dangerous business even for apex predators, who tend to have short lives once they start hunting humans.

They do it out of necessity, almost always as a result of human action: Hunters who hobble them but fail to finish the job, or fire errant shots that shatter one of their terrifying canines, rendering them incapable of taking down their usual prey, or making their preferred hunts much more difficult.

Those unfortunate tigers are left with two options: Find easier-to-kill prey, or starve to death. Even if the taste of human flesh is revolting to them, the madness of hunger compels them to hunt.

That, it turns out, is exactly what had turned the Chamapwat tiger into a man-eater. A hunter’s shot wasn’t true and shattered two of the big cat’s fangs, impeding her ability to deliver a proper kill bite in the instinctive fashion tigers kill their prey.

“When the tigress had stood on the rock looking down at me I had noticed that there was something wrong with her mouth, and on examining her now I found that the upper and lower canine teeth on the right side of her mouth were broken, the upper one in half, and the lower one right down to the bone,” Corbett wrote. “This permanent injury to her teeth — the result of a gun-shot wound — had prevented her from killing her natural prey, and had been the cause of her becoming a man-eater.”

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The head of the “Demon of Champawat.” Note the broken upper and lower canines on the tiger’s right side. Credit: Wikimedia Commons

The truth, sadly, is that man-eaters are almost always “created” by men.

“A man-eating tiger is a tiger that has been compelled, through stress of circumstances beyond its control, to adopt a diet alien to it,” Corbett wrote. “The stress of circumstances is, in nine cases out of ten, wounds, and in the tenth case old age. The wound that has caused a particular tiger to take to man-eating might be the result of a carelessly fired shot and failure to follow up and recover the wounded animal, or be the result of the tiger having lost his temper when killing a porcupine. Human beings are not the natural prey of tigers, and it is only when tigers have been incapacitated through wounds or old age that, in order to live, they are compelled to take a diet of human flesh.”

While tigers become man-eaters out of necessity and don’t like the taste of human flesh, man-eaters are not “old and mangy,” as some people believe, and there’s no indication that human flesh is detrimental to them. On the contrary, Corbett wrote, a diet of human flesh “has quite the opposite effect, for all the man-eaters I have seen have had remarkably fine coats.”

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Corbett with the corpse of the Leopard of Rudraprayag, which officially killed 125 people during an eight-year streak of terror. Historians believe the leopard’s kill count was likely much higher, as many deaths in rural India went unrecorded. Unusually for leopards — who are said to retain their fear of man even after turning to eating humans — the Leopard of Rudraprayag was extremely aggressive, even breaking into homes to find its victims. The big cat, a male, eluded soldiers of the British Raj as well as Gurkhas for years until Corbett took on the hunt.

The last tigers

Today, with the World Wildlife Federation warning we’ve wiped out an incomprehensible 70 percent of the world’s wildlife in the last 50 years, and tigers numbering only 4,000 or so in the wild, you’d think man-eaters would be a thing of the past.

They’re not. In a five-year period from 2014 to 2019, tigers killed 255 people in India, where the majority of the world’s remaining wild tigers live.

In 2014, a male Bengal killed at least 10 people in northern India before moving on or limiting himself to natural prey. His reign of terror cast a shadow over a wide section of southern India’s Tamil Nadu. Some 65 schools were closed, people refused to travel at night and families stayed behind locked doors just as their countrymen did a hundred years ago when the Champawat tiger killed with impunity. The male tiger was never caught.

That same year, a man-eater who had killed three people was shot dead before it could take more lives. Local authorities used modern tools, including a network of 65 trail cameras, to hunt the big cat. Since then there have been sporadic conflicts between the big cats and rural villagers, often sparked by tigers and leopards going after livestock.

The felid-human conflicts happen because of habitat destruction. The tigers simply can’t avoid people because people are everywhere.

Yet even Corbett, who was known for killing them, eventually became known for saving them. By becoming the foremost expert on man-eaters after successfully hunting 33 of them, he understood better than anyone the pressures faced by big cats in a world where humans were rapidly expanding and clearing jungle.

A hundred years ago when India was home to an estimated 100,000 tigers and 300 million people, Corbett understood the tigers were in danger. Now the tigers number 4,000 and the humans 1.4 billion, and the situation for one of nature’s most iconic animals is extremely precarious.

Corbett played a big part in changing attitudes toward tigers and other big cats. A century ago most people hadn’t even heard of the concept of conservation. Corbett believed it’s possible for humans and big cats to live in proximity, and indeed India has seen the peculiar emergence of the so-called “urban leopard,” with that species proving adaptable as its surroundings change. Conservationists credit leopards with saving countless human lives by preying on the innumerable wild dogs who patrol the outskirts of cities and towns, including major cities like Mumbai.

“The author who first used the words ‘as cruel as a tiger’ and ‘as bloodthirsty as a tiger’ when attempting to emphasize the evil character of the villain of his piece, not only showed a lamentable ignorance of the animal he defamed, but coined phrases which have come into universal circulation, and which are mainly responsible for the wrong opinion of tigers held by all except that very small proportion of the public who have the opportunity of forming their own opinions,” Corbett wrote almost 40 years after the events in Champawat.

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Corbett at 68 years old, in 1944. By that time he’d dedicated himself to the protection and conservation of tigers and other wildlife, warning that they would go extinct if measures weren’t taken to protect them. Credit: Wikimedia Commons

Reflecting on his youth in the British Raj, the hunts he embarked on as a kid and as a teenager, and the nights he spent alone in the jungle with nothing but a small fire to keep him company, Corbett recalled hearing the calls of tigers and knowing that “a tiger, unless molested, would do him no harm.”

He recalled stumbling upon a tiger as he was hunting jungle fowl, watching the huge cat emerge from a plum bush and regard him with a look that said: “‘Hello, kid, what are you doing here?’ And, receiving no answer, turning around and walking away very slowly without once looking back.”

“And then I think of the tens of thousands of men, women and children who, while working in the forests or cutting grass or collecting dry sticks, pass day by day close to where tigers are lying up and who, when they return safely to their homes, do not even know that they have been under the observation of this so-called ‘cruel’ and ‘bloodthirsty’ animal.”

Corbett dedicated the later part of his life to the conservation and protection of tigers, and India’s first national park was named in his honor. In 1973, Jim Corbett National Park — an area covering more than 520 square kilometers — became the first implementation site for Project Tiger, a conservation plan by India’s government that has been credited with increasing the number of wild tigers in the country by three-fold, from a dismal low of 1,411 tigers in 2006 to almost 4,000 today.

And in 1968, Czech biologist Vratislav Mazák named a newly-recognized subspecies — the Indochinese tigerPanthera tigris corbetti in honor of the famed hunter.

More than anyone, Corbett understood how dangerous tigers can be, but he also came to appreciate their strength, beauty and spirit.

“The tiger is a large hearted gentleman with boundless courage,” he wrote decades after that first man-eater hunt, “and that when he is exterminated — as exterminated he will be, unless public opinion rallies to his support – India will be the poorer by having lost the finest of her fauna.”

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Fresh Off Binging K-Dramas, Buddy Demands Others Call Him Jeonha

Buddy has taken to styling himself as a Joseon king after gorging himself on Korean period dramas set during the long-enduring dynasty.

NEW YORK — Buddy the Cat has taken to wearing Joseon dynasty royal robes and insisting others call him “Jeonha” — a style of address for a king which means “Your Highness” — after binging Korean historical dramas over the last several months.

The silver tabby, who once pretended to be Spanish and has previously tried to ingratiate himself with lion prides and zoo tigers, took on the persona of a king of Joseon, the historical name for the kingdom of Korea as it existed for half a millennium. The move followed an extended TV binge during which Buddy watched Netflix’s Kingdom, The Crowned Clown and Six Flying Dragons.

“Where is the Left State Councilor?” Jeonha Buddy shouted on Friday while lounging atop a replica of the famously elaborate Phoenix Throne. “The Ministry of Yums is late with my dinner once again. This will not be overlooked!”

Committing fully to his cosplay, Buddy designated each floor in his apartment building as its own “province,” appointing cats in other apartments as governors, Confucian scholars and tax officials. In addition, he created a court schedule dictating three official audiences per week, demanding reports on “the state of the cat food cupboard” and vigilance in looking for signs that a Japanese neighbor, Mr. Fuji, planned to invade his realm.

“We must not underestimate the Shogunate,” he said. “Have the Chief Secretary draw up an official mobilization order for the Five Armies so that we may have a regiment stationed along the border in case Mr. Fuji has military intentions.”

“Yes, Jeonha!” the other cats said, bowing. “Your grace is immeasurable!”

Asked on Sunday what he thought of the group of cats who stood watch outside his apartment, Mr. Fuji said: “I like cats!”

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Buddy’s replica Phoenix Throne. Credit: Wikimedia Commons

Most of Jeonha Buddy’s royal decrees, however, have dealt exclusively with food. Royal Proclamation #11, for example, specified the size and serving time of the king’s late night snack, while Royal Proclamation #19 clarified that seafood must not be served two meals in a row, and should be served only after meals of poultry or beef.

Meanwhile, Royal Proclamation #22 sought to appoint Big Buddy as the king’s eunuch.

“You’re pressing your luck, ‘Jeonha’,” the human said, glaring at Buddy. “I still have my balls. You, however, do not.”

As of press time, Buddy consulted the basket that holds his many toys and confirmed that he did indeed still possess his balls, including one that lights up and makes a beeping sound when it’s batted around.

“My court eunuch is a liar,” Jeonha Buddy declared. “Eighty lashes for him!”

PITB Reviews: Kingdom of the Gods

Netflix’s Korean period drama is soaked in political intrigue, action and lots of blood. It also holds a mirror up to today’s pandemic and how our leaders are handling it.

Just when it seems like the zombie genre has run its course, a handful of visionary Korean storytellers come along to remind us there’s still life left in the undead genre.

First there was 2016’s record-setting, multiple award-winning Train to Busan, a film about an overworked father taking his young daughter to her mother’s house in the titular city just as a zombie plague tears human civilization apart.

Together with a core cast of affable characters — including a pregnant woman and her overprotective husband, and members of a youth baseball team — dad and daughter try to survive in a uniquely claustrophobic setting where simply running from the undead isn’t an option. Train to Busan wasn’t just a hit for its horror and action elements — the film packs a surprising amount of social criticism into its one hour and 58 minute run time, turning its lens onto modern Korean society and, by extension, modern life around the globe.

The movie has a 94 percent fresh rating on Rotten Tomatoes and sparked a bidding war for its US rights. A remake set in the US is currently in production by New Line.

Then there’s Kingdom, a Netflix series also called Kingdom of the Gods in Korean, that takes a zombie plague and drops it over a story about political intrigue and power struggles in the Joseun feudal era.

The series picks up at the beginning of the 17th century, when the kingdom of Joseon is three years removed from the second of two brutal Japanese invasions. Poverty is rampant, the common people are starving and the queen consort’s Haewon Cho clan has consolidated power, effectively insulating the king from his closest advisers, friends and family.

The country is desperate for leadership, but the king has disappeared after falling ill with smallpox.

His son, Crown Prince Lee Chang, tries to intervene and find out what’s happened to his father, but he’s repeatedly stopped by the pregnant Queen Consort Cho, who refuses to allow Chang into the royal palace.

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Jeoha: Crown Prince Lee Chang, wearing the distinct dragon robes of Joseon kings and crown princes, tries to gain access to the royal palace to see his ailing father, the king.

Chang is in an extremely precarious situation: Although he’s the Crown Prince and the king’s beloved only son, his mother was a concubine. If Queen Consort Cho gives birth to a son, the boy will be considered the true heir and Chang will be hunted down and executed so there can be no competing claims to the throne.

With the king missing, Crown Prince Chang knows his time is limited and if he doesn’t act, he could be arrested and put to death by the queen’s orders at any moment.

So Chang and his bodyguard/friend Mu-yeong devise a plan to steal the king’s patient journal from the royal palace at great risk to themselves. When they find bizarre entries about doctors administering a “resurrection plant” — and no subsequent entries about the king’s health — they set off south in search of the king’s physician, the one man who can tell them what really happened to the king.

What follows is a spectacular adventure fueled by gorgeous cinematography, an energetic cast of actors who go all-in on the premise, and a historically accurate look at Korea as it existed under a dynasty that lasted for half a millennia.

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Ryu Seung-ryong plays the scheming top minister Cho Hak-ju, father of the queen consort. The double-swan embroidery on his robe indicates his status as a powerful government official. Credit: Netflix

The zombie plague itself may be the stuff of George A. Romero’s nightmares, but the attention to historical detail in Kingdom is second to none, from the costumes to the historic palaces and the strict adherence to tradition among Joseon’s bureaucrats.

It turns out the real leaders of Joseon did have many of the same dilemmas their counterparts on the show do: Kingdom’s author was inspired by historical accounts of an unprecedented deadly plague that swept through the Korean peninsula after the second Japanese invasion, piling fresh misery onto a population already reeling from Japanese invasions and hunger.

The social order compounded the misery for those at the bottom. The Joseon dynasty was marked by strict divisions between social classes, making traditionally aristocratic societies in the west look almost like pleasant meritocracies by comparison.

Everything a person wore — robes, hats, embroidered designs on their chests and backs — were indicators of class, rank and occupation. Government ministers, who were nobles, dressed in fine silks with intricately embroidered rank badges in animal motifs.

Peasants wore rags and straw hats, while the more fortunate among them wore modest clothes.

Nepotism and corruption were rampant, and the nobles, ministers and administrators who held power saw their positions as conferring privilege, not responsibility.

When a group of aristocrats and government ministers of one region take the last barge out of a doomed city, leaving thousands of vulnerable commoners behind to be eaten and turned by the tidal wave of undead, it seems unspeakably cruel and cowardly until you realize that this is a feature of the society, not a bug.

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Ju Ji-hoon, center, as Crown Prince Lee Chang, with Bae Doona, left, as the physician Seo-bi and Kim Sang-ho, right, as Chang’s trusted bodyguard Mu-yeong.

When the aristocrats abandon peasants to the zombies, Crown Prince Chang and Mu-yeong risk their lives gathering a small force to protect the people and usher them to the safety of a walled stronghold.

Later, when a group of villagers bury a group of undead, unaware that they’ll rise at sunset and trample the nearest towns, the Crown Prince and his followers head out just before dusk to stop them, knowing they’ll be outnumbered and may not return.

The Crown Prince’s many kindnesses to peasants and children, and his willingness to risk his own life to protect them, draw the notice of characters who become key allies — including a member of the legendary Chakho tiger hunters, and Lord Ahn, a military hero and governor credited with expelling the Japanese during the invasion three years prior.

Crown Prince Chang set off initially to solve the mystery of the king’s disappearance and to protect himself from the scheming Haweon Cho clan, but as he sees the poverty, desperation and vulnerability of his people first-hand, he dedicates himself to a more pressing and noble cause in protecting the people of Joseon from the seemingly unstoppable plague and starvation.

In that effort, he unites people of different classes and backgrounds who fight fiercely and loyally for him, seeing hope for a brighter future if he survives and becomes king.

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The physician Seo-bi, played by Bae Doona, attends to a man’s wounds.

The show never misses a chance to show social disparities: The upper classes do everything they can to protect themselves, everyone else be damned. They hide behind walls and ignore thousands of commoners — including women and crying children — who pound on the gates, begging to be let in. They abandon the peasants, and in many cases count on the lower classes serving as a human shield to allow the upper classes to escape danger.

“Are you sure this is okay?” one minister asks his sycophantic assistant as they take the last barge out of a doomed city, leaving throngs of peasants on the docks.

“You and the other nobles are the backbone of the city!” his assistant assures him. “You must survive so you can rebuild.”

As a result, the first waves of undead are the people on the lowest rungs of society. As the virus spreads to another city, a group of confused aristocrats can’t believe what they’re seeing.

“Those peasants are attacking nobles!” one incredulous man in ornate clothing says as undead in rags storm through Dongnae (modern day Busan).

Peasants attacking the upper class was unthinkable in Joseon, and by the time the aristocrats in that scene realize there’s something very wrong, it’s too late.

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As the plague spreads, the ranks of the undead grow to include aristocrats in fine robes as well as peasants in rags.

Before long, the legions of undead include just as many people in fine silks and ornate embroidery, finally uniting the classes of Korea in a state of undead purgatory, their reanimated corpses hungering for the flesh of the still-living.

Eventually, though, Chang must confront the Haewon Cho clan and its patriarch, the powerful minister Cho Hak-ju.

Of course the show wouldn’t be a hit if it didn’t provide something for action and horror fans, and it more than delivers on its promises.

The action sequences in Kingdom are spectacular, and the show gives viewers lots of them, from outnumbered warriors holding a narrow pass from the undead, to zombie hordes laying siege to citadels, to close-quarters sword fighting.

The beautifully-shot sequences put shows like The Walking Dead to shame. Whereas the latter show often gives the impression that the money men behind the franchise are counting pennies, Kingdom‘s lavish sets, epic set pieces and impeccable special effects are the kind of thing viewers would expect from a summer blockbuster, not a television show.

Kingdom isn’t all action, and it takes time to breathe with quiet character moments between the narrow escapes and thrilling battles. The series is a period drama just as much as it falls within the action and horror genres. We see the inner workings of a society markedly different than anything most Westerners are familiar with, but driven by the same human ambitions.

The story is also effective thanks to actors Hye-jun Kim and Seung-Ryong Ryu, who play the Queen and her father, high minister Cho Hak-ju. They’re villainous and power hungry without seeming one-dimensional, and both succeed in becoming focal points of the audience’s anger as they commit one despicable act after another.

Cho Hak-ju manipulates the court with the savvy of Game of Thrones’ Littlefinger and the brutality of Joaquin Phoenix’s Commodus in Gladiator. The other government ministers are terrified of him, and as the man who ostensibly speaks for the king, his word is effectively law.

The Queen, meanwhile, puts in motions schemes that would make Thrones’ Cersei look amateurish in comparison.

Kingdom’s got two seasons under its belt and a stand-alone special episode, Kingdom: Ashin of the North. Fans are eagerly awaiting the third season. It stands out as one of the best historical epics in recent memory.

Buddy’s verdict: Five paws out of five!
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Big Buddy’s verdict: Highly recommended