The felines were found deceased near open tins of tuna, and laboratory tests confirmed they’d been poisoned.
In early October, a woman who helps manage a colony of stray cats in South Carolina’s Lowcountry stopped by to feed them and was distraught by what she saw.
Six cats lay dead not far from several open tins of tuna. After the woman called for help and a larger group searched the area, they found the bodies of seven more cats and three opossums, the Berkeley County Sheriff’s Office said.
The cats were spayed/neutered and managed by volunteers from Lowcountry Trap, Neuter and Release Network, meaning their population was controlled and they were routinely monitored and given veterinary care.
Tests showed the cats were poisoned, according to the Professional Veterinary Pathology Services in Columbia and the Michigan State University Veterinary Diagnostic Laboratory.
While police were looking into the poisoning, they got a tip that a local man had been complaining about the cats and claiming they were a nuisance.
On Thursday, police charged 28-year-old Andrew Dock and 45-year-old Charles Waylon Ulmer with 13 counts of felony ill-treatment to animals with torture and one count of conspiracy. Dock’s wife, Sara Rose Dock, 23, and his mother, Laura Mary Dock, 61, were charged with conspiracy along with Michael Jeffrey Kemmerlin, 30. All five suspects live in or near Summerville, a town about 25 miles northwest of Charleston.
Each felony count is punishable by as many as five years in prison and a $5,000 fine, per South Carolina penal code.
Credit: Berkeley County Sheriff’s Office
Dock was the ringleader of the group, according to police, and enlisted the others to help him poison the cats.
“Anyone that is capable of putting out poison and creating that level of pain and suffering is a concern to me as a human in our community,” Carol Linville, founder of a local nonprofit called Pet Helpers, told Lowcountry news station WCSC. ”That is a dangerous person. If they can do it to a cat, they can do it to a dog or do anything else that they deem they don’t want around.”
Locals involved with colony management and animal rescue praised the Berkeley County Sheriff’s Office for seeing the investigation through and arresting the suspects.
“The fact that the law enforcement took this seriously and really wanted to see justice and really do their due diligence to make sure that justice is really coming for these cats. I am, I’m very grateful,” said Kayte Williams, one of the women who cared for the colony. “Hopefully nothing like this happens again because the public will know if this happens, you will be prosecuted, you will be charged and you are not going to get away with it.”
Andrew and Sara Rose Dock. Credit: Facebook
On his social media accounts, Dock describes himself as a former welding instructor at Horry-Georgetown Technical College originally from Newark, New Jersey.
All five suspects were released after posting bond, according to the Berkeley County Sheriff’s Office. It wasn’t immediately clear if they had retained lawyers, or if they were given return dates for preliminary hearings.
Alex Garland’s latest film is a road trip through the ruins of America as the nation is engulfed in a modern day civil war. It wasn’t so long ago that such a scenario would be unthinkable. Now we wonder if it’s an inevitability.
There’s a moment in Civil War when Kirsten Dunst’s world-weary photojournalist sits down in the ruins of a US industrial park, with tracer fire lighting up the night a few miles away, and turns to Stephen McKinley’s print scribe.
“Every time I got the photo and survived a war zone,” Dunst’s character tells him, “I thought I was sending a warning home: don’t do this. And yet here we are.”
In a movie that works on every level as a warning to the American public not to throw away what we have, what we take for granted, that one quiet moment feels like director Alex Garland speaking directly to the audience, making sure no one can miss the point. Don’t do this.
Dunst, left, and McKinley share a quiet moment in an industrial park as a battle rages a few miles off. Credit: A24
The sad truth is, the United States now seem more divided than at any other point since the original civil war. We’re dangerously close to the abyss, and the people dragging us there are the most ignorant of us. They’re the people who can’t tell you the name of their own congressman and can’t articulate what the three branches of government do (or even what they are), but insist everyone listen with rapt attention as they screech incoherently about politics and demonize those whose views differ.
They’re the people who return the zealots to congress, who populate the extremes and openly fantasize about purging the country of the ideologically impure.
Kirsten Dunst, left, and Cailee Spaeny in Civil War. Credit: A24
They’ve sworn fealty to ideology, abdicating their responsibility to think about things for themselves. Because, frankly, it’s easier to pick a pundit and an alignment, construct a filter bubble in which they never have to be confronted with a fact they don’t like, and be constantly reminded how they should feel about everything from petty culture war issues to conflicts happening a comfortable distance away. That way everything remains neatly in the abstract, and the consequences are someone else’s problem.
But not this time.
Civil War’s cast is phenomenal, but much of the film’s power comes from seeing the familiar become the horrific. Garland illustrates the banality of evil by taking his characters on a journey through the war-torn east coast, past shopping plazas cratered by rocket propelled grenades, waterways filled with bodies and playgrounds on fire. One highway overpass is vandalized with a spray-painted “Go Steelers!” while the bodies of two Americans sway on ropes beneath it.
In refugee camps in Pennsylvania and Virginia, people who could be our neighbors talk quietly around fires while their kids play with soccer balls and chase each other. The film’s main characters, a quartet of journalists trying to get to Washington, DC (where we’re told presidential loyalists shoot members of the press on the spot), marvel when they ride through one idyllic small town where people walk their dogs and hang out in coffee shops as if the country isn’t tearing itself apart.
It’s only when they stop to talk to the proprietor of a small shop that they realize the illusion of normalcy is maintained by an army of sharpshooters keeping watch from the rooftops.
Garland wisely stays away from the specific ideological reasons for the civil war in favor of showing us the fallout.
The president is on his third term. He’s authorized airstrikes on fellow Americans, imprisoned dissidents, put a bounty on journalists and hasn’t offered the public anything more than teleprompter-fed remarks in more than a year. But his authoritarian grip on power is finally fractured when two fed-up coalitions of states break away from the union. The more powerful of the two, the so-called WF (Western Forces), is extremely well-equipped: a shot of one of their camps shows F-35 Raptors, mechanized infantry and heavy lift helicopters.
Dunst’s character in a Western Forces camp. Credit: A24
These aren’t people living on the margins of society, armed with civilian versions of AR-15s. They’re US military, entire divisions defected in opposition to Washington with all the firepower and logistics capacity that entails. Separately, another secessionist coalition led by Florida is making its way up the east coast, seeking to turn the Carolinas and other states to their cause.
The noose is tightening around the president’s neck, even as he insists “the greatest military campaign in American history” under his command has defeated the secessionists, like Baghdad Bob in the Oval Office.
Nick Offerman plays the authoritarian, three-term president who has ordered airstrikes on American citizens and had journalists executed. Credit: A24
As the Western Forces and Florida Alliance push toward D.C., there’s a renewed sense of urgency in symbolism. The president, Wagner Moura’s Joel says early in the movie, will be “dead inside a month.” Both coalitions are intent on reaching Washington and ending the war on July 4th.
“The optics,” Joel tells the other journalists, “are irresistible.”
Thus, the reporters decide to go after “the only story left,” which is to attempt to interview and photograph the president before he’s deposed or killed, despite the very real possibility they’ll be executed on the White House lawn before they can ask a question.
The film’s central characters are Dunst’s Lee Smith, a celebrated photojournalist who has seen it all, Moura’s Joel, the reporter who is partnered with Lee, McKinley’s Sammy, a reporter for “what’s left of the New York Times,” and Cailee Spaeny’s Jessie, a green but fearless 23-year-old who wants to be a war photographer like Lee.
Lee and Jessie meet at the beginning of the film in Manhattan, where both are photographing unrest as people crowd a disaster relief tanker, hoping to fill their containers with water. The fact that one of life’s most essential needs is no longer guaranteed, in New York City of all places, is just the first sign of how bad things have gotten.
Jessie moves in, snapping away as the crowd pushes toward the tanker and NYPD officers try to maintain order. When several people rush the tanker, Jessie gets hit in the face by someone swinging a bat.
Reeling, she stumbles away from the crowd, and Lee immediately mothers her, taking the young woman a safe distance away. She takes off her bright yellow press jacket and gives it to Jessie, then tells her: “If I see you again, you’d better be wearing Kevlar and a helmet.”
Spaeny, left, and Dunst. Credit: A24
They do meet again, the next morning. Lee is surprised to see the younger woman in the back seat of their truck next to Sammy. Furious, she pulls Joel aside. He explains that Jessie had approached him late the previous evening, asking to tag along with him, Lee and Sammy on their trip to DC.
Joel argues that Lee was Jessie’s age when she began her career, but he’s not acting out of the kindness of his heart. He is a man, Jessie is a beautiful young woman, and he has ulterior motives.
Lee’s mouth twitches in disapproval. She sees this fresh-faced, naive 23-year-old, and sees herself before she’s become jaded from a career of documenting humans doing horrific things to each other.
Civil War would be a road trip movie, if road trip movies illustrated camaraderie by shared trauma. Pockets of violence are everywhere. Some involve presidential loyalists fending off advance elements of the Western Forces, but some are civilians who see an opportunity to kill, torture and pillage with impunity.
Dunst is magnificent as Lee, wearing the war photographer’s trauma like armor, her disgust with humanity apparent in her tired eyes. McKinley is the old-school print scribe who can’t quit, even as his body fails him.
“You’re worried I’m too old and too slow,” he tells Lee and Joel early in the film as they drink in the lounge of a Manhattan hotel, imploring them to let him accompany them south to D.C.
“You aren’t?” Lee answers.
“Of course I am,” he admits. “But are you really going to make me explain why I have to do this?”
Wagner Moura’s Joel screams in frustration and rage after a particularly traumatic scene. Credit: A24
Here again, so much of the movie’s power is showing America in a state we only see from a distance through the dispatches and footage of war reporters. As the three of them sip their drinks in the hotel bar, waiting for their stories and photos to transmit over glacial wifi, the power drops.
“That’s every night this week,” Lee sighs.
“They’ll switch to the generators,” Sammy says.
They’re not in the shell of a formerly grand hotel in Baghdad or Damascus, relying on juice from old car batteries. They’re in New York, America’s greatest city, the cultural, media and finance capital of the world, a metropolis that operates on 11 billion watt-hours a day. A devastated, eerily quiet New York which resembles the early days of the COVID lockdown, yes, but New York all the same.
A sniper is pinned down by a civilian who has taken advantage of the lawlessness and chaos to kill fellow Americans. Credit: A24
After watching Civil War, I was disheartened to see the usual rage and incrimination in discussions about the film. Depending on their political backgrounds, people are sure Garland — a native and citizen of the UK — is “a lib” or “a MAGAtard.” Opportunities for thoughtful discussion are derailed in favor of the usual talking point regurgitation.
But the hope is that the sensible are the silent majority, that we aren’t so fattened by domestic stability, security and a feeling of invincibility that we can’t see what’s right in front of our faces. We would do well to remind ourselves that the scenarios we experience only in the safety of fiction still happen all over the world.
As you read this, people are dying of exhaustion and suffering pointless deaths in North Korean and Russian hard labor camps so brutal that we don’t even have a way to place them in context. The people of Haiti are terrorized nightly by ultra-violent gangs who have filled the power vacuum, raping and executing with impunity. Gaza has been bombed to rubble, and its rubble has been bombed to sand. People hoping to escape abject poverty embark on the hard journey to America only to find themselves sold into sexual slavery. Men and women in Asia, desperate to find jobs, arrive at what they think are interviews only to be kidnapped and spirited away into compounds in lawless Myanmar, where they’re forced to sit in front of screens for 20 hours a day running “pig butchering” romance scams on lonely American retirees. If they try to flee, they’re shot.
And just yesterday, a man walked up to a golf course in Palm Beach county, pointed the muzzle of an AK-47 through the chain link fence and tried to assassinate a major party American presidential candidate — the second assassination attempt in three months.
The people who most need to hear Garland’s message are those least likely to heed it, but we can hope. Reality has a funny way of obliterating fantasy, and it’s better for all of us if our delusional countrymen don’t find out the hard way that war is neither fun nor glorious.
Let’s hope Civil War remains a movie, and not a prescient preview of things to come.
Civil War is currently streaming on HBO Max and is available to rent via Apple, Amazon and other online streaming platforms.
Header image: Western Forces units fire rocket propelled grenades at White House loyalists using the Lincoln Memorial for cover. Credit: A24
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The American feline has also been linked to the appearance of crop circles in several US states.
GLOUCESTERSHIRE, United Kingdom — The alleged phenomena of big cats stalking the forests and outskirts of villages in the UK turned out to be a hoax this week after authorities caught an American feline planting “evidence” near the A40.
The perpetrator, who goes by the names Buddy the Cat, Kinich Bajo, The Buddinese Tiger and several other monikers, was spotted at the edge of the Forest of Dean using a ladder to create claw marks at roughly tiger height, Detective Inspector Alistair Clarke said.
When he realized he’d been made, the gray tabby cat yelled “Oh shit!” then bolted down the ladder and into the forest, Clarke told reporters.
Police called in a K9 unit, which was able to track a trail of crumbs and discarded turkey bones to a clearing where authorities discovered non-toxic black paint, a fog machine and a copy of Arnold Schwarzenegger’s 1977 docudrama Pumping Iron.
“It’s our belief that the suspect painted himself black, played prerecorded clips of various big cat roars, then posed menacingly amid the fog for the benefit of locals, mostly drunks stumbling out of local pubs,” Clarke said. “Choosing inveterate drunks as his primary witnesses ensured the resulting smartphone camera footage would be grainy, shaky and inconclusive, adding to the legend and mystique of phantom big cats in the countryside.”
Buddy in costume in late 2022, after parading himself in front of a group of heavily intoxicated people leaving a pub. Credit: PITB
Asked by a reporter whether Buddy’s dedication to weightlifting contributed to locals misidentifying him as a big cat, Clarke shook his head.
“We don’t think so, no,” he said. “Despite his apparent obsession with bulking up and the 63 bottles of protein powder we recovered, the suspect remains a tiny little stinker, which is why he carefully revealed himself only to the thoroughly inebriated.”
Buddy the Cat remained in a local lock-up awaiting extradition back to the US. His human told reporters the feline hadn’t said much about his predicament.
“He’s complained loudly about the food and said the British should be thanking him for increasing tourism to southern England, but other than that he’s kept a lid on his thoughts,” Big Buddy said.
Buddy is seen here patrolling the UK countryside after painting himself black, prompting several calls to the police. Credit: PITB
In the meantime, the South Carolina state police forensics division and detectives from several US police departments have been in contact with UK authorities after similarities emerged between the fake big cat sightings and a series of bizarre crop circles in the US.
“We also found turkey bones and crumbs scattered around the crop circles, but at the time our working theory was that we were dealing with aliens who had a taste for turkey,” said one law enforcement official, who spoke on condition of anonymity. “Now we believe our cases may be connected to the UK hoax.”
“Lads, that’s a panther, innit? A panther, wow!” Credit: PITB
Little Elliot was recovering from his ordeal, but developed a deadly blood clot.
This feels like a real gut punch, especially after a South Carolina veterinarian’s heroic efforts to save Juliet, the cat who had 38 hair ties removed from her stomach and died after her health seemed to improve.
Elliot, you’ll recall, was the poor, sweet stray who was found literally frozen to the concrete on the day after Christmas, when the country was in a deep chill the likes of which we haven’t seen in decades, with temperatures plunging well into the negative. A Good Samaritan found the little guy in a bad way, with his eyes frozen shut and his organs shutting down, but she turned up her truck’s heat and rushed him to Big Lake Community Animal Clinic in Muskegon, Michigan, where the staff took good care of him and named him after the storm he was found in.
They wrapped little Elliot up in warm blankets, gave him fluids and began to slowly raise his body temperature, which was a dangerous 94 degrees. Things started to look up, too: Elliot had a habit of reaching his paw out to the vet techs who were monitoring him, began to regain his appetite, and eventually was able to stand and eat on his own.
But Elliot’s health took a turn for the worse again, and veterinarians determined he developed a saddle thrombosis, which is described as “a blood clot (called a “thrombus”) that lodges at the base of the aorta just as it branches into two distinct arteries, thereby obstructing blood flow to the hind limbs. It is so named because of the saddle-like shape it roughly resembles once it takes up residence in this location.”
For cats who develop a saddle thrombosis, the outlook is not good, and drugs designed to dissolve blood clots are often ineffective.
“Sadly, there was nothing we could have done to prepare for that but we knew it was time to let him be free from the pain and struggle he’s known most of his life,” Big Lake’s staff wrote to supporters.
A staffer named Diane Neas, who took Elliot into her home after a few days when he’d stabilized, was particularly hard hit by the loss, and understandably so. Well-wishes and applications to adopt Elliot had come pouring in, and it seemed like the former stray’s suffering would lead to the best reward — a warm home of his own and people to love and care for him.
“We find peace in knowing the last two weeks of his life were spent with people who showed him kindness, care and love,” shelter staff wrote. “We can’t believe the following and support he has gained on this journey to healing; from the bottom of our hearts, thank you all for caring so deeply for him and sending such love and support his way.”
Images courtesy of Big Lake Community Animal Clinic
Veterinarians tried their best to save Juliet, but noted “even with the best care, not every animal makes it.”
Juliet the cat and her two feline siblings were unceremoniously dumped outside their former home when their humans moved out of state a few weeks ago.
A Good Samaritan realized the trio had no one taking care of them and nowhere to go, and brought the cats to the Charleston Animal Society in South Carolina. After some time, Juliet stopped eating. A scan revealed why: The cream-and-white cat had an amorphous mass inside her stomach, a “seemingly endless bundle of strings” in the words of one veterinarian, which blocked Juliet’s stomach and prevented her from being able to eat or process food.
A vet performed emergency surgery on Juliet earlier this week and removed 38 hair ties.
“I’ve never seen anything like it,” said Leigh Jamison, the shelter’s associate director of veterinary care.
Hair ties removed from the stomach of Juliet the cat.
Vet techs monitored Juliet closely and fed her carefully, making sure she got the nutrients she desperately needed without overwhelming her shocked system, which had suffered a buildup of fat in her liver.
They thought Juliet would pull through, but the ailing kitty took a turn for the worse on Friday and died a few hours later, the shelter announced.
“Our expert veterinarians and lifesaving team perform what we think are miracles every single day. Unfortunately, even with the best care, not every animal makes it,” staff wrote in an Instagram post. “Even though Juliet was loved and was not suffering during her last days, she did succumb to this tragic accident. We are all heartbroken.”
Pica, an eating disorder that affects humans, also occurs with cats. Defined as the consumption of items which are not food, pica can manifest in cats as a predilection for things like paper, plastic bags, rubber bands, small pieces of plastic and, as was the case with Juliette, items like hair ties that are made of fabric, wool or synthetic materials.
While there are medical reasons pica can present in felines, it’s also sometimes brought on by environmental stress, and it wouldn’t be a stretch to imagine the kind of people who would abandon their pet cats may not have been good caretakers. No one except her former caretakers know what Juliet’s been through, and they’re unlikely to come forward.
Likewise, adoption isn’t a part time, halfway or temporary thing. Adopting a cat means committing to taking care of the animal for his or her entire life. Despite the stubbornly persistent idea that cats are aloof, solitary animals who are indifferent to companionship, research studies show felines are just as sociable as dogs and form strong emotional attachments with their humans. They care deeply, but they express affection in different and less overt ways. That doesn’t mean they suffer less when they lose their homes and the people they’ve grown to love.
Pain In The Bud 