Hollywood pumps out so much disappointing content, especially in the age of streaming, that it’s easy to become disillusioned with movies altogether.
But every once in a while there’s a film that reminds you how much fun movies can be, hitting all the right emotional notes while taking you completely out of this world for two blissful hours.
Predator: Badlands is that kind of movie. Unexpectedly funny and poignant, it also delivers the kind of action audiences have come to expect from the Predator franchise — and then some.
The biggest change here is that, for the first time, a Yautja (the alien species we call the Predators) is the protagonist.
Dek isn’t just any Yautja. He’s a youngster who is horribly wronged in the opening minutes of the film and sent to Genna, a place his species calls the “death planet” because virtually every form of life there is monstrous and spectacularly lethal.
His own death is a foregone conclusion on the brutal world until he meets two unlikely allies: Thia, a damaged synthetic (android) built by the notorious Weyland-Yutani corporation, and Bud.
Bud steals the show, but I wouldn’t dream of robbing anyone of the pleasure of experiencing Bud the way writer/director Dan Trachtenberg intended, so I will say no more.
Badlands has a lot of heart and a script that knows just when to slice the tension. In one quiet scene after surviving an encounter with a particularly nasty creature, Thia (an energetic Elle Fanning) raves about the experience and the excitement of accompanying Dek and Bud on a hunt.
“The Dynamic Trio! Remember when we went down the tree? That monster’s mouth? I mean… Uggh. Didn’t smell great, didn’t smell great, but we got him. We got him! Thank you, seriously, for that experience. Truly amazing. Thrilling! Truly thrilling.
“What was your favorite part?” she asks the young Yautja.
“When my sword pierced the creature’s skull and its blood ran down my face,” Dek deadpans.
This is Trachtenberg’s second Predator film, and Badlands exists because he proved there was life still left in the franchise with 2022’s Prey.
That movie was unfortunately streamed direct to Hulu without a theatrical release, as were several big time films that year, because of a resurgent COVID wave. (Remember the Delta variant?)
But critics and audiences, including your humble Buddesian correspondents, found a lot to like in the story of Naru (Amber Midthunder), a young Comanche woman living on the Great Plains in 1719. After encountering a Yautja, Naru warns her tribe that a mysterious and dangerous creature is stalking their lands, but they laugh at her and accuse her of telling tall tales — until they see the Yautja for themselves, at which point they don’t find it amusing anymore.
Midthunder was fantastic, and Prey balanced its historical setting with stunning action sequences and quiet character moments.
In earlier installments, including Prey, the Yautja were always the antagonists. We knew they were a warrior culture, that they followed an honor code and possessed fantastically advanced technology, but for the most part the Yautja remained a blank slate aside from some non-canonical media (mostly novelizations, comics and games) that attempted to expand the universe.
Badlands demystifies the Yautja somewhat out of necessity, which is always a dangerous gamble (just ask the xenomorph of Alien fame, which lost its mystique half a dozen sequels ago), but significantly raises the emotional stakes.
Dek isn’t invincible. Circumstances have robbed him of most of his arsenal, he’s thrown into a perilous and unfamiliar world, and he’s haunted by the fresh memories of the tragedy that sets off the events of the film.
That makes it easy for the audience to identify with and root for Dek, despite the difficulty of conveying emotions with alien facial features. Dimitrius Schuster-Koloamatangi deserves credit not only for imbuing Dek with physicality, but also for getting the most he can out of the Yautja youngster’s brooding body language, howls of frustration and slowly dawning realization that he can choose his own path in life.
It may take a planet teeming with horrors to make an underdog of a Yautja, but Badlands succeeds on that count.
Predator: Badlands set a record for the franchise with a $40 million opening weekend, and pulled in $184 million total at the box office. It was made available for streaming this week. With the financial success, and the positive reviews from critics and fans alike, it’s possible we’ll see Dek, Thia and Bud continue their adventures in a sequel.
Pain In The Bud 