Cops: Wannabe Rapper ‘Ritually Sacrificed’ Cat To Promote Music

David Mosley wanted attention and allegedly killed a cat on camera to promote his Satanist-themed music.

What to do when you want to be a famous music artist, but your tunes are abominably awful and your gimmick is infantile?

If you’re David Mosley, apparently you beg the internet to notice you exist by allegedly murdering a cat.

The 26-year-old Bronx man was initially gleeful after sharing video and photos showing a dead cat in his Fordham North hovel surrounded by candles and a bunch of nonsense, including the word “SATAN,” spray painted on the walls.

“You should have heard the little bih squeal lol,” Mosley wrote on Instagram alongside a photo of a bloodied and dead cat in his apartment.

“I’m the king, n—a,” Mosley said in a follow-up video after mocking people who were upset that he allegedly killed the cat. “I can reach through the camera and put spells on you like that! That easily! I hexed you through the phone, through the camera. Ya’ll know I do f—ing voodoo, so don’t even call me delusional.”

Mosley during a live stream, during which he claimed supernatural powers.

A relevant question here: who adopted a cat out to this guy? I went through what felt like a CIA-level background check when I first went to adopt, and this Satanist who thinks he’s a wizard apparently had no problem just waltzing into a shelter and walking out with a cat.

Apparently angry that no one turned up to the first “show” in his illustrious music career, Mosley said he was going to take things to the “next level” with another “sacrifice” on Halloween night. In his musical endeavors he called himself Church of Ububal, with the latter word a reverse spelling of “Labubu” in reference to the viral toys.

“Be there or be square,” he wrote, per a screenshot posted to Reddit. “Like I said at my first show and no one came. But you will be at this one. Grab popcorn.”

When he got the attention he wanted, but not the reaction he wanted, he backpedaled during a live stream, claiming he found the already-deceased feline.

By that point, furious Redditors in a Bronx subreddit had closed in on his identity and exact location, and were pestering the NYPD to grab Mosley.

“Y’all are soft for falling for cheap parlor tricks” Mosley said during the live stream.

Incredibly, Bronx criminal court Judge Harold E. Bahr let Mosley walk free without having to post bail after a preliminary hearing this week, and adjourned a hearing this week after Mosley’s original attorney was not present. It’s not clear if that attorney will continue to represent Mosley.

Bahr must be confused about which decade this is. Constituents should (politely) register their displeasure with his office. People from several local cat rescues have already done so.

“We want the judge to take this seriously. We cannot wait for another crime like this to happen,” local animal welfare activist Rachel Ejsmont told News12 Bronx.

Mosley was initially charged with criminal mischief and aggravated cruelty to animals at his Oct. 30 arraignment. Activists are pushing the district attorney for more serious charges.

The court hasn’t set a date for Mosley’s next hearing after the Nov. 12 adjournment. We hope the scrutiny and his mounting legal troubles dissuade him from trying to get attention through violence again.

Lastly, I usually keep my mouth shut about this sort of thing because I know emotions run high and most people are well-intentioned, but already there are grifters latching onto this incident and using it to beg for donations for their activism, which amounts to little more than grumbling about this stuff on social media.

Be careful about who you donate to and make sure you’re giving to registered organizations with financials listed on Charity Navigator or Charity Watch. Donate your hard-earned money to groups that really do make a difference, such as the Humane Society, SPCA and local rescues that do outstanding work, like New Jersey’s Tabby’s Place. A transparent, effective charity will feature its IRS Form 990 on its website and use at least 75 percent of its revenue from donations on program spending. Be wary of “influencers,” people who say outrageous things for attention, clicks and donations, and anyone who claims they have special access to, or influence over, authorities.

Header image via News12 Bronx (screencap)

Who Would Ever Leave New York?

“Start spreadin’ the news, I’m leaving today! I want to be a part of it, New York, New York!”

Playland: Riding A 100-Year-Old Roller Coaster At New York’s Historic Amusement Park

New to kids and nostalgic to adults, Playland means summer for New Yorkers. PITB visits the National Historic Landmark.

“You know,” I said to my niece, rapping my knuckles against a wooden support beam of Playland’s Dragon Coaster, “they built this thing 100 years ago.”

Her eyes widened. At 10 years old and already wise beyond her years, she smelled a joke at her expense by her constantly wise-cracking uncle. (I once told her and her sister that my cat had a vast collection of Pokémon cards, and that he almost certainly had the ultra-rare cards they coveted. At the time, their young minds didn’t question it and wanted to propose trades with Buddy, but now it comes up every time I tell them something absurd.)

“No it wasn’t!” my niece said as we stood in line to ride the venerable and historic wooden coaster.

My brother chimed in.

“It says it right there,” he said, pointing to a sign above the queue. “This roller coaster was built in 1929, the year the park opened.”

Playland
Playland’s ferris wheel and the manicured midway that runs the length of the park, with a giant fountain on one end and a stage for outdoor performances on the other. Credit: PITB

The Dragon Coaster is indeed almost a 100 years old, and to a 10-year-old a century is an incomprehensible amount of time. Mentioning the ride’s age almost backfired on us and we had to assure the kids the ride was safe.

Truth be told, the Dragon Coaster doesn’t look safe. It’s all aging wooden beams, rusting rivets and peeling paint, and the coaster rattles as it allows gravity to do the bulk of the work, with an initial 80-foot drop propelling the cars over 3,400 feet of shuddering track. But it passes inspection every year and it’s a relic of a time when things were built to different standards.

The iconic coaster’s history also extends to pop culture: Tom Hanks rode the Dragon Coaster in the 1988 film, Big, as did Mariah Carey in the video for her 1995 hit Fantasy. In 1987, it was featured prominently in the psychological thriller Fatal Attraction with Glenn Close and Michael Douglas.

Tom Hanks at Rye Playland
A young Tom Hanks on Playland’s boardwalk in Big (1988). The “Zoltar” machine that grants Hanks’ wish in the movie is still in the park and has been moved to the midway.

mariahcarey
Mariah Carey riding the Dragon Coaster in the 1995 video for her hit, Fantasy. Carey returned to Playland last summer with her family over the July 4 weekend.

Dragon Coaster at Rye Playland
The Dragon Coaster’s front entrance in September of 2024. Credit: PITB

My brother and I rode the Dragon Coaster when we were kids, as did my mom and her friends in their youth. If you grew up in Westchester County, the Bronx or Manhattan, chances are that Playland was a big part of your summers.

I have vague memories of the park from early childhood, fond memories of screaming on rides like the Mind Scrambler in my teenage years, fresher memories of taking my little charges there when I was a summer camp counselor, and new memories formed annually as I bring my brother’s kids.

Taking the kids to the amusement park was one of the things I most looked forward to when I became an uncle, and they’re at the age now where they really love it. Visiting the park brought on waves of nostalgia (“Good Vibrations” by Marky Marky and the Funky Bunch blasted from the PA when we first arrived), the happiness of seeing the kids’ eyes light up with joy, and the realization that even though I get dizzy and my stomach doesn’t appreciate rapid changes in gravity and direction anymore, some rides are still a hell of a lot of fun as an adult.

The Carousel at Playland
The medium-size version of three carousels at Playland in Rye, NY, September 2024. Credit: PITB.

We returned this year to find new rides, refurbished shops and lots of construction. Playland is in the middle of yet another refresh, this time to the tune of $150 million, leaving some rides and areas of the park dark to visitors.

Playland was built on 280 acres of prime waterfront real estate on the Long Island Sound and it’s very much a product of its time. Although it has seen its share of retrofits and refurbishment over almost century of existence, there’s no hiding the fact that it was constructed in the 1920s.

The structures — which include an entrance plaza, an ice casino and arcade, a pool, a beachfront boardwalk and a central tower — were built in an Art Deco style, with a consistent limestone, orange and emerald green color scheme.

As a kid my favorite ride was the Mind Scrambler, a blackout ride variation on the classic Scrambler housed within a dome. I remember waiting on line with my friends, hoping we’d get a good song for the ride, which was adorned with lots of neon and blacklights for maximum funkiness and disorientation.

Alas, messing around on a ride like that doesn’t bring good results. In a sequence of events that’s still difficult to believe, a seven-year-old girl was killed when she was thrown from the Mind Scrambler in 2004.

Playland's Mind Scrambler
The exterior Mind Scrambler shortly before the darkride was dismantled following a series of deaths.

Three summers later, park management promoted a 21-year-old Playland employee who was working the night the girl was killed, making her the ride’s manager. She died that summer on the same ride. An investigation found she was kneeling backwards in her seat when she was thrown from the Scrambler just 20 seconds in.

The woman’s death prompted the park’s management to shut the ride down, a decision that was later made permanent despite the fact that “user error” was to blame.

Playland during the Depression
Riders on the Dragon Coaster during the Great Depression. Credit: Rye Historical Society

Playland poster
A poster from the 1930s showing a bird’s eye view of Playland in Rye, NY. Note the beaches and the boardwalk below the park and the adjacent suburban neighborhood. Very little about the park’s layout or the neighborhood has changed over the years. Credit: Rye Historical Society

A close second favorite was the Music Express, a straightforward moderate speed ride that was also known for pumping out loud pop hits. I have fond memories of riding the Music Express to everything from the Spin Doctors’ Two Princes and Technotronics’ Move This, to Blues Traveler’s Run Around and Snow’s ludicrous summer hit, Informer.

The Music Express was out of commission last summer, but this time it was back in action.

“We’ve gotta ride this!” I told my nieces. Just when I was thinking it was getting a little intense, it slowed down. That wasn’t so bad, I thought. Then it spun up again, faster than before, this time spinning backwards. I felt like I’d downed a six pack of beer in a half hour when I stumbled off the damn thing.

musicexpress
The Music Express at Rye Playland.

I wisely limited myself to less strenuous rides for the rest of the night, including the bumper cars, Ferris wheel and the Zombie Castle. At seven years old, my younger niece isn’t big enough yet to ride some of the attractions by herself, and that’s when the Funcle steps in. Thankfully she’d had her fill of stomach-churners too.

Above: A classic swing ride at rest, left, and mid-sequence as it twirls riders through the air. Credit: PITB

Playland became a National Historic Landmark in 1987, and is unique among amusement parks in the US — and possibly the world — in that it’s government-owned. That’s because the people who live in the area, a wealthy waterfront enclave, were worried about growing crowds, traffic and “unsavory” people. In the 1920s at the urging of the community, Westchester County purchased the land, folded several smaller waterfront operations into a single park, and began drafting plans for a larger destination in the Art Deco style popular at the time.

While Art Deco is typically associated with structures like the Empire State Building and the Chrysler Building in Manhattan, as well as the Chicago Board of Trade skyscraper, the jazz-age aesthetic is another feature that makes Playland  so unique.

Zombie Castle at Playland
The Zombie Castle was built in the 1930s with a different theme, then was refurbished in the late 1960s, perhaps in response to the success of George Romero’s Night of the Living Dead, which was released in 1968. This image shows the Zombie Castle on September 22, 2024. Credit: PITB

Remarkably, many of the attractions are as old as the park itself, including the aforementioned Dragon Coaster, The Whip, and the original carousel. Several of the older rides were designed and manufactured by engineer W.F. Mengels, the “Wizard of Coney Island” who was famous for designing many of that iconic park’s rides.

Taking the kids to Legoland in New York earlier this summer felt like a soulless experience, like paying to sit through a four-hour commercial for eponymous toys. Every ride was tied to a Lego intellectual property, every note of the piped-in music a corporate composition, every ride forcing you to exit via attached gift shops where $300 play sets beckoned to the children.

Even the “waterpark” had a corporate regimen to it: you’re required to book “appointments” ahead of time and get precisely 20 minutes to cool off under sprinklers on a Lego pirate-themed water playground, complete with Lego palm trees and Lego ships while the next group queues in the afternoon sun and watches, willing time to go faster.

Playland may not be as polished, but the experience feels more honest, and there’s no doubt the kids had more fun here. If I were a betting man, I’d wager Playland will still be there when they have kids of their own, while Legoland will be consigned to the dustbin of themed parks that don’t give you a reason to come back.

The Whip at Coney Island
Coney Island’s version of The Whip designed by W.F. Mengels. Undated but likely in the 1910s.

NYC Cat Gets A Home After He Was Tied In A Trash Bag And Thrown In A Dumpster

Panda survived a traumatic experience but was rewarded with a happy ending in the home of a human who loves him.

Panda the cat would have suffered a brutal death in the jaws of a trash compactor if not for an eagle-eyed can collector who spotted the handsome tuxedo among the trash.

The little guy was literally double-bagged in a blue plastic bag and a larger trash bag, then thrown in a dumpster in the Bronx. There were holes in the inner bag where Panda had tried to claw his way out — and bits of plastic bag caught on his claws — but he had been unable to free himself.

Thankfully, someone looking for cans to recycle opened the outer bag, saw Panda and called 911. NYPD cops brought Panda to the ASPCA Animal Recovery Center in Manhattan, where staff began treating him for malnutrition, skin disease and a “minor gastrointestinal infection,” the Daily News reported.

Panda the cat
Panda a few moments after he was spotted in a dumpster in the Bronx by someone looking for recyclables. Credit: ASPCA

Despite all he’d been through — the neglect, abandonment and trauma of being tossed out like a piece of garbage — Panda was “sweet and social” with his rescuers.

They placed him in a foster home under the care of 22-year-old Abigail Jasak, who decided to keep him after he quickly made himself at home and won over Jasak and her roommates.

“Initially I had no intention of adopting him,” Jasak told the Daily News. ”Then I realized how comfortable he was around us. He already believed he was home.”

Jasak told the paper she was disturbed by the casual cruelty of tossing a cat in the garbage.

“There are other options,” said the Pace University student. ” You can bring it to a shelter. I truly cannot comprehend how someone threw away such a sweet cat.”

Big Buddy’s note: I’ve been to the ASPCA’s Upper East Side facility and visited in 0 B.B. (Before Bud, aka 2014) while I was looking to adopt. It’s a beautiful, incredibly clean, bright facility where each animal has significantly more space than they would in a normal shelter, and the staff are friendly and helpful. As awful as Panda’s situation was, I’m glad they were able to help him and pair him with a human who really cares for the little guy.